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CHAPTER XXVI.
"SO, FULL CONTENT SHALL HENCEFORTH BE MY LOT."

Allegra was not inexorable. There, in the ruins of the Imperial baths, where Shelley dreamed the wonder-dream of his Prometheus, Captain Hulbert pleaded his cause. Could love resist the pleading of so fond a lover? Could art withstand the allurements of Venice—Titian and Tintoret, the cathedral of St. Mark and the Palace of the Doges, the birthplace of Desdemona and of Shylock, the home of Byron and of Browning?

She consented to a Roman marriage.

"I can't help wishing I could be a Papist just for that one day," she said lightly. "An Anglican marriage seems so dry and cold compared with the pomps and splendours of Rome."

"Dearest, the plainest Christian rites are enough, if they but make us one."

"I think we are that already, John," she answered shyly; and then, nestling by his side as they sat in the wide solitude of that stupendous pile, she took his hand and held it in both her own, looking down at it wonderingly—a well-formed hand, strong and muscular, broadened a little by seafaring.

"And you are to be my husband," she said. "Mine! I shall speak of you to people as my own peculiar property. 'My husband will do this or that.' 'My husband has gone out, but he will be home soon.' Home. Husband. How strange it sounds!"

"Strange and wonderful now, love. Sweet and familiar before our honeymoon is ended."

They went out of the broad spaces that were once populous with the teeming life of Imperial Rome, splendid with all that art could create of beauty and of grandeur—wrapt[Pg 283] in the glamour of their dream. They walked all the way to the Piazza di Spagna in the same happy dream, as unconscious of the ground they trod on as if they had been floating in the air.

They were a very cheerful party at dinner that evening. Father Rodwell dined with them, and was delighted at the idea of having to marry these happy lovers. He took the arrangement of the ceremony into his own hands. The English chaplain was his old friend, and would let him do what he liked in his church.

"It is to be a very quiet wedding," said the colonel, when the three men were smoking together in a loggia, looking on the little garden of orange trees and oleanders, in the grey dim beginning of night, when the thin crescent moon was shining in a sky still faintly flushed with sunset. "Isa could not stand anything like bustle or excitement. Luckily we have no friends in Rome. There is no one belonging to us who could be aggrieved at not being invited."

"And there is no one except Lostwithiel on my side who has the slightest claim to be present," said Hulbert. "I am almost as well off as the Flying Dutchman in that respect. I am not troubled with relations. All the kinsfolk I have are distant, and I allow them to remain so. My dear Disney, so far as I am concerned, our wedding cannot be too quiet a business. It is the bride I want, mark you, not the fuss and flowers, wedding-breakfast, and bridesmaids. Let us be married at half-past ten, and drive from the church to the railway station in time for the noonday train. I have given up my dream of taking Allegra round Southern Italy to the Adriatic. We shall go to Florence first, and spend a few days in the galleries, and thence to Venice, where we will have the Vendetta brought to us, and anchored near the arsenal, ready to carry us away directly we are tired of the city of old memories."

Father Rodwell left them and went into the drawing-room, where Isola and her sister-in-law were sitting in the[Pg 284] lamplight—Isola's hands occupied with that soft, fluffy knitting which seemed to exercise a soothing influence upon her nerves; Allegra leaning over the table, idly sketching random reminiscences of the Baths, the Tomb, the grave-eyed oxen, with their great curving horns and ponderous foreheads.

The priest was interested in watching Isola this evening. He saw a marked change in the expression of her countenance, a change which was perceptible to him even in her voice and manner—a brightness which might mean a lightened heart, or which might mean religious exaltation.

"Has she told him?" he wondered, studying her from his place in the shadow as the lamplight shone full upon her wasted features and hectic colouring. "Has she taken courage and confessed her sin to that loyal, loving husband, and is the burden lifted from her heart?"

