When the week of delay had elapsed, and when Mrs. Blyth felt strong enough to receive company in her room, Valentine sent the promised invitation to Zack which summoned him to his first drawing-lesson.
The locality in which the family drawing academy was to be held deserves a word of preliminary notice. It formed the narrow world which bounded, by day and night alike, the existence of the painter’s wife.
By throwing down a partition-wall, Mrs. Blyth’s room had been so enlarged, as to extend along the whole breadth of one side of the house, measuring from the front to the back garden windows. Considerable as the space was which had been thus obtained, every part of it from floor to ceiling was occupied by objects of beauty proper to the sphere in which they were placed: some, solid and serviceable, where usefulness was demanded; others light and elegant, where ornament alone was necessary—and all won gloriously by Valentine’s brush; by the long, loving, unselfish industry of many years. Mrs. Blyth’s bed, like everything else that she used in her room, was so arranged as to offer her the most perfect comfort and luxury attainable in her suffering condition. The framework was broad enough to include within its dimensions a couch for day and a bed for night. Her reading easel and work-table could be moved within reach, in whatever position she lay. Immediately above her hung an extraordinary complication of loose cords, which ran through ornamental pulleys of the quaintest kind, fixed at different places in the ceiling, and communicating with the bell, the door, and a pane of glass in the window which opened easily on hinges. These were Valentine’s own contrivances to enable his wife to summon attendance, admit visitors, and regulate the temperature of her room at will, by merely pulling at any one of the loops hanging within reach of her hand, and neatly labeled with ivory tablets, inscribed “Bell,” “Door,” “Window.” The cords comprising this rigging for invalid use were at least five times more numerous than was necessary for the purpose they were designed to serve; but Mrs. Blyth would never allow them to be simplified by dexterous hands. Clumsy as their arrangement might appear to others, in her eyes it was without a fault: every useless cord was sacred from the reforming knife, for Valentine’s sake.
Imprisoned to one room, as she had now been for years, she had not lost her natural womanly interest in the little occupations and events of household life. From the studio to the kitchen, she managed every day, through channels of communication invented by herself, to find out the latest domestic news; to be present in spirit at least if not in body, at family consultations which could not take place in her room; to know exactly how her husband was getting on downstairs with his pictures; to rectify in time any omission of which Mr. Blyth or Madonna might be guilty in making the dinner arrangements, or in sending orders to tradespeople; to keep the servants attentive to their work, and to indulge or control them, as the occasion might require. Neither by look nor manner did she betray any of the sullen listlessness or fretful impatience sometimes attendant on long, incurable illness. Her voice, low as its tones were, was always cheerful, and varied musically and pleasantly with her varying thoughts. On her days of weakness, when she suffered much under her malady, she was accustomed to be quite still and quiet, and to keep her room darkened—these being the only signs by which any increase in her disorder could be detected by those about her. She never complained when the bad symptoms came on; and never voluntarily admitted, even on being questioned, that the spine was more painful to her than usual.
She was dressed very prettily for the opening night of the Drawing Academy, wearing a delicate lace cap, and a new silk gown of Valentine’s choosing, made full enough to hide the emaciation of her figure. Her husband’s love, faithful through all affliction and change to the girlish image of its first worship, still affectionately exacted from her as much attention to the graces and luxuries of dress as she might have bestowed on them of her own accord, in the best and gayest days of youth and health. She had never looked happier and better in any new gown than in that, which Mr. Blyth had insisted on giving her, to commemorate the establishment of the domestic drawing school in her own room.
Seven o’clock had been fixed as the hour at which the business of the academy was to begin. Always punctual, wherever his professional engagements were concerned, Valentine put the finishing touch to his preparations as the clock struck; and perching himself gaily on a corner of Mrs. Blyth’s couch, surveyed his drawing-boards, his lamps, and the plaster cast set up for his pupils to draw from, with bland artistic triumph.
