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CHAPTER 11. THE BEGINNING OF THE END
‘Well, I MUST say,’ mother said, looking at the wishing carpet as it lay, all darned and mended and backed with shiny American cloth, on the floor of the nursery—‘I MUST say I’ve never in my life bought such a bad bargain as that carpet.’

A soft ‘Oh!’ of contradiction sprang to the lips of Cyril, Robert, Jane, and Anthea. Mother looked at them quickly, and said—

‘Well, of course, I see you’ve mended it very nicely, and that was sweet of you, dears.’

‘The boys helped too,’ said the dears, honourably.

‘But, still—twenty-two and ninepence! It ought to have lasted for years. It’s simply dreadful now. Well, never mind, darlings, you’ve done your best. I think we’ll have coconut matting next time. A carpet doesn’t have an easy life of it in this room, does it?’

‘It’s not our fault, mother, is it, that our boots are the really reliable kind?’ Robert asked the question more in sorrow than in anger.

‘No, dear, we can’t help our boots,’ said mother, cheerfully, ‘but we might change them when we come in, perhaps. It’s just an idea of mine. I wouldn’t dream of scolding on the very first morning after I’ve come home. Oh, my Lamb, how could you?’

This conversation was at breakfast, and the Lamb had been beautifully good until every one was looking at the carpet, and then it was for him but the work of a moment to turn a glass dish of syrupy blackberry jam upside down on his young head. It was the work of a good many minutes and several persons to get the jam off him again, and this interesting work took people’s minds off the carpet, and nothing more was said just then about its badness as a bargain and about what mother hoped for from coconut matting.

When the Lamb was clean again he had to be taken care of while mother rumpled her hair and inked her fingers and made her head ache over the difficult and twisted house-keeping accounts which cook gave her on dirty bits of paper, and which were supposed to explain how it was that cook had only fivepence-half-penny and a lot of unpaid bills left out of all the money mother had sent her for house-keeping. Mother was very clever, but even she could not quite understand the cook’s accounts.

The Lamb was very glad to have his brothers and sisters to play with him. He had not forgotten them a bit, and he made them play all the old exhausting games: ‘Whirling Worlds’, where you swing the baby round and round by his hands; and ‘Leg and Wing’, where you swing him from side to side by one ankle and one wrist. There was also climbing Vesuvius. In this game the baby walks up you, and when he is standing on your shoulders, you shout as loud as you can, which is the rumbling of the burning mountain, and then tumble him gently on to the floor, and roll him there, which is the destruction of Pompeii.

‘All the same, I wish we could decide what we’d better say next time mother says anything about the carpet,’ said Cyril, breathlessly ceasing to be a burning mountain.

‘Well, you talk and decide,’ said Anthea; ‘here, you lovely ducky Lamb. Come to Panther and play Noah’s Ark.’

The Lamb came with his pretty hair all tumbled and his face all dusty from the destruction of Pompeii, and instantly became a baby snake, hissing and wriggling and creeping in Anthea’s arms, as she said—

     ‘I love my little baby snake,
     He hisses when he is awake,
     He creeps with such a wriggly creep,
     He wriggles even in his sleep.’

‘Crocky,’ said the Lamb, and showed all his little teeth. So Anthea went on—

     ‘I love my little crocodile,
     I love his truthful toothful smile;
     It is so wonderful and wide,
     I like to see it—FROM OUTSIDE.’

‘Well, you see,’ Cyril was saying; ‘it’s just the old bother. Mother can’t believe the real true truth about the carpet, and—’

‘You speak sooth, O Cyril,’ remarked the Phoenix, coming out from the cupboard where the blackbeetles lived, and the torn books, and the broken slates, and odd pieces of toys that had lost the rest of themselves. ‘Now hear the wisdom of Phoenix, the son of the Phoenix—’

‘There is a society called that,’ said Cyril.

‘Where is it? And what is a society?’ asked the bird.

‘It’s a sort of joined-together lot of people—a sort of brotherhood—a kind of—well, something very like your temple, you know, only quite different.’

‘I take your meaning,’ said the Phoenix. ‘I would fain see these calling themselves Sons of the Phoenix.’

‘But what about your words of wisdom?’

‘Wisdom is always welcome,’ said the Phoenix.

‘Pretty Polly!’ remarked the Lamb, reaching his hands towards the golden speaker.

The Phoenix modestly retreated behind Robert, and Anthea hastened to distract the attention of the Lamb by murmuring—

     “I love my little baby rabbit;
     But oh! he has a dreadful habit
     Of paddling out among the rocks
     And soaking both his bunny socks.’

‘I don’t think you’d care about the sons of the Phoenix, really,’ said Robert. ‘I have heard that they don’t do anything fiery. They only drink a great deal. Much more than other people, because they drink lemonade and fizzy things, and the more you drink of those the more good you get.’

‘In your mind, perhaps,’ said Jane; ‘but it wouldn’t be good in your body. You’d get too balloony.’

The Phoenix yawned.

‘Look here,’ said Anthea; ‘I really have an idea. This isn’t like a common carpet. It’s very magic indeed. Don’t you think, if we put Tatcho on it, and then gave it a rest, the magic part of it might grow, like hair is supposed to do?’

‘It might,’ said Robert; ‘but I should think paraffin would do as well—at any rate as far as the smell goes, and that seems to be the great thing about Tatcho.’

