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Chapter 16
REPORT FROM AUSTRALIA

Melbourne, May 20th

Referring to your inquiry of the 10th ultimo respecting one Kenton Milbourne said to be an actor formerly of this place, we beg to report as follows:

You are in error in supposing that Kenton Milbourne formerly acted in Australia, and sailed for America last year. Mr. Milbourne is at present appearing as —— in ——. The company is now touring the province of New South Wales. Mr. Milbourne has never been to America. We enclose one of his published pictures which you will see at a glance is not that of the same man whose picture you sent us.

Mr. Milbourne is an actor of character parts, fairly well known in the profession here, though not of wide public reputation. His personal character is of the best. His real name is John Whittlesey, and he comes of respectable parents in moderate circumstances, still living in the town of Perth, Western Australia.

As to the photograph you enclosed, we are informed by a friend of Mr. Milbourne's that this is undoubtedly Evan Whittlesey, younger brother of John and the black sheep of the family, who went to America ten years ago, after having been implicated in the robbery of Morton's Bank, Melbourne. No proceedings were ever taken against him.

From the same informant we learn that no one in Australia has heard of Evan Whittlesey since he went away, except possibly his brother who is reticent on the subject, suggesting that what information he has of his brother is not perhaps creditable.

At this writing we are unable to furnish any information regarding Evan Whittlesey's early life beyond what is contained in the general statement that he was "wild," that is to say, a trial to his parents and his respectable brother—whose stage name he appears to have borrowed for his American activities. If you desire us to go to the expense of a thorough investigation of Evan Whittlesey's past, please authorise by cable.

Trusting to be favoured with your future commands, etc.

WILLARD, WILLARD AND GAINES.


The next report from which I will quote is Sadie's. It contained an unpleasant surprise. In order to make it clear I must briefly explain the arrangements of the International Detective Bureau. We had three offices en suite on the sixth floor of a building on West Forty-Second street. The door of the first room faced the elevators, and upon it was lettered our sign. Within was a neat railing, behind which sat Peter Keenan the ostensible head of the establishment, and an ornamental stenographer. The door to the adjoining room was hidden behind a tall file.

The second little room was supposed by the employees to be Keenan's private office, but in reality it was designed as a sanctum for Sadie. There was a telephone here by which she might talk to me in safety. Sadie had her own door on the corridor and was never seen in the front room.

The third office which was at right angles to the first and second was intended for the operatives in general when we were obliged to have them in. They were not supposed to come in without being instructed to do so. The other operatives looked on Sadie as one of themselves, and considered Keenan the boss. The door to the third room opened on a side corridor so that the men were never seen around the front office.



REPORT OF S. F. (SADIE FARRELL)

Last evening at 5:15 operative S. C. came into the office without instructions. He had been told like the others to mail in his reports, and keep in touch with Mr. Keenan by telephone. The excuse he gave was that the man he was trailing had led him around so fast and so far that it had used up all his money. I had Mr. Keenan give him some money and call him down, and thought no more about it. Unfortunately, it appears to-day that his disobedience has had very unfortunate results.

This morning I heard loud talking in the front office. Mr. Keenan explained later that a queer old man had come in, and had told a long rambling story about being persecuted. It seems that he wanted to engage the agency to protect him. It seemed a natural enough thing—we have had these harmless cranks before. Mr. Keenan soothed him down by telling him we were too busy to do proper justice to his case, and referred him to the police station. Neither of us thought anything more about it.

This afternoon shortly before five I heard the old man's voice again in the outer office. Mr. Keenan had stepped out to post some papers to you. The old man was excited, and I could hear by Miss Reilly's voice that she was very much frightened. So I went to her assistance.

I saw a bent, old man in shabby black, with wild, straggly hair, broken teeth and red-rimmed eyes, a repulsive sight. The instant I laid eyes on him I saw that he was not very insane. His manner was both servile and threatening. It was like stage insanity, incoherent jabbering and wild gestures. The girl was frightened half out of her wits.

I asked him what he wanted, and he calmed right down. His speech was unintelligible as if he had some of those tablets in his mouth that actors use to make their voice thick. He made no more trouble. He bowed and smirked and backed out of the door. The last thing I heard was a silly kind of laugh.

By this time I was full of suspicions. He had quieted down much too quickly. Besides, there was something familiar about the horrible old man. I had Miss Reilly enquire of the elevator boys. They said the old man had been in three times. Last evening as well as twice to-day. Last night he came up in the elevator with operative S. C. To-day, I believe, he hung around down-stairs until he saw Mr. Keenan go out.

S. C. called up about this time to report that Milbourne had not left his boarding-house all day. Mr. Keenan questioned the operative over the phone at my prompting, and we discovered that S. C. had no proof that Milbourne was in the house. We learned that S. C. had lost Milbourne about 3:30 yesterday among the several entrances to a department store. He had merely supposed that he had gone home later.

I then ventured to call up Milbourne's boarding-house. If he had been there, I would, of course, have lost the connection, but he was not. His landlady told me that he had telephoned her yesterday afternoon that he had been called out of town, and not to expect him home until to-night. Which shows how little we can depend on these operatives. Since talking to this woman I have received D. B.'s report from inside the house, confirming what she told me.

Puzzling over in my head what it could be that gave the old man a familiar look, I suddenly got it. Do you remember when Milbourne first joined Miss Hamerton's company he played the part of the old forger, afterwards given to Richards? The management thought Milbourne's conception was too realistic, but Milbourne himself was childishly proud of his make-up in that part. He showed us a photograph, do you remember? Well, that was the same old man, wrinkles, scraggly hair, mean smile and all. The same clothes.

It is easy to figure out now what happened. After giving the operative the slip in the department store, Milbourne went to some friend's room or thieves' hangout and disguised himself. He then returned to the neighbourhood of the boarding-house on 49th street and watched the watchers there. When S. C. was relieved by A. N. at five, Milbourne followed S. C. into the office. He was smart enough to see on his first visit to-day that Mr. Keenan was not the real head of the office, and so he bothered us until I betrayed myself. Hence the laugh when he went out.

I need not say how sorry I am for the accident. I blame myself quite as much as S. C. Luck played right into Milbourne's hand this time. I see how important it is. He knows of the connection between you and I, consequently all your trouble to let it be supposed that you are out of the case goes for nothing now.

I have replaced S. C. with the new man, W. J., who came so well recommended. I have put S. C. at clerical work. Shall I discharge him altogether?

S. F.



REPORT OF J. M. No. 5

June 15th

On Saturday afternoon after work according to your instructions I took one of the unset diamonds with which I am provided to M——'s pawnshop at No. — Third Avenue. I was very glad to have the second act of the drama open, and the fun begin. To tell the truth, I am very weary of the work bench at Dunsany's this hot weather. If I ever return to my proper character I will have more sympathy for my workmen. I believe now that it is not poverty that makes the working classes restless so much as monotony.

M——'s, as you know, is a............
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