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Chapter 15. A Woman of the People
Bourke Street is a more crowded thoroughfare than Collins Street, especially at night. The theatres that it contains are in themselves sufficient for the gathering of a considerable crowd. It is a grimy crowd for the most part. Round the doors of the hotels a number of ragged and shabby-looking individuals collect, waiting till some kind friend shall invite them to step inside. Further on a knot of horsey-looking men are to be seen standing under the Opera House verandah giving and taking odds about the Melbourne Cup, or some other meeting. Here and there are ragged street Arabs, selling matches and newspapers; and against the verandah post, in the full blaze of the electric light, leans a weary, draggled-looking woman, one arm clasping a baby to her breast, and the other holding a pile of newspapers, while she drones out in a hoarse voice, “‘ERALD, third ’dition, one penny!” until the ear wearies of the constant repetition. Cabs rattle incessantly along the street; here, a fast-looking hansom, with a rakish horse, bearing some gilded youth to his Club — there, a dingy-looking vehicle, drawn by a lank quadruped, which staggers blindly down the street. Alternating with these, carriages dash along with their well-groomed horses, and within, the vision of bright eyes, white dresses, and the sparkle of diamonds. Then, further up, just on the verge of the pavement, three violins and a harp are playing a German waltz to an admiring crowd of attentive spectators. If there is one thing which the Melbourne folk love more than another, it is music. Their fondness for it is only equalled by their admiration for horse-racing. Any street band which plays at all decently, may be sure of a good audience, and a substantial remuneration for their performance. Some writer has described Melbourne, as Glasgow with the sky of Alexandria; and certainly the beautiful climate of Australia, so Italian in its brightness, must have a great effect on the nature of such an adaptable race as the Anglo-Saxon. In spite of the dismal prognostications of Marcus Clarke regarding the future Australian, whom he describes as being “a tall, coarse, strong-jawed, greedy, pushing, talented man, excelling in swimming and horsemanship,” it is more likely that he will be a cultured, indolent individual, with an intense appreciation of the arts and sciences, and a dislike to hard work and utilitarian principles. Climatic influence should be taken into account with regard to the future Australian, and our posterity will no more resemble us than the luxurious Venetians resembled their hardy forefathers, who first started to build on those lonely sandy islands of the Adriatic.

This was the conclusion at which Mr. Calton arrived as, he followed his guide through the crowded streets, and saw with what deep interest the crowd listened to the rhythmic strains of Strauss and the sparkling melodies of Offenbach. The brilliantly-lit street, with the never-ceasing stream of people pouring along; the shrill cries of the street Arabs, the rattle of vehicles, and the fitful strains of music, all made up a scene which fascinated him, and he could have gone on wandering all night, watching the myriad phases of human character constantly passing before his eyes. But his guide, with whom familiarity with the proletarians had, in a great measure, bred indifference, hurried him away to Little Bourke Street, where the narrowness of the thoroughfare, with the high buildings on each side, the dim light of the sparsely scattered gas-lamps, and the few ragged-looking figures slouching along, formed a strong contrast to the brilliant and crowded scene they had just left. Turning off Little Bourke Street, the detective led the way down a dark lane. It was as hot as a furnace from the accumulated heat of the day. To look up at the clear starlit sky was to experience a sensation of delicious coolness.

“Keep close to me,” whispered Kilsip, touching the barrister on the arm; “we may meet some nasty customers about here.”