“Now, Lavvie,” he said, “before Zack comes and confuses me, I’ll just check off all the drawing things one after another, to make sure that nothing’s left down stairs in the studio, which ought to be up here.”
As her husband said these words, Mrs. Blyth touched Madonna gently on the shoulder. For some little time the girl had been sitting thoughtfully, with her head bent down, her cheek resting on her hand, and a bright smile just parting her lips very prettily. The affliction which separated her from the worlds of hearing and speech—which set her apart among her fellow-creatures, a solitary living being in a sphere of death-silence that others might approach, but might never enter—gave a touching significance to the deep, meditative stillness that often passed over her suddenly, even in the society of her adopted parents, and of friends who were all talking around her. Sometimes, the thoughts by which she was thus absorbed—thoughts only indicated to others by the shadow of their mysterious presence, moving in the expression that passed over her face—held her long under their influence: sometimes, they seemed to die away in her mind almost as suddenly as they had arisen to life in it. It was one of Valentine’s many eccentric fancies that she was not meditating only, at such times as these, but that, deaf and dumb as she was with the creatures of this world, she could talk with the angels, and could hear what the heavenly voices said to her in return.
The moment she was touched on the shoulder, she looked up, and nestled close to her adopted mother; who, passing one arm round her neck, explained to her, by means of the manual signs of the deaf and dumb alphabet, what Valentine was saying at that moment.
Nothing was more characteristic of Mrs. Blyth’s warm sympathies and affectionate consideration for Madonna than this little action. The kindest people rarely think it necessary, however well practiced in communicating by the fingers with the deaf, to keep them informed of any ordinary conversation which may be proceeding in their presence. Wise disquisitions, witty sayings, curious stories, are conveyed to their minds by sympathizing friends and relatives, as a matter of course; but the little chatty nothings of everyday talk, which most pleasantly and constantly employ our speaking and address our hearing faculties, are thought too slight and fugitive in their nature to be worthy of transmission by interpreting fingers or pens, and are consequently seldom or never communicated to the deaf. No deprivation attending their affliction is more severely felt by them than the special deprivation which thus ensues; and which exiles their sympathies, in a great measure, from all share in the familiar social interests of life around them.
Mrs. Blyth’s kind heart, quick intelligence, and devoted affection for her adopted child, had long since impressed it on her, as the first of duties and pleasures, to prevent Madonna from feeling the excluding influences of her calamity, while in the society of others, by keeping her well informed of every one of the many conversations, whether jesting or earnest, that were held in her presence, in the invalid-room. For years and years past, Mrs. Blyth’s nimble fingers had been accustomed to interpret all that was said by her bedside before the deaf and dumb girl, as they were interpreting for her now.
“Just stop me, Lavvie, if I miss anything out, in making sure that I’ve got all that’s wanted for everybody’s drawing lesson,” said Valentine, preparing to reckon up the list of his materials correctly, by placing his right forefinger on his left thumb. “First, there’s the statue that all my students are to draw from—the Dying Gladiator. Secondly, the drawing-boards and paper. Thirdly, the black and white chalk. Fourthly,—where are the port-crayons to hold the chalk? Down in the painting-room, of course. No! no! don’t trouble Madonna to fetch them. Tell her to poke the fire instead: I’ll be back directly.” And Mr. Blyth skipped out of the room as nimbly as if he had been fifteen instead of fifty.
No sooner was Valentine’s back turned than Mrs. Blyth’s hand was passed under the pretty swan’s-down coverlet that lay over her couch, as if in search of something hidden beneath it. In a moment the hand reappeared, holding a chalk drawing very neatly framed. It was Madonna’s copy from the head of the Venus de’ Medici—the same copy which Zack had honored with his most superlative exaggeration of praise, at his last visit to the studio. She had not since forgotten, or altered her purpose of making him a present of the drawing which he had admired so much. It had been finished with the utmost care and completeness which she could bestow upon it; had been put into a very pretty frame which she had paid for out of her own little savings of pocket-money; and was now hidden under Mrs. Blyth’s coverlet, to be drawn forth as a grand surprise for Zack, and for Valentine too, on that very evening.
