Costello had come up from the fields and lay upon the ground before the door of his square tower, resting his head upon his hands and looking at the sunset, and considering the chances of the weather. Though the customs of Elizabeth and James, now going out of fashion in England, had begun to prevail among the gentry, he still wore the great cloak of the native Irish; and the sensitive outlines of his face and the greatness of his indolent body had a commingling of pride and strength which belonged to a simpler age. His eyes wandered from the sunset to where the long white road lost itself over the south-western horizon and to a horseman who toiled slowly up the hill. A few more minutes and the horseman was near enough for his little and shapeless body, his long Irish cloak, and the dilapidated bagpipes hanging from his shoulders, and the rough-haired garron under him, to be seen distinctly in the grey dusk. So soon as he had come within earshot, he began crying: ‘Is it sleeping you are, Tumaus Costello, when better men break their hearts on the great white roads? Get up out of that, proud Tumaus, for I have news! Get up out of that, you great omadhaun! Shake yourself out of the earth, you great weed of a man!’
Costello had risen to his feet, and as the piper came up to him seized him by the neck of his jacket, and lifting him out of his saddle threw him on to the ground.
‘Let me alone, let me alone,’ said the other, but Costello still shook him.
‘I have news from Dermott’s daughter, Winny,’ The great fingers were loosened, and the piper rose gasping.
‘Why did you not tell me,’ said Costello, that you came from her? You might have railed your fill.’
‘I have come from her, but I will not speak unless I am paid for my shaking.’
Costello fumbled at the bag in which he carried his money, and it was some time before it would open, for the hand that had overcome many men shook with fear and hope. ‘Here is all the money in my bag,’ he said, dropping a stream of French and Spanish money into the hand of the piper, who bit the coins before he would answer.
‘That is right, that is a fair price, but I will not speak till I have good protection, for if the Dermotts lay their hands upon me in any boreen after sundown, or in Cool-a-vin by day, I will be left to rot among the nettles of a ditch, or hung on the great sycamore, where they hung the horse-thieves last Beltaine four years.’ And while he spoke he tied the reins of his garron to a bar of rusty iron that was mortared into the wall.
‘I will make you my piper and my bodyservant,’ said Costello, ‘and no man dare lay hands upon the man, or the goat, or the horse, or the dog that is Tumaus Costello’s.’
‘And I will only tell my message,’ said the other, flinging the saddle on the ground, ‘in the corner of the chimney with a noggin in my hand, and a jug of the Brew of the Little Pot beside me, for though I am ragged and empty, my forbears were well clothed and full until their house was burnt and their cattle harried seven centuries ago by the Dillons, whom I shall yet see on the hob of hell, and they screeching’; and while he spoke the little eyes gleamed and the thin hands clenched.
Costello led him into the great rush-strewn hall, where were none of the comforts which had begun to grow common among the gentry, but a feudal gauntness and bareness, and pointed to the bench in the great chimney; and when he had sat down, filled up a horn noggin and set it on the bench beside him, and set a great black jack of leather beside the noggin, and lit a torch that slanted out from a ring in the wall, his hands trembling the while; and then turned towards him and said: ‘Will Dermott’s daughter come to me, Duallach, son of Daly?’
‘Dermott’s daughter will not come to you, for her father has set women to watch her, but she bid me tell you that this day sennight will be the eve of St. John and the night of her betrothal to Namara of the Lake, and she would have you there that, when they bid her drink to him she loves best, as the way is, she may drink to you, Tumaus Costello, and let all know where her heart is, and how little of gladness is in her marriage; and I myself bid you go with good men about you, for I saw the horse-thieves with my own eyes, and they dancing the “Blue Pigeon” in the air.’ And then he held the now empty noggin towards Costello, his hand closing round it like the claw of a bird, and cried: ‘Fill my noggin again, for I would the day had come when all the water in the world is to shrink into a periwinkle-shell, that I might drink nothing but Poteen.’
