In the evening of this same foggy day when the yellow windowblind of Pubsey and Co. was drawn down upon the day’s work, Riah the Jew once more came forth into Saint Mary Axe. But this time he carried no bag, and was not bound on his master’s affairs. He passed over London Bridge, and returned to the Middlesex shore by that of Westminster, and so, ever wading through the fog, waded to the doorstep of the dolls’ dressmaker.

Miss Wren expected him. He could see her through the window by the light of her low fire — carefully banked up with damp cinders that it might last the longer and waste the less when she was out — sitting waiting for him in her bonnet. His tap at the glass roused her from the musing solitude in which she sat, and she came to the door to open it; aiding her steps with a little crutch-stick.

‘Good evening, godmother!’ said Miss Jenny Wren.

The old man laughed, and gave her his arm to lean on.

‘Won’t you come in and warm yourself, godmother?’ asked Miss Jenny Wren.

‘Not if you are ready, Cinderella, my dear.’

‘Well!’ exclaimed Miss Wren, delighted. ‘Now you ARE a clever old boy! If we gave prizes at this establishment (but we only keep blanks), you should have the first silver medal, for taking me up so quick.’ As she spake thus, Miss Wren removed the key of the house-door from the keyhole and put it in her pocket, and then bustlingly closed the door, and tried it as they both stood on the step. Satisfied that her dwelling was safe, she drew one hand through the old man’s arm and prepared to ply her crutch-stick with the other. But the key was an instrument of such gigantic proportions, that before they started Riah proposed to carry it.

‘No, no, no! I’ll carry it myself,’ returned Miss Wren. ‘I’m awfully lopsided, you know, and stowed down in my pocket it’ll trim the ship. To let you into a secret, godmother, I wear my pocket on my high side, o’ purpose.’

With that they began their plodding through the fog.

‘Yes, it was truly sharp of you, godmother,’ resumed Miss Wren with great approbation, ‘to understand me. But, you see, you ARE so like the fairy godmother in the bright little books! You look so unlike the rest of people, and so much as if you had changed yourself into that shape, just this moment, with some benevolent object. Boh!’ cried Miss Jenny, putting her face close to the old man’s. ‘I can see your features, godmother, behind the beard.’

‘Does the fancy go to my changing other objects too, Jenny?’

‘Ah! That it does! If you’d only borrow my stick and tap this piece of pavement — this dirty stone that my foot taps — it would start up a coach and six. I say! Let’s believe so!’

‘With all my heart,’ replied the good old man.

‘And I’ll tell you what I must ask you to do, godmother. I must ask you to be so kind as give my child a tap, and change him altogether. O my child has been such a bad, bad child of late! It worries me nearly out of my wits. Not done a stroke of work these ten days. Has had the horrors, too, and fancied that four coppercoloured men in red wanted to throw him into a fiery furnace.’

‘But that’s dangerous, Jenny.’

‘Dangerous, godmother? My child is always dangerous, more or less. He might’— here the little creature glanced back over her shoulder at the sky —‘be setting the house on fire at this present moment. I don’t know who would have a child, for my part! It’s no use shaking him. I have shaken him till I have made myself giddy. “Why don’t you mind your Commandments and honour your parent, you naughty old boy?” I said to him all the time. But he only whimpered and stared at me.’

‘What shall be changed, after him?’ asked Riah in a compassionately playful voice.

‘Upon my word, godmother, I am afraid I must be selfish next, and get you to set me right in the back and the legs. It’s a little thing to you with your power, godmother, but it’s a great deal to poor weak aching me.’

There was no querulous complaining in the words, but they were not the less touching for that.

‘And then?’

‘Yes, and then — YOU know, godmother. We’ll both jump up into the coach and six and go to Lizzie. This reminds me, godmother, to ask you a serious question. You are as wise as wise can be (having been brought up by the fairies), and you can tell me this: Is it better to have had a good thing and lost it, or never to have had it?’

‘Explain, god-daughter.’

‘I feel so much more solitary and helpless without Lizzie now, than I used to feel before I knew her.’ (Tears were in her eyes as she said so.)

‘Some beloved companionship fades out of most lives, my dear,’ said the Jew — ‘that of a wife, and a fair daughter, and a son of promise, has faded out of my own life — but the happiness was.’

‘Ah!’ said Miss Wren thoughtfully, by no means convinced, and chopping the exclamation with that sharp little hatchet of hers; ‘then I tell you what change I think you had better begin with, godmother. You had better change Is into Was and Was into Is, and keep them so.’

‘Would that suit your case? Would you not be always in pain then?’ asked the old man tenderly.

‘Right!’ exclaimed Miss Wren with another chop. ‘You have changed me wiser, godmother. — Not,’ she added with the quaint hitch of her chin and eyes, ‘that you need be a very wonderful godmother to do that deed.’

Thus conversing, and having crossed Westminster Bridge, they traversed the ground that Riah had lately traversed, and new ground likewise; for, when they had recrossed the Thames by way of London Bridge, they struck down by the river and held their still foggier course that way.