No; he could not believe that she had lifted the veil from the sad secret of her past. Martin Disney's unclouded brow to-night was not that of a man who had lately discovered that the wife he loved had betrayed him. There might be pardon—there might be peace between husband and wife after such a revelation; but there could not be the serenity which marked Martin Disney's manner to his wife to-night. Such a thunder-clap must leave its brand upon the man who suffered it. No; her secret was still locked in her impenitent heart. Sorry—yes. She had drunk the cup of remorse in all its bitterness; but she knew not true penitence, the Christian's penitence, which means self-abasement and confession. And yet she seemed happier. There was a look of almost holy resignation upon the pale and placid brow, and in the too-lustrous eyes. Something had happened—some moral transformation which made her a new being.

Father Rodwell drew his chair nearer to her, and looked at her earnestly with his cordial, almost boyish smile. He was a remarkably young-looking man, a man upon whom[Pg 285] long years of toil in the dark places of the earth had exercised no wasting or withering influence. He had loved his work too well ever to feel the pressure of the burdens he carried. His gospel had been always a cheerful gospel, and he had helped to lighten sorrows, never to make them heavier. He was deeply interested in Isola, and had been watchful of all her changes of mood since their conversation in the shadow of the old Roman wall. He had seen her impressed by the history and traditions of the church, moved by the pathos of holy lives, touched almost to tears by sacred pictures, and he saw in her character and disposition a natural bent towards piety, exactly that receptive temperament which moves holy women to lives of self-abnegation and heroic endeavour. He had lent her some of those books which he loved best and read most himself, and he had talked with her of religion, careful not to say too much or with too strong an emphasis, and never by any word alluding to her revelation of past guilt. He wanted to win her to perfect trustfulness in him, to teach her to lean upon him in her helplessness; until the hour should come when she would let him lead her to her husband, in the self-abasement of the penitent sinner.

He knew that in this desire he exceeded the teaching of churchmen; that another priest in his place might have bade her keep her sad secret to the end, he down with it in her early grave, be remembered as a saint, yet die knowing herself a sinner. If he had thought of the husband's peace first, he would have counselled silence. But he thought most of this stricken soul, with wings that spread themselves towards heaven, held down to earth by the burden of an unpardoned sin.

He looked at her in the lamplight, and her eyes met his with a straighter outlook than he had seen in them for a long time. She looked actually happy, and that look of happiness in a face on which death has set its seal has always something which suggests a life beyond the grave.

[Pg 286]

"The excitement of this marriage question has brightened you wonderfully, Mrs. Disney," he said. "We shall have you in high health by the wedding-day."

"I am feeling better because I am so glad," Isola answered naively, putting her hand into Allegra's.

"I consider it positively insulting to me as a sister," exclaimed Allegra, bending down to kiss the too-transparent hand—such a hand as she had seen in many a picture of dying saint in the Roman galleries. "You are most unaffectionately rejoiced to get rid of me. I have evidently been a tyrannical nurse, and a dull companion, and you breathe more freely at the prospect of release."

"You have been all that is dear and good," Isola answered softly, "and I shall feel dreadfully lonely without you; but it won't be for long. And I shall be so comforted by the knowledge that nothing can come between you and your life's happiness."

The two men came in from the loggia, bringing with them the cool breath of night. Isola went to the piano and played one of those Adagios of Mozart's which came just within the limit of her modest powers, and which she played to perfection, all her soul in the long lingering phrases, the tender modulations, with their suggestions of shadowy cathedral aisles, and the smoke of incense in the deepening dusk of a vesper service. Those bits of Mozart, the slow movements from the Sonatas, an Agnus Dei, or an Ave Maria from one of the Masses, satisfied Captain Hulbert's highest ideas of music. He desired nothing grander or more scientific. The new learning of the Wagnerian school had no charm for him.

"If you ask me about modern composers, I am for Verdi and Gounod," he said. "For gaiety and charm, give me Auber, Rossini, and Boieldieu—for pathos, Weber—for everything, Mozart. There you have the whole of my musical education."

The question of settlements was opened seriously between Martin Disney and his future brother-in-law, early on the[Pg 287] following morning. Hulbert wanted to settle all the............
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