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Chapter 12
“Fading in Music.”

“Mrs. Winstanley, on her marriage, by the Duchess of Dovedale.”
That was the sentence that went on repeating itself like a cabalistic formula in Pamela Winstanley’s mind, as her carriage drove through the dark silent woods to Ashbourne on the last night of the year.
A small idea had taken possession of her small mind. The Duchess was the fittest person to present her to her gracious mistress, or her gracious mistress’s representative, at the first drawing-room of the coming season. Mrs. Winstanley had old friends, friends who had known her in her girlhood, who would have been happy to undertake the office. Captain Winstanley had an ancient female relative, living in a fossil state at Hampton Court, and vaguely spoken of as “a connection,” who would willingly emerge from her aristocratic hermitage to present her kinsman’s bride to her sovereign, and whom the Captain deemed the proper sponsor for his wife on that solemn occasion. But what social value had a fossilised Lady Susan Winstanley, of whom an outside world knew nothing, when weighed in the balance with the Duchess of Dovedale? No; Mrs. Winstanley felt that to be presented by the Duchess was the one thing needful to her happiness.
It was a dinner of thirty people; quite a state dinner. The finest and newest orchids had been brought out of their houses, and the dinner-table looked like a tropical forest in little. Vixen went in to dinner with Lord Ellangowan, which was an unappreciated honour, as that nobleman had very little to say for himself, except under extreme pressure, and in his normal state could only smile and look good-natured. Roderick Vawdrey was ever so far away, between his betrothed and an enormous dowager in sky-blue velvet and diamonds.
After dinner there was music. Lady Mabel played a dreary minor melody, chiefly remarkable for its delicate modulation from sharps to flats and back again. A large gentleman sang an Italian buffo song, at which the company smiled tepidly; a small young lady sighed and languished through “Non e ver;” and then Miss Tempest and Lord Mallow sang a duet.
This was the success of the evening. They were asked to sing again and again. They were allowed to monopolise the piano; and before the evening was over everyone had decided that Lord Mallow and Miss Tempest were engaged. Only the voices of plighted lovers could be expected to harmonise as well as that.
“They must have sung very often together,” said the Duchess to Mrs. Winstanley.
“Only within the last fortnight. Lord Mallow never stayed with us before, you know. He is my husband’s friend. They were brother-officers, and have known each other a long time. Lord Mallow insists upon Violet singing every evening. He is passionately fond of music.”
“Very pleasant,” murmured the Duchess approvingly: and then she glided on to shed the sunshine of her presence upon another group of guests.
Carriages began to be announced at eleven — that is to say, about half-an-hour after the gentlemen had left the dining-room — but the Duke insisted that people should stop till twelve.
“We must see the old year out,” he said. “It is a lovely night. We can go out on the terrace and hear the Ringwood bells.”
This is how Violet and Lord Mallow happened to sing so many duets. There was plenty of time for music during the hour before midnight. After the singing, a rash young gentleman, pining to distinguish himself somehow — a young man with a pimply complexion, who had said with Don Carlos, “Three-and-twenty years of age, and nothing done for immortality”— recited Tennyson’s “Farewell to the Old Year,” in a voice which was like anything but a trumpet, and with gesticulation painfully suggestive of Saint Vitus.
The long suite of rooms terminated in the orangery, a substantial stone building with tesselated pavement, and wide windows opening on the terrace. The night was wondrously mild. The full moon shed her tender light upon the dark Forest, the shining water-pools, the distant blackness of a group of ancient yew-trees on the crest of a hill. Ashbourne stood high, and the view from the terrace was at all times magnificent, but perhaps finest of all in the moonlight.
The younger guests wandered softly in and out of the rooms, and looked at the golden oranges glimmering against their dark leaves, and put themselves into positions that suggested the possibility of flirtation. Young ladies whose study of German literature had never gone beyond Ollendorff gazed pensively at the oranges, and murmured the song of Mignon. Couples of maturer growth whispered the details of unsavoury scandals behind perfumed fans.
Vixen and Rorie were among these roving couples. Violet had left the piano, and Roderick was off duty. Lady Mabel and Lord Mallow were deep in the wrongs of Ireland. Captain Winstanley was talking agriculture with the Duke, whose mind was sorely exercised about guano.
“My dear sir, in a few years we shall have used up all the guano, and then what can become of us?” demanded the Duke. “Talk about our exhausting our coal! What is that compared with the exhaustion of guano? We may learn to exist without fires. Our winters are becoming milder; our young men are going in for athletics; they can keep themselves warm upon bicycles. And then we have the gigantic coal-fields of America, the vast basin of the Mississippi to fall back upon, with ever-increasing facilities in the mode of transport. But civilisation must come to a deadlock when we have no more guano. Our grass, our turnips, our mangel, must deteriorate, We shall have no more prize cattle. It is too awful to contemplate.”
“But do you really consider such a calamity at all probable, Duke?” asked the Captain.
“Probable, sir? It is inevitable. In 1868 the Chincha Islands were estimated to contain about six million tons of guano. The rate of exportation had at that time risen to four hundred thousand tons per annum. At this rate the three islands will be completely exhausted by the year 1888, and England will have to exist without guano. The glory of the English people, as breeders of prize oxen, will have departed.”
“Chemistry will have discovered new fertilisers by that time,” suggested the Captain, in a comforting tone.
“Sir,” replied the Duke severely, “the discoveries of modern science tend to the chimerical rather than the practical. Your modern scientists can liquefy oxygen, they can light a city with electricity, but they cannot give me anything to increase the size and succulence of my turnips. Virgil knew as much about agriculture as your modern chemist.”
While the Duke was holding forth about guano, Vixen and Rorie were on the terrace, in the stillness and moonlight. There was hardly a breath of wind. It might have been a summer evening. Vixen was shrouded from head to foot in a white cloak which Rorie had fetched from the room where the ladies had left their wraps. She looked all white and solemn in the moonlight, like a sheeted ghost.
Although Mr. Vawdrey had been civil enough to go in quest of Violet’s cloak, and had seemed especially desirous of bringing her to the terrace, he was by no means delightful now he had got her there. They took a turn or two in silence, broken only by a brief remark about the beauty of the night, and the extent of the prospect.
“I think it is the finest view in the Forest,” said Vixen, dwelling on the subject for lack of anything else to say. “You must be very fond of Ashbourne.”
“I don’t exactly recognise the necessity. The view is superb, no doubt; but the house is frightfully commonplace. It is a little better than Briarwood. That is about all which an enthusiastic admirer could advance in its favour. How much longer does Lord Mallow mean to take up his abode with you?”
Vixen shrugged her cloaked shoulders with an action that seemed to express contemptuous carelessness.
“I haven’t the least idea. That is no business of mine, you know.”
“I don’t know anything of the kind,” retorted Rorie captiously. “I should have thought it was very much your business.”
“Should you, really?” said Vixen mockingly.
If the gentleman’s temper was execrable, the lady’s mood was not too amiable.
“Yes. Are not you the load-star? It is your presence that makes the Abbey House pleasant to him. Who can wonder that he protracts his stay?”
“He has been with us a little more than a fortnight.”
“He has been with you an age. Mortals who are taken up to Paradise seldom stay so long. Sweet dreams are not so long. A fortnight in the same house with you, meeting with you at breakfast, parting with you at midnight, seeing you at noontide and afternoon, walking with you, riding with you, singing with you, kneeling down to family prayer at your side, mixing his ‘Amen’ with yours; why he might as well be your husband at once. He has as much delight in your society.”
“You forget the hours in which he is shooting pheasants and playing billiards.”
“Glimpses of purgatory, ............
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