From the rapid and imperfect review of certain characteristic oriental dances in the chapters immediately preceding — or rather from the studies some of whose minor results those chapters embody — I make deduction of a few significant facts, to which facts of contrary significance seem exceptional. In the first place, it is to be noted that in countries where woman is conspicuously degraded the dance is correspondingly depraved. By “the dance,” I mean, of course, those characteristic and typical performances which have permanent place in the social life of the people. Amongst all nations the dance exists in certain loose and unrecognized forms, which are the outgrowth of the moment — creatures of caprice, posing and pranking their brief and inglorious season, to be superseded by some newer favorite, born of some newer accident or fancy. A fair type of these ephemeral dances — the comets of the saltatory system — in so far as they can have a type, is the now familiar Can-Can of the Jardin Mabille — a dance the captivating naughtiness of which has given it wide currency in our generation, the successors to whose aged rakes and broken bawds it will fail to please and would probably make unhappy. Dances of this character, neither national, universal, nor enduring, have little value to the student of anything but anatomy and lingerie. By study of a thousand, the product of as many years, it might be possible to trace the thread upon which such beads are strung — indeed, it is pretty obvious without research; but considered singly they have nothing of profit to the investigator, who will do well to contemplate without reflection or perform without question, as the bent of his mind may be observant or experimental.

Dancing, then, is indelicate where the women are depraved, and to this it must be added that the women are depraved where the men are indolent. We need not trouble ourselves to consider too curiously as to cause and effect. Whether in countries where man is too lazy to be manly, woman practices deferential adjustment of her virtues to the loose exactions of his tolerance, or whether for ladies of indifferent modesty their lords will not make exertion — these are questions for the ethnologer. It concerns our purpose only to note that the male who sits cross-legged on a rug and permits his female to do the dancing for both gets a quality distinctly inferior to that enjoyed by his more energetic brother, willing himself to take a leg at the game. Doubtless the lazy fellow prefers the loose gamboling of nude girls to the decent grace and moderation of a better art, but this, I submit, is an error of taste resulting from imperfect instruction.

And here we are confronted with the ever recurrent question. Is dancing immoral? The reader who has done me the honor attentively to consider the brief descriptions of certain dances, hereinbefore presented will, it is believed, be now prepared to answer that some sorts of dancing indubitably are — a bright and shining e............