But previously, as they were going along, Jenny twisted her venerable friend aside to a brilliantly-lighted toy-shop window, and said: ‘Now look at ‘em! All my work!’

This referred to a dazzling semicircle of dolls in all the colours of the rainbow, who were dressed for presentation at court, for going to balls, for going out driving, for going out on horseback, for going out walking, for going to get married, for going to help other dolls to get married, for all the gay events of life.’

‘Pretty, pretty, pretty!’ said the old man with a clap of his hands. ‘Most elegant taste!’

‘Glad you like ‘em,’ returned Miss Wren, loftily. ‘But the fun is, godmother, how I make the great ladies try my dresses on. Though it’s the hardest part of my business, and would be, even if my back were not bad and my legs queer.’

He looked at her as not understanding what she said.

‘Bless you, godmother,’ said Miss Wren, ‘I have to scud about town at all hours. If it was only sitting at my bench, cutting out and sewing, it would be comparatively easy work; but it’s the trying-on by the great ladies that takes it out of me.’

‘How, the trying-on?’ asked Riah.

‘What a mooney godmother you are, after all!’ returned Miss Wren. ‘Look here. There’s a Drawing Room, or a grand day in the Park, or a Show, or a Fete, or what you like. Very well. I squeeze among the crowd, and I look about me. When I see a great lady very suitable for my business, I say “You’ll do, my dear!’ and I take particular notice of her, and run home and cut her out and baste her. Then another day, I come scudding back again to try on, and then I take particular notice of her again. Sometimes she plainly seems to say, ‘How that little creature is staring!’ and sometimes likes it and sometimes don’t, but much more often yes than no. All the time I am only saying to myself, “I must hollow out a bit here; I must slope away there;” and I am making a perfect slave of her, with making her try on my doll’s dress. Evening parties are severer work for me, because there’s only a doorway for a full view, and what with hobbling among the wheels of the carriages and the legs of the horses, I fully expect to be run over some night. However, there I have ‘em, just the same. When they go bobbing into the hall from the carriage, and catch a glimpse of my little physiognomy poked out from behind a policeman’s cape in the rain, I dare say they think I am wondering and admiring with all my eyes and heart, but they little think they’re only working for my dolls! There was Lady Belinda Whitrose. I made her do double duty in one night. I said when she came out of the carriage, “YOU’ll do, my dear!” and I ran straight home and cut her out and basted her. Back I came again, and waited behind the men that called the carriages. Very bad night too. At last, “Lady Belinda Whitrose’s carriage! Lady Belinda Whitrose coming down!” And I made her try on — oh! and take pains about it too — before she got seated. That’s Lady Belinda hanging up by the waist, much too near the gaslight for a wax one, with her toes turned in.’

When they had plodded on for some time nigh the river, Riah asked the way to a certain tavern called the Six Jolly Fellowship Porters. Following the directions he received, they arrived, after two or three puzzled stoppages for consideration, and some uncertain looking about them, at the door of Miss Abbey Potterson’s dominions. A peep through the glass portion of the door revealed to them the glories of the bar, and Miss Abbey herself seated in state on her snug throne, reading the newspaper. To whom, with deference, they presented themselves.

Taking her eyes off her newspaper, and pausing with a suspended expression of countenance, as if she must finish the paragraph in hand before undertaking any other business whatever, Miss Abbey demanded, with some slight asperity: ‘Now then, what’s for you?’

‘Could we see Miss Potterson?’ asked the old man, uncovering his head.

‘You not only could, but you can and you do,’ replied the hostess.

‘Might we speak with you, madam?’

By this time Miss Abbey’s eyes had possessed themselves of the small figure of Miss Jenny Wren. For the closer observation of which, Miss Abbey laid aside her newspaper, rose, and looked over the half-door of the bar. The crutch-stick seemed to entreat for its owner leave to come in and rest by the fire; so, Miss Abbey opened the half-door, and said, as though replying to the crutchstick:

‘Yes, come in and rest by the fire.’

‘My name is Riah,’ said the old man, with courteous action, ‘and my avocation is in London city. This, my young companion —’

‘Stop a bit,’ interposed Miss Wren. ‘I’ll give the lady my card.’ She produced it from her pocket with an air, after struggling with the gigantic door-key which had got upon the top of it and kept it down. Miss Abbey, with manifest tokens of astonishment, took the diminutive document, and found it to run concisely thus:—

MISS JENNY WREN

DOLLS' DRESSMAKER.

Dolls attended at their own residences.

‘Lud!’ exclaimed Miss Potterson, staring. And dropped the card.

‘We take the liberty of coming, my young companion and I, madam,’ said Riah, ‘on behalf of Lizzie Hexam.’

Miss Potterson was stooping to loosen the bonnet-strings of the dolls’ dressmaker. She looked round rather angrily, and said: ‘Lizzie Hexam is a very proud young woman.’

‘She would be so proud,’ returned Riah, dexterously, ‘to stand well in your good opinion, that before she quitted London for —’

‘For where, in the name of the Cape of Good Hope?’ aske............