It was not quite dark, for the atmosphere had that luminous kind of haze so observable in Australian twilights, and this weird light was just sufficient to make the darkness visible. Kilsip and the barrister kept for safety in the middle of the alley, so that no one could spring upon them unaware, and they could see sometimes on the one side, a man cowering back into the black shadow, or on the other, a woman with disordered hair and bare bosom, leaning out of a window trying to get a breath of fresh air. There were also some children playing in the dried-up gutter, and their shrill young voices came echoing strangely through the gloom, mingling with a bacchanalian sort of song, sung by a man, as he slouched along unsteadily over the rough stones. Now and then a mild-looking string of Chinamen stole along, clad in their dull-hued blue blouses, either chattering shrilly, like a lot of parrots, or moving silently down the alley with a stolid Oriental apathy on their yellow faces. Here and there came a stream of warm light through an open door, and within, the Mongolians were gathered round the gambling-tables, playing fan-tan, or leaving the seductions of their favourite pastime, to glide soft-footed to the many cook-shops, where enticing-looking fowls and turkeys already cooked were awaiting purchasers. Kilsip turning to the left, led the barrister down another and still narrower lane, the darkness and gloom of which made the lawyer shudder, as he wondered how human beings could live in such murky places.

At last, to Calton’s relief, for he felt somewhat bewildered by the darkness and narrowness of the lanes through which he had been taken, the detective stopped before a door, which he opened, and stepping inside, beckoned to the barrister to follow. Calton did so, and found himself in a low, dark, ill-smelling passage. At the end a faint light glimmered. Kilsip caught his companion by the arm and guided him carefully along the passage. There was much need of this caution, for Calton could feel that the rotten boards were full of holes, into which one or the other of his feet kept slipping from time to time, while he could hear the rats squeaking and scampering away on all sides. Just as they got to the end of this tunnel, for it could be called nothing else, the light suddenly went out, and they were left in complete darkness.

“Light that,” cried the detective in a peremptory tone of voice. “What do you mean by dowsing the glim?”

Thieves’ argot was, evidently, well understood here, for there was a shuffle in the dark, a muttered voice, and someone lit a candle. Calton saw that the light was held by an elfish-looking child. Tangled masses of black hair hung over her scowling white face. As she crouched down on the floor against the damp wall she looked up defiantly yet fearfully at the detective.

“Where’s Mother Guttersnipe?” asked Kilsip, touching her with his foot.

She seemed to resent the indignity, and rose quickly to her feet.

“Upstairs,” she replied, jerking her head in the direction of the right wall.

Following her direction, Calton — his eyes now somewhat accustomed to the gloom — could discern a gaping black chasm, which he presumed was the stair alluded to.

“Yer won’t get much out of ’er to-night; she’s a-going to start ’er booze, she is.”

“Never mind what she’s doing or about to do,” said Kilsip, sharply, “take me to her at once.”

The girl looked him sullenly up and down, then she led the way into the black chasm and up the stairs. They were so shaky as to make Calton fear they might give way. As they toiled slowly up the broken steps he held tightly to his companion’s arm. At last they stopped at a door through the cracks of which a faint glimmer of light was to be seen. Here the girl gave a shrill whistle, and the door opened. Still preceded by their elfish guide, Calton and the detective stepped through the doorway. A curious scene was before them. A small square room, with a low roof, from which the paper mildewed and torn hung in shreds; on the left hand, at the far end, was a kind of low stretcher, upon which a woman, almost naked, lay, amid a heap of greasy clothes. She appeared to be ill, for she kept tossing her head from side to side restlessly, and every now and then sang snatches of song in a cracked voice. In the centre of the room was a rough deal table, upon which stood a guttering tallow candle, which but faintly illuminated the scene, and a half empty rectangular bottle of Schnapps, with a broken cup beside it. In front of these signs of festivity sat an old woman with a pack of cards spread out before her, and from which she had evidently been telling the fortune of a villainous-looking young man who had opened the door, and who stood looking at the detective with no very friendly expression of countenance. He wore a greasy brown velvet coat, much patched, and a black wide-awake hat, pulled down over his eyes. From his expression — so scowling and vindictive was it — the barrister judged his ultimate destiny to lie between Pentridge and the gallows.

As they entered, the fortune-teller raised her head, and, shading her eyes with one skinny hand, looked curiously at the new comers. Calton thought he had never seen such a repulsive-looking old crone; and, in truth, her ugliness was, in its very grotesqueness well worthy the pencil of a Dore. Her face was seamed and lined with innumerable wrinkles, clearly defined by the dirt which was in them; bushy grey eyebrows, drawn frowningl............
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