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Chapter 10.
Kinloch Houran Castle stands out of the very waters of Loch Houran, with its ruined gables and towers clothed with ivy. From the water it looked like nothing but a roofless and deserted ruin. One tower in the centre stood up above the jagged lines of the walls, with something that looked like a ruined balcony or terrace commanding the landscape. The outline was indistinct, for the trees that had got footing in the ruined chambers below grew high and wild, veiling the means by which it was sustained at that altitude: but the little platform itself was very visible, surrounding the solid block of the tower, which showed no window or opening, but looked as if it might yet outlive centuries. As the boat approached, Walter saw the rowers whisper, and give significant looks at Symington, who sat respectfully on one of the cross seats, not to put himself in the way of his master, who occupied the other alone. Hoarse whispers breathed about the other end of the boat, and Symington was progged in the shoulders with an occasional oar. “Will ye no’ be letting him see’t?” the rowers said. Walter’s faculties were eagerly acute in the strangeness of everything around him; the sense that he was going to an impossible house—to a ruin—on an impossible errand, seemed to keep him on the alert in every particular of his being. He could see through the dusk, he could hear through the whistle of the wind and the lashing of the water upon the boat’s side, which was like the roar of a mimic storm; and he was not even insensible to the comic element in Symington’s face, who waved away the oar with which he was poked, and replied with words and frowns and looks full of such superiority of information, that a burst of sudden nervous laughter at the sight relieved Walter’s excitement. He felt that a thrill of disapproval at this went through the boat, and the men in the bow shook their bonnets as they rowed.

“It’s nothing to laugh at, my lord,” said old Symington, “though I’m not one—and I make no question but your lordship is not one—to lose my presence o’ mind. Yon’s the phenomenon that they wanted me to call your lordship’s attention to,” he added, jerking his arm, but without turning his head, in the direction of the tower.

“The light?” Walter said. He had been about to ask what the meaning of it might be. It had not been visible at all when they started, but for the last moment or two had been growing steadily. The daylight was waning every minute, and no doubt (he thought) it was this that made the light more evident. It shone from the balcony or high roof-terrace which surrounded the old tower. It was difficult to distinguish what it was, or identify any lamp or beacon as the origin of it. It seemed to come from the terrace generally, a soft, extended light, with nothing fiery in it, no appearance of any blaze or burning, but a motionless, clear shining, which threw a strange glimmer upwards upon the solid mass of the tower, and downwards upon the foliage, which was black and glistening, and upon the surface of the water. “Yon’s the phenomenon,” said Symington, pointing with a jerk of his elbow. The light brought out the whole mass of rugged masonry and trees from the rest of the landscape, and softly defined it against the darker background.

“How is it done?” said the young man, simply. He perceived the moment after that his tone was like that of the bagman on the coach, and shivered at the thought. So soft and steady was the light that it had not seemed to him extraordinary at all.

“What do you mean by a phenomenon?” he asked, hastily. He remembered suddenly that the young lady on the coach had spoken of this light, and taken it, so to speak, under her protection.

“If your lordship has ainy desire to inquire into my opinion,” said old Symington, “though I doubt that’s little likely, I would say it was just intended to work on the imagination. Now and then, indeed, it’s useful in the way of a sign—like a person waving to you to come and speak; but to work on the imagination, that’s what I would say.”

Walter looked up at the light which threw a faint glimmer across the dark water, showing the blackness of the roughened ripple, over which they were making their way, and bringing into curious prominence the dark mass of the building rising out of it. It was not like the moon, it was more distinct than starlight, it was paler than a torch: nor was there any apparent central point from which it came. There was no electric light in those days, nor was Loch Houran a probable spot for its introduction: but the clear colourless light was of that description. It filled the visitor with a vague curiosity, but nothing more.

“To work on—whose imagination? and with what object?” he said.

But as he asked the question the boat shot forward into the narrow part of the loch, and rounded the corner of the ruin. Anything more hopeless as a place to which living passengers, with the usual encumbrances of luggage, were going, could not well be conceived; but after a few minutes’ rowing, the boat ran in to some rude steps on the other side of the castle, where there were traces of a path leading up across the rough grass to a partially visible door. All was so dark by this time that it was with difficulty that Walter found the landing; when he had got ashore, and his portmanteau had been put out on the bank, the men in the boat pushed off with an energy and readiness which proved their satisfaction in getting clear of the castle and its traditions. To find himself left there, with an apparently ruined house behind him, his property at his feet, his old servant by his side, night closing in around, and the dark glistening water lapping up on the stones at his feet, was about as forlorn a situation as could be imagined.

