Ballingar is four and a half hours from Dublin if you catch the early train from Broadstone Station and five and a quarter if you wait until the afternoon. It is the market town of a large and comparatively well-populated district. There is a pretty Protestant Church in 1820 Gothic on one side of the square and a vast, unfinished Catholic cathedral opposite it, conceived in that irresponsible medley of architectural orders that is so dear to the hearts of transmontane pietists. Celtic lettering of a sort is beginning to take the place of the Latin alphabet on the shop fronts that complete the square. These all deal in identical goods in varying degrees of dilapidation; Mulligan’s Store, Flannigan’s Store, Riley’s Store, each sells thick black boots, hanging in bundles, soapy colonial cheese, hardware and haberdashery, oil and saddlery, and each is licensed to sell ale and porter for consumption on or off the premises. The shell of the barracks stands with empty window frames and blackened interior as a monument to emancipation. Someone has written The Pope is a Traitor in tar on the green pillar box. A typical Irish town.
Fleacetown is fifteen miles from Ballingar, on a direct uneven road through typical Irish country; vague purple hills in the far distance and towards them, on one side of the road, fitfully visible among drifting patches of white mist, unbroken miles of bog, dotted with occasional stacks of cut peat. On the other side the ground slopes up to the north, divided irregularly into spare fields by banks and stone walls over which the Ballingar hounds have some of their most eventful hunting. Moss lies on everything; in a rough green rug on the walls and banks, soft green velvet on the timber—blurring the transitions so that there is no knowing where the ground ends and trunk and masonry begin. All the way from Ballingar there is a succession of whitewashed cabins and a dozen or so fair-size farmhouses; but there is no gentleman’s house, for all this was Fleace property in the days before the Land Commission. The demesne land is all that belongs to Fleacetown now, and this is let for pasture to neighbouring farmers. Only a few beds are cultivated in the walled kitchen garden; the rest has run to rot, thorned bushes barren of edible fruit spreading everywhere among weedy flowers reverting rankly to type. The hothouses have been draughty skeletons for ten years. The great gates set in their Georgian arch are permanently padlocked, the lodges are derelict, and the line of the main drive is only just discernible through the meadows. Access to the house is half a mile further up through a farm gate, along a track befouled by cattle.
But the house itself, at the date with which we are dealing, was in a condition of comparatively good repair; compared, that is to say, with Ballingar House or Castle Boycott or Knode Hall. It did not, of course, set up to rival Gordontown, where the American Lady Gordon had installed electric light, central heating and a lift, or Mock House or Newhill, which were leased to sporting Englishmen, or Castle Mockstock, since Lord Mockstock married beneath him. These four houses with their neatly raked gravel, bathrooms and dynamos, were the wonder and ridicule of the country. But Fleacetown, in fair competition with the essentially Irish houses of the Free State, was unusually habitable.
Its roof was intact; and it is the roof which makes the difference between the second and third grade of Irish country houses. Once that goes you have moss in the bedrooms, ferns on the stairs and cows in the library, and in a very few years you have to move into the dairy or one of the lodges. But so long as he has, literally, a roof over his head, an Irishman’s house is still his castle. There were weak bits in Fleacetown, but general opinion held that the leads were good for another twenty years and would certainly survive the present owner.
Miss Annabel Rochfort-Doyle-Fleace, to give her the full name under which she appeared in books of reference, though she was known to the entire countryside as Bella Fleace, was the last of her family. There had been Fleces and Fleysers living about Ballingar since the days of Strongbow, and farm buildings marked the spot where they had inhabited a stockaded fort two centuries before the immigration of the Boycotts or Gordons or Mockstocks. A family tree emblazed by a nineteenth-century genealogist, showing how the original stock had merged with the equally ancient Rochforts and the respectable though more recent Doyles, hung in the billiard room. The present home had been built on extravagant lines in the middle of the eighteenth century, when the family, though enervated, was still wealthy and influential. It would be tedious to trace its gradual decline from fortune; enough to say that it was due to no heroic debauchery. The Fleaces just got unobtrusively poorer in the way that families do who make no effort to help themselves. In the last generations, too, there had been marked traces of eccentricity. Bella Fleace’s mother—an O’Hara of Newhill—had from the day of her marriage until her death suffered from the delusion that she was a Negress. Her brother, from whom she had inherited, devoted himself to oil painting; his mind ran on the simple subject of assassination and before his death he had executed pictures of practically every such incident in history from Julius Caesar to General Wilson. He was at work on a painting, his own murder, at the time of the troubles, when he was, in fact, ambushed and done to death with a shotgun on his own drive.