After looking once or twice backwards and forwards between the copyist and the copy, her pale kind face beaming with the quiet merriment that overspread it, Mrs. Blyth laid down the drawing, and began talking with her fingers to Madonna.
“So you will not even let me tell Valentine who this is a present for?” were the first words which she signed.
The girl was sitting with her back half turned on the drawing; glancing at it quickly from time to time with a strange shyness and indecision, as if the work of her own hands had undergone some transformation which made her doubt whether she was any longer privileged to look at it. She shook her head in reply to the question just put to her, then moved round suddenly on her chair; her fingers playing nervously with the fringes of the coverlet at her side.
“We all like Zack,” proceeded Mrs. Blyth, enjoying the amusement which her womanly instincts extracted from Madonna’s confusion; “but you must like him very much, love, to take more pains with this particular drawing than with any drawing you ever did before.”
This time Madonna neither looked up nor moved an inch in her chair, her fingers working more and more nervously amid the fringe; her treacherous cheeks, neck, and bosom answered for her.
Mrs. Blyth touched her shoulder gaily, and, after placing the drawing again under the coverlet, made her look up, while signing these words;
“I shall give the drawing to Zack very soon after he comes in. It is sure to make him happy for the rest of the evening, and fonder of you than ever.”
Madonna’s eyes followed Mrs. Blyth’s fingers eagerly to the last letter they formed; then rose softly to her face with the same wistful questioning look which they had assumed before Valentine, years and years ago, when he first interfered to protect her in the traveling circus. There was such an irresistible tenderness in the faint smile that wavered about her lips; such a sadness of innocent beauty in her face, now growing a shade paler than it was wont to be, that Mrs. Blyth’s expression became serious the instant their eyes met. She drew the girl forward and kissed her. The kiss was returned many times, with a passionate warmth and eagerness remarkably at variance with the usual gentleness of all Madonna’s actions. What had changed her thus? Before it was possible to inquire or to think, she had broken away from the kind arms that were round her, and was kneeling with her face hidden in the pillows that lay over the head of the couch.
“I must quiet her directly. I ought to make her feel that this is wrong,” said Mrs. Blyth to herself; looking startled and grieved as she withdrew her hand wet with tears, after trying vainly to raise the girl’s face from the pillows. “She has been thinking too much lately—too much about that drawing; too much, I am afraid, about Zack.”
Just at that moment Mr. Blyth opened the door. Feeling the slight shock, as he let it bang to after entering, Madonna instantly started up and ran to the fireplace. Valentine did not notice her when he came in.
He bustled about the neighborhood of the Dying Gladiator, talking incessantly, arranging his port-crayons by the drawing-boards, and trimming the lamps that lit the model. Mrs. Blyth cast many an anxious look towards the fireplace. After the lapse of a few minutes Madonna turned round and came back to the couch. The traces of tears had almost entirely disappeared from her face. She made a little appealing gesture that asked Mrs. Blyth to be silent about what had happened while they were alone; kissed, as a sign that she wished to be forgiven, the hand that was held out to her; and then sat down quietly again in her accustomed place.
At the same moment a voice was heard talking and laughing boisterously in the hall. Then followed a long whispering, succeeded by a burst of giggling from the housemaid, who presently ascended to Mrs. Blyth’s room alone, and entered—after an explosion of suppressed laughter behind the door—holding out at arm’s length a pair of boxing-gloves.
“If you please, sir,” said the girl, addressing Valentine, and tittering hysterically at every third word, “Master Zack’s down stairs on the landing, and he says you’re to be so kind as put on these things (he’s putting another pair on hisself) and give him the pleasure of your company for a few minutes in the painting-room.”
“Come on, Blyth,” cried the voice from the stairs. “I told you I should bring the gloves, and make a fighting man of you, last time I was here, you know. Come on! I only want to open your chest by knocking you about a little in the painting-room before we begin to draw.”
