AT BLEAK HILLS, the estate of Prince Nikolay Andreivitch Bolkonsky, the arrival of young Prince Andrey and his wife was daily expected. But this expectation did not disturb the regular routine in which life moved in the old prince's household. Prince Nikolay Andreivitch, once a commander-in-chief, known in the fashionable world by the nickname of “the Prussian king,” had been exiled to his estate in the reign of Paul, and had remained at Bleak Hills ever since with his daughter, Princess Marya, and her companion, Mademoiselle Bourienne. Even in the new reign, though he had received permission to return to the capital, he had never left his home in the country, saying that if any one wanted to see him, he could travel the hundred and fifty versts from Moscow to Bleak Hills, and, for his part, he wanted nobody and nothing. He used to maintain that human vices all sprang from only two sources—idleness and superstition, and that there were but two virtues—energy and intelligence. He had himself undertaken the education of his daughter; and to develop in her these important qualities, he continued giving her lessons in algebra and geometry up to her twentieth year, and mapped out her whole life in uninterrupted occupation. He was himself always occupied in writing his memoirs, working out problems in higher mathematics, turning snuff-boxes on his lathe, working in his garden, or looking after the erection of farm buildings which were always being built on his estate. Since the great thing for enabling one to get through work is regularity, he had carried regularity in his manner of life to the highest point of exactitude. His meals were served in a fixed and invariable manner, and not only at a certain hour, but at a certain minute. With those about him, from his daughter to his servants, the count was sharp and invariably exacting, and so, without being cruel, he inspired a degree of respect and awe that the most cruel man could not readily have commanded. In spite of the fact that he was now on the retired list, and had no influence whatever in political circles, every high official in the province in which was the prince's estate felt obliged to call upon him, and had, just like the architect, the gardener, or Princess Marya, to wait till the regular hour at which the prince always made his appearance in the lofty waiting-room. And every one in the waiting-room felt the same veneration, and even awe, when the immensely high door of the study opened and showed the small figure of the old man in a powdered wig, with his little withered hands and grey, overhanging eyebrows, that, at times when he scowled, hid the gleam in his shrewd, youthful-looking eyes.
On the day that the young people were expected to arrive, Princess Marya went as usual at the fixed hour in the morning into the waiting-room to say good-morning to her father, and with dread in her heart crossed herself and mentally repeated a prayer. Every day she went in to her father in the same way, and every day she prayed that her interview with her father might pass off well that day. The old man-servant, wearing powder, softly got up from his seat in the waiting-room and whispered: “Walk in.”
Through the door came the regular sounds of the lathe. The princess kept timidly hold of the door, which opened smoothly and easily, and stood still in the doorway. The prince was working at his lathe, and glancing round, he went on with what he was doing.
The immense room was filled with things obviously in constant use. The large table, on which lay books and plans, the high bookcases with keys in the glass-covered doors, the high table for the prince to write at, standing up, with an open manuscript-book upon it, the carpenter's lathe, with tools ranged about it and shavings scattered around, all suggested continual, varied, and orderly activity. The movements of the prince's small foot in its Tatar, silver-embroidered boot, the firm pressure of his sinewy, lean hand, showed the strength of vigorous old age still strong-willed and wiry. After making a few more turns, he took his foot from the pedal of the lathe, wiped the plane, dropped it into a leather pouch attached to the lathe, and going up to the table called his daughter. He never gave the usual blessing to his children; he simply offered her his scrubby, not yet shaved cheek, and said sternly and yet at the same time with intense tenderness, as he looked her over: “Quite well? … All right, then, sit down!” He took a geometry exercise-book written by his own hand, and drew his chair up with his leg.
“For to-morrow,” he said quickly, turning to the page and marking it from one paragraph to the next with his rough nail. The princess bent over the exercise-book. “Stop, there's a letter for you,” the old man said suddenly, pulling out of a pocket hanging over the table an envelope addressed in a feminine hand, and putting it on the table.
The princess's face coloured red in patches at the sight of the letter. She took it hurriedly and bent over it.
“From Heloise?” asked the prince, showing his still strong, yellow teeth in a cold smile.
“Yes, from Julie,” said the princess, glancing timidly at him, and timidly smiling.