It was under one of her brother’s paintings—Abraham Lincoln in his box at the theatre—that Miss Fleace was sitting one colourless morning in November when the idea came to her to give a Christmas party. It would be unnecessary to describe her appearance closely, and somewhat confusing, because it seemed in contradiction to much of her character. She was over eighty, very untidy and very red; streaky grey hair was twisted behind her head into a horsy bun, wisps hung round her cheeks; her nose was prominent and blue veined; her eyes pale blue, blank and mad; she had a lively smile and spoke with a marked Irish intonation. She walked with the aid of a stick, having been lamed many years back when her horse rolled her among loose stones late in a long day with the Ballingar Hounds; a tipsy sporting doctor had completed the mischief, and she had not been able to ride again. She would appear on foot when hounds drew the Fleacetown coverts and loudly criticize the conduct of the huntsman, but every year fewer of her old friends turned out; strange faces appeared.
They knew Bella, though she did not know them. She had become a by-word in the neighbourhood, a much-valued joke.
“A rotten day,” they would report. “We found our fox, but lost again almost at once. But we saw Bella. Wonder how long the old girl will last. She must be nearly ninety. My father remembers when she used to hunt—went like smoke, too.”
Indeed, Bella herself was becoming increasingly occupied with the prospect of death. In the winter before the one we are talking of, she had been extremely ill. She emerged in April, rosy cheeked as ever, but slower in her movements and mind. She gave instructions that better attention must be paid to her father’s and brother’s graves, and in June took the unprecedented step of inviting her heir to visit her. She had always refused to see this young man up till now. He was an Englishman, a very distant cousin, named Banks. He lived in South Kensington and occupied himself in the Museum. He arrived in August and wrote long and very amusing letters to all his friends describing his visit, and later translated his experiences into a short story for the Spectator. Bella disliked him from the moment he arrived. He had horn-rimmed spectacles and a BBC voice. He spent most of his time photographing the Fleacetown chimneypieces and the moulding of the doors. One day he came to Bella bearing a pile of calf-bound volumes from the library.
“I say, did you know you had these?” he asked.
“I did,” Bella lied.
“All first editions. They must be extremely valuable.”
“You put them back where you found them.”
Later, when he wrote to thank her for his visit—enclosing prints of some of his photographs—he mentioned the books again. This set Bella thinking. Why should that young puppy go poking round the house putting a price on everything? She wasn’t dead yet, Bella thought. And the more she thought of it, the more repugnant it became to think of Archie Banks carrying off her books to South Kensington and removing the chimneypieces and, as he threatened, writing an essay about the house for the Architectural Review. She had often heard that the books were valuable. Well, there were plenty of books in the library and she did not see why Archie Banks should profit by them. So she wrote a letter to a Dublin bookseller. He came to look through the library, and after a while he offered her twelve hundred pounds for the lot, or a thousand for the six books which had attracted Archie Banks’s attention. Bella was not sure that she had the right to sell things out of the house; a wholesale clearance would be noticed. So she kept the sermons and military history which made up most of the collection, the Dublin bookseller went off with the first editions, which eventually fetched rather less than he had given, and Bella was left with winter coming on and a thousand pounds in hand.
It was then that it occurred to her to give a party. There were always several parties given round Ballingar at Christmastime, but of late years Bella had not been invited to any, partly because many of her neighbours had never spoken to her, partly because they did not think she would want to come, and partly because they would not have known what to do with her if she had. As a matter of fact she loved parties. She liked sitting down to supper in a noisy room, she liked dance music and gossip about which of the girls was pretty and who was in love with them, and she liked drink and having things brought............