Finding that Costello made no reply, but sat in a dream, he burst out: ‘Fill my noggin, I tell you, for no Costello is so great in the world that he should not wait upon a Daly, even though the Daly travel the road with his pipes and the Costello have a bare hill, an empty house, a horse, a herd of goats, and a handful of cows.’ ‘Praise the Dalys if you will,’ said Costello as he filled the noggin, ‘for you have brought me a kind word from my love.’
For the next few days Duallach went hither and thither trying to raise a bodyguard, and every man he met had some story of Costello, how he killed the wrestler when but a boy by so straining at the belt that went about them both that he broke the big wrestler’s back; how when somewhat older he dragged fierce horses through a ford in the Unchion for a wager; how when he came to manhood he broke the steel horseshoe in Mayo; how he drove many men before him through Rushy Meadow at Drum-an-air because of a malevolent song they had about his poverty; and of many another deed of his strength and pride; but he could find none who would trust themselves with any so passionate and poor in a quarrel with careful and wealthy persons like Dermott of the Sheep and Namara of the Lake.
Then Costello went out himself, and after listening to many excuses and in many places, brought in a big half-witted fellow, who followed him like a dog, a farm-labourer who worshipped him for his strength, a fat farmer whose forefathers had served his family, and a couple of lads who looked after his goats and cows; and marshalled them before the fire in the empty hall. They had brought with them their stout cudgels, and Costello gave them an old pistol apiece, and kept them all night drinking Spanish ale and shooting at a white turnip which he pinned against the wall with a skewer. Duallach of the pipes sat on the bench in the chimney playing ‘The Green Bunch of Rushes’, ‘The Unchion Stream,’ and ‘The Princes of Breffeny’ on his old pipes, and railing now at the appearance of the shooters, now at their clumsy shooting, and now at Costello because he had no better servants. The labourer, the half-witted fellow, the farmer and the lads were all well accustomed to Duallach’s railing, for it was as inseparable from wake or wedding as the squealing of his pipes, but they wondered at the forbearance of Costello, who seldom came either to wake or wedding, and if he had would scarce have been patient with a scolding piper.
On the next evening they set out for Cool-a-vin, Costello riding a tolerable horse and carrying a sword, the others upon rough-haired garrons, and with their stout cudgels under their arms. As they rode over the bogs and in the boreens among the hills they could see fire answering fire from hill to hill, from horizon to horizon, and everywhere groups who danced in the red light on the turf, celebrating the bridal of life and fire. When they came to Dermott’s house they saw before the door an unusually large group of the very poor, dancing about a fire, in the midst of which was a blazing cartwheel, that circular dance which is so ancient that the gods, long dwindled to be but fairies, dance no other in their secret places. From the door and through the long loop-holes on either side came the pale light of candles and the sound of many feet dancing a dance of Elizabeth and James.
They tied their horses to bushes, for the number so tied already showed that the stables were full, and shoved their way through a crowd of peasants who stood about the door, and went into the great hall where the dance was. The labourer, the half-witted fellow, the farmer and the two lads mixed with a group of servants who were looking on from an alcove, and Duallach sat with the pipers on their bench, but Costello made his way through the dancers to where Dermott of the Sheep stood with Namara of the Lake pouring Poteen out of a porcelain jug into horn noggins with silver rims.
‘Tumaus Costello,’ said the old man, ‘you have done a good deed to forget what has been, and to fling away enmity and come to the betrothal of my daughter to Namara of the Lake.’
‘I come,’ answered Costello, ‘because when in the time of Costello De Angalo my forbears overcame your forbears and afterwards made peace, a compact was made that a Costello might go with his body-servants and his piper to every feast given by a Dermott for ever, and a Dermott with his body-servants and his piper to every feast given by a Costello for ever.’
‘If you come with evil thoughts and armed men,’ said the son of Dermott flushing,’ no matter how strong your hands to wrestle and to swing the sword, it shall go badly with you, for some of my wife’s clan have come out of Mayo, and my three brothers and their servants have come down from the Ox Mountains’; and while he spoke he kept his hand inside his coat as though upon the handle of a weapon.
‘No,’ answered Costello, ‘I but come to dance a farewell dance with your daughter.’
Dermott drew his hand out of his coat and went over to a tall pale girl who was now standing but a little way off with her mild eyes fixed upon the ground.