“Are we to pass the night here?” he said, in a voice which could not help being somewhat querulous.

The sound of a door opening behind interrupted his words, and turning round he saw an old man standing in the doorway, with a small lamp in his hand. He held it up high over his head to see who the new-comers were; and Walter, looking round, saw a bowed and aged figure—a pale old face, which might have been made out of ivory, so bloodless was it, the forehead polished and shining, some grey locks escaping at the side of a black skull-cap, and eyes looking out keenly into the darkness.

“It is just his lordship, Macalister,” said old Symington.

The young man, who was so strange to it all, stood with a sort of helplessness between the two old men who were familiar with each other and the place and all its customs.

“Come away, then, come away,” cried the guardian of the house, with a shrill voice that penetrated the stillness sharply. “What are ye biding there for in the dark?”

“And who’s to carry up my lord’s portmanteau?” said Symington.

“His portmanteau!” cried the other, with a sort of eldritch laugh. “Has he come to bide?”

This colloquy held over him exasperated Walter, and he seized the portmanteau hastily, forgetting his dignity.

“Lend a hand, Symington, and let us have no more talk,” he said.

There is a moment when the most forlorn sensations and the most dismal circumstances become either ludicrous or irritating. The young man shook off his sense of oppression and repugnance as he hastened up the slope to the door, while the lantern, flashing fitfully about, showed now the broken path, now the rough red masonry of the ruin, which was scarcely less unlike a ruin on this side than on the other. The door gave admittance into a narrow passage only, out of which a spiral staircase ascended close to the entrance, the passage itself apparently leading away into the darkness to a considerable distance. At the end of it stood a woman with a lighted candle peering out at the stranger as the man had done. He seemed to realise the stones which every one has read of a belated traveller unwillingly received into some desolate inn, which turns out to be the headquarters of a robber-band, and where the intruder must be murdered ere the morning.

“This is your way, my lord,” said the shrill old man, leading the way up the spiral stair. The whole scene was like a picture. The woman holding up her light at the end of the long passage, the old man with his lamp, the dark corners full of silence and mystery, the cold wind blowing as through an icy ravine. And the sensations of the young man, who had not even had those experiences of adventure which most young men have in these travelling days, whom poverty and idleness had kept at home in tame domestic comfort, were very strange and novel. He seemed to himself to be walking into a romance, not into any real place, but into some old storybook, a mystery of Udolpho, an antiquated and conventional region of gloom and artificial alarms.

“Come this way, my lord; come this way,” said the old man; “the steps are a bit worn, for they’re auld, auld—as auld as the house. But we hope you’ll find everything as comfortable as the circumstances will permit. We have had just twa three days to prepare, my mistress and me; but we’ve done our best, as far,” he added, “as the circumstances will permit. This way, this way, my lord.”

At the head of the stair everything was black as night. The old man’s lamp threw his own somewhat fantastic shadow upon the wall of a narrow corridor as he held it up to guide the new-comer. Close to the top of the staircase, however, there opened a door, through which a warm light was showing, and Walter, to his surprise, found himself in a comfortably-furnished room with a cheerful fire, and a table covered for dinner, a welcome end to the discomfort and gloom of the arrival. The room was low, but large, and there were candles on the mantelpiece and table which made a sort of twinkling illumination in the midst of the dark panelled walls and dark furniture. The room was lined with books at one end. It was furnished with comfortable sofas and chairs of modern manufacture. There was a curious dim mirror over the mantelshelf in a heavy gilt frame of old carving, one or two dim old portraits hung opposite, the curtains were drawn, the fire was bright, the white tablecloth with an old-fashioned silver vase in the middle, and the candles burning, made a cheerful centre of light. At the further end was another door, open, which admitted to a bed-room, dim, but comfortable in the firelight. All this was encouraging. Walter threw himself into a chair with a sense that the situation altogether was improving. Things cannot be so very bad when there is a fire and lights, and a prospect of dinner. He began to laugh at himself, when he had taken off his coat, and felt the warmth of the glowing fire. Everything around him was adapted for comfort. There was a little want of light which left all the corners mysterious, and showed the portraits dimly, like half-seen spectators, looking down from the wall; but the comfortable was much more present than the weird and uncanny which had so much predominated on his arrival. And when a dinner, which was very good and carefully cooked, and a bottle of wine, which, though he had not very much skill in that subject, Walter knew to be costly and fine, had been served with noiseless care by Symington, the young man began to recover his spirits, and to think of the tradition which required his presence ............
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