“Two more letters I'll let pass, but the third I shall read,” said the prince severely. “I'm afraid you write a lot of nonsense. The third I shall read.”
“Read this one, father,” answered the princess, colouring still more and handing him the letter.
“The third, I said the third,” the prince cried shortly; pushing away the letter and leaning his elbow on the table, he drew up to him the book with the figures of geometry in it.
“Now, madam,” began the old man, bending over the book close to his daughter, and laying one arm on the back of the chair she was sitting on, so that the princess felt herself surrounded on all sides by the peculiar acrid smell of old age and tobacco, which she had so long associated with her father. “Come, madam, these triangles are equal: kindly look; the angle A B C. …”
The princess glanced in a scared way at her father's eyes gleaming close beside her. The red patches overspread her whole face, and it was evident that she did not understand a word, and was so frightened that terror prevented her from understanding all the subsequent explanations her father offered her, however clear they might be. Whether it was the teacher's fault or the pupil's, every day the same scene was repeated. The princess's eyes grew dim; she could see and hear nothing; she could feel nothing but the dry face of her stern father near her, his breath and the smell of him, and could think of nothing but how to escape as soon as possible from the study and to make out the problem in freedom in her room. The old man lost his temper; with a loud, grating noise he pushed back and drew up again the chair he was sitting on, made an effort to control himself, not to fly into a rage, and almost every time did fly into a rage, and scold, and sometimes flung the book away.
The princess answered a question wrong.
“Well, you are too stupid!” cried the prince, pushing away the book, and turning sharply away. But he got up immediately, walked up and down, laid his hand on the princess's hair, and sat down again. He drew himself up to the table and continued his explanations. “This won't do; it won't do,” he said, when Princess Marya, taking the exercise-book with the lesson set her, and shutting it, was about to leave the room: “mathematics is a grand subject, madam. And to have you like the common run of our silly misses is what I don't want at all. Patience, and you'll get to like it.” He patted her on the cheek. “It will drive all the nonsense out of your head.” She would have gone; he stopped her with a gesture, and took a new, uncut book from the high table.
“Here's a book, too, your Heloise sends you some sort of Key to the Mystery. Religious. But I don't interfere with any one's belief…. I have looked at it. Take it. Come, run along, run along.”
He patted her on the shoulder, and himself closed the door after her.
Princess Marya went back to her own room with that dejected, scared expression that rarely left her, and made her plain, sickly face even plainer. She sat down at her writing-table, which was dotted with miniature portraits, and strewn with books and manuscripts. The princess was as untidy as her father was tidy. She put down the geometry exercise-book and impatiently opened the letter. The letter was from the princess's dearest friend from childhood; this friend was none other than Julie Karagin, who had been at the Rostovs' name-day party.
Julie wrote in French:
“DEAR AND EXCELLENT FRIEND,—What a terrible and frightful thing is absence! I say to myself that half of my existence and of my happiness is in you, that notwithstanding the distance that separates us, our hearts are united by invisible bonds; yet mine rebels against destiny, and in spite of the pleasures and distractions around me, I cannot overcome a certain hidden sadness which I feel in the bottom of my heart since our separation. Why are we not together as we were this summer in your great study, on the blue sofa, the confidential sofa? Why can I not, as I did three months ago, draw new moral strength from that gentle, calm, penetrating look of yours, a look that I loved so well and that I seem to see before me as I write to you.”
When she reached this passage, Princess Marya sighed and looked round into the pier-glass that stood on her right. The glass reflected a feeble, ungraceful figure and a thin face. The eyes, always melancholy, were looking just now with a particularly hopeless expression at herself in the looking-glass. She flatters me, thought the princess, and she turned away and went on reading. But Julie did not flatter her friend: the princess's eyes—large, deep, and luminous (rays of warm light seemed at times to radiate in streams from them), were really so fine, that very often in spite of the plainness of the whole face her eyes were more attractive than beauty. But the princess had never seen the beautiful expression of her eyes; the expression that came into them when she was not thinking of herself. As is the case with every one, her face assumed an affected, unnatural, ugly expression as soon as she looked in the looking-glass.
She went on reading:
“All Moscow talks of nothing but war. One of my two brothers is already abroad, the other is with the Guards, who are starting on the march to the frontier. Our dear Empe............