‘Costello has come to dance a farewell dance, for he knows that you will never see one another again.’
The girl lifted her eyes and gazed at Costello, and in her gaze was that trust of the humble in the proud, the gentle in the violent, which has been the tragedy of woman from the beginning. Costello led her among the dancers, and they were soon drawn into the rhythm of the Pavane, that stately dance which, with the Saraband, the Gallead, and the Morrice dances, had driven out, among all but the most Irish of the gentry, the quicker rhythms of the verse-interwoven, pantomimic dances of earlier days; and while they danced there came over them the unutterable melancholy, the weariness with the world, the poignant and bitter pity for one another, the vague anger against common hopes and fears, which is the exultation of love. And when a dance ended and the pipers laid down their pipes and lifted their horn noggins, they stood a little from the others waiting pensively and silently for the dance to begin again and the fire in their hearts to leap up and to wrap them anew; and so they danced and danced Pavane and Saraband and Gallead and Morrice through the night long, and many stood still to watch them, and the peasants came about the door and peered in, as though they understood that they would gather their children’s children about them long hence, and tell how they had seen Costello dance with Dermott’s daughter Oona, and become by the telling themselves a portion of ancient romance; but through all the dancing and piping Namara of the Lake went hither and thither talking loudly and making foolish jokes that all might seem well with him, and old Dermott of the Sheep grew redder and redder, and looked oftener and oftener at the doorway to see if the candles there grew yellow in the dawn.
At last he saw that the moment to end had come, and, in a pause after a dance, cried out from where the horn noggins stood that his daughter would now drink the cup of betrothal; then Oona came over to where he was, and the guests stood round in a half-circle, Costello close to the wall to the right, and the piper, the labourer, the farmer, the half-witted man and the two farm lads close behind him. The old man took out of a niche in the wall the silver cup from which her mother and her mother’s mother had drunk the toasts of their betrothals, and poured Poteen out of a porcelain jug and handed the cup to his daughter with the customary words, ‘Drink to him whom you love the best.’
She held the cup to her lips for a moment, and then said in a clear soft voice: ‘I drink to my true love, Tumaus Costello.’
And then the cup rolled over and over on the ground, ringing like a bell, for the old man had struck her in the face and the cup had fallen, and there was a deep silence.
There were many of Namara’s people among the servants now come out of the alcove, and one of them, a story-teller and poet, a last remnant of the bardic order, who had a chair and a platter in Namara’s kitchen, drew a French knife out of his girdle and made as though he would strike at Costello, but in a moment a blow had hurled him to the ground, his shoulder sending the cup rolling and ringing again. The click of steel had followed quickly, had not there come a muttering and shouting from the peasants about the door and from those crowding up behind them; and all knew that these were no children of Queen’s Irish or friendly Namaras and Dermotts, but of the wild Irish about Lough Gara and Lough Cara, who rowed their skin coracles, and had masses of hair over their eyes, and left the right arms of their children unchristened that they might give the stouter blows, and swore only by St. Atty and sun and moon, and worshipped beauty and strength more than St. Atty or sun and moon.
Costello’s hand had rested upon the handle of his sword and his knuckles had grown white, but now he drew it away, and, followed by those who were with him, strode towards the door, the dancers giving way before him, the most angrily and slowly, and with glances at the muttering and shouting peasants, but some gladly and quickly, because the glory of his fame was over him. He passed through the fierce and friendly peasant faces, and came where his good horse and the rough-haired garrons were tied to bushes; and mounted and bade his ungainly bodyguard mount also and ride into the narrow boreen. When they had gone a little way, Duallach, who rode last, turned towards the house where a little group of Dermotts and Namaras stood next to a more numerous group of countrymen, and cried: ‘Dermott, you deserve to be as you are this hour, a lantern without a candle, a purse without a penny, a sheep without wool, for your hand was ever niggardly to piper and fiddler and story-teller and to poor travelling people.’ He had not done before the three old Dermotts from the Ox Mountains had run towards their horses, and old Dermott himself had caught the bridle of a garron of the Namaras and was calling to the others to follow him; and many blows and many deaths had been had not ............