The servant still held the gloves away from her at the full stretch of her arm, as if she feared they were yet alive with the pugilistic energies that had been imparted to them by their last wearer. Mrs. Blyth burst out laughing, Valentine followed her example. The housemaid began to look bewildered, and begged to know if her master would be so kind as to take “the things” away from her.
“Did you say, come up stairs?” continued the voice outside. “All right; I have no objection, if Mrs. Blyth hasn’t.” Here Zack came in with his boxing-gloves fitted on. “How are you, Blyth? These are the pills for that sluggish old liver of yours that you’re always complaining of. Put ‘em on. Stand with your left leg forward—keep your right leg easily bent—and fix your eye on me!”
“Hold your tongue!” cried Mr. Blyth, at last recovering breath enough to assert his dignity as master of the new drawing-school. “Take off those things directly! What do you mean, sir, by coming into my academy, which is devoted to the peaceful arts, in the attitude of a prize-fighter?”
“Don’t lose your temper, my dear fellow,” rejoined Zack; “you will never learn to use your fists prettily if you do. Here, Patty, the boxing lesson’s put off till to-morrow. Take the gloves up-stairs into your master’s dressing-room, and put them in the drawer where his clean shirts are, because they must be kept nice and dry. Shake hands, Mrs. Blyth: it does one good to see you laugh like that, you look so much the better for it. And how is Madonna? I’m afraid she’s been sitting before the fire, and trying to spoil her pretty complexion. Why, what’s the matter with her? Poor little darling, her hands are quite cold!”
“Come to your lesson, sir, directly,” said Valentine, assuming his most despotic voice, and leading the disorderly student by the collar to his appointed place.
“Hullo!” cried Zack, looking at the Dying Gladiator. “The gentleman in plaster’s making a face—I’m afraid he isn’t quite well. I say, Blyth, is that the statue of an ancient Greek patient, suffering under the prescription of an ancient Greek physician?”
“Will you hold your tongue and take up your drawing-board?” cried Mr. Blyth. “You young barbarian, you deserve to be expelled my academy for talking in that way of the Dying Gladiator. Now then; where’s Madonna? No! stop where you are, Zack. I’ll show her her place, and give her the drawing-board. Wait a minute, Lavvie! Let me prop you up comfortably with the pillows before you begin. There! I never saw a more beautiful effect of light and shade, my dear, than there is on your view of the model. Has everybody got a port-crayon and two bits of chalk? Yes, everybody has. Order! order! order!” shouted Valentine, suddenly forgetting his assumed dignity in the exultation of the moment. “Mr. Blyth’s drawing academy for the promotion of family Art is now open, and ready for general inspection. Hooray!”
“Hooray!” echoed Zack, “hooray for family Art! I say, Blyth, which chalk do I begin with—the white or the black? The black—eh? Do I start with the what’s his name’s wry face? and if so, where am I to begin? With his eyes, or his nose, or his mouth, or the top of his head, or the bottom of his chin—or what?”
“First sketch in the general form with a light and flowing stroke, and without attention to details,” said Mr. Blyth, illustrating these directions by waving his hand gracefully about his own person. “Then measure with the eye, assisted occasionally by the port-crayon, the proportion of the parts. Then put dots on the paper; a dot where his head comes; another dot where his elbows and knees come, and so forth. Then strike it all in boldly—it’s impossible to give you better advice than that—strike it in, Zack; strike it in boldly!”
“Here goes at his head and shoulders to begin with,” said Zack, taking one comprehensive and confident look at the Dying Gladiator, and drawing a huge half circle, with a preliminary flourish of his hand on the paper. “Oh, confound it, I’ve broken the chalk!”
“Of course you have,” retorted Valentine. “Take another bit; the Academy grants supplementary chalk to ignorant students, who dig their lines on the paper, instead of drawing them. Now, break off a bit of that bread-crumb, and rub out what you have done. ‘Buy a penny loaf, and rub it all out,’ as Mr. Fuseli once said to me in the Schools of the Roy............