But with all its faults Anthea’s idea was something to do, and they did it.

It was Cyril who fetched the Tatcho bottle from father’s washhand-stand. But the bottle had not much in it.

‘We mustn’t take it all,’ Jane said, ‘in case father’s hair began to come off suddenly. If he hadn’t anything to put on it, it might all drop off before Eliza had time to get round to the chemist’s for another bottle. It would be dreadful to have a bald father, and it would all be our fault.’

‘And wigs are very expensive, I believe,’ said Anthea. ‘Look here, leave enough in the bottle to wet father’s head all over with in case any emergency emerges—and let’s make up with paraffin. I expect it’s the smell that does the good really—and the smell’s exactly the same.’

So a small teaspoonful of the Tatcho was put on the edges of the worst darn in the carpet and rubbed carefully into the roots of the hairs of it, and all the parts that there was not enough Tatcho for had paraffin rubbed into them with a piece of flannel. Then the flannel was burned. It made a gay flame, which delighted the Phoenix and the Lamb.

‘How often,’ said mother, opening the door—‘how often am I to tell you that you are NOT to play with paraffin? What have you been doing?’

‘We have burnt a paraffiny rag,’ Anthea answered.

It was no use telling mother what they had done to the carpet. She did not know it was a magic carpet, and no one wants to be laughed at for trying to mend an ordinary carpet with lamp-oil.

‘Well, don’t do it again,’ said mother. ‘And now, away with melancholy! Father has sent a telegram. Look!’ She held it out, and the children, holding it by its yielding corners, read—

‘Box for kiddies at Garrick. Stalls for us, Haymarket. Meet Charing Cross, 6.30.’

‘That means,’ said mother, ‘that you’re going to see “The Water Babies” all by your happy selves, and father and I will take you and fetch you. Give me the Lamb, dear, and you and Jane put clean lace in your red evening frocks, and I shouldn’t wonder if you found they wanted ironing. This paraffin smell is ghastly. Run and get out your frocks.’

The frocks did want ironing—wanted it rather badly, as it happened; for, being of tomato-Coloured Liberty silk, they had been found very useful for tableaux vivants when a red dress was required for Cardinal Richelieu. They were very nice tableaux, these, and I wish I could tell you about them; but one cannot tell everything in a story. You would have been specially interested in hearing about the tableau of the Princes in the Tower, when one of the pillows burst, and the youthful Princes were so covered with feathers that the picture might very well have been called ‘Michaelmas Eve; or, Plucking the Geese’.

Ironing the dresses and sewing the lace in occupied some time, and no one was dull, because there was the theatre to look forward to, and also the possible growth of hairs on the carpet, for which every one kept looking anxiously. By four o’clock Jane was almost sure that several hairs were beginning to grow.

The Phoenix perched on the fender, and its conversation, as usual, was entertaining and instructive—like school prizes are said to be. But it seemed a little absent-minded, and even a little sad.

‘Don’t you feel well, Phoenix, dear?’ asked Anthea, stooping to take an iron off the fire.

‘I am not sick,’ replied the golden bird, with a gloomy shake of the head; ‘but I am getting old.’

‘Why, you’ve hardly been hatched any time at all.’

‘Time,’ remarked the Phoenix, ‘is measured by heartbeats. I’m sure the palpitations I’ve had since I’ve known you are enough to blanch the feathers of any bird.’

‘But I thought you lived 500 years,’ said Robert, and you’ve hardly begun this set of years. Think of all the time that’s before you.’

‘Time,’ said the Phoenix, ‘is, as you are probably aware, merely a convenient fiction. There is no such thing as time. I have lived in these two months at a pace which generously counterbalances 500 years of life in the desert. I am old, I am weary. I feel as if I ought to lay my egg, and lay me down to my fiery sleep. But unless I’m careful I shall be hatched again instantly, and that is a misfortune which I really do not think I COULD endure. But do not let me intrude these desperate personal reflections on your youthful happiness. What is the show at the theatre to-night? Wrestlers? Gladiators? A combat of cameleopards and unicorns?’

‘I don’t think so,’ said Cyril; ‘it’s called “The Water Babies”, and if it’s like the book there isn’t any gladiating in it. There are chimney-sweeps and professors, and a lobster and an otter and a salmon, and children living in the water.’

‘It sounds chilly.’ The Phoenix shivered, and went to sit on the tongs.

‘I don’t suppose there will be REAL water,’ said Jane. ‘And theatres are very warm and pretty, with a lot of gold and lamps. Wouldn’t you like to come with us?’

‘I was just going to say that,’ said Robert, in injured tones, ‘only I know how rude it is to interrupt. Do come, Phoenix, old chap; it will cheer you up. It’ll make you laugh like any thing. Mr Bourchier always makes ripping plays. You ought to have seen “Shock-headed Peter” last year.’

‘Your words are strange,’ said the Phoenix, ‘but I will come with you. The revels of this Bourchier, of whom you speak, may help me to forget the weight of my years.’ So that evening the Phoenix snugged inside the waistcoat of Robert’s Etons—a very tight fit it seemed both to Robert and to the Phoenix—and was taken to the play.

Robert had to pretend to be cold at the glittering, many-mirrored restaurant where they ate dinner, with father in evening dress, with a very shiny white shirt-front, and mother looking lovely in her grey evening dress, that changes into pink and green when she moves. Robert pretended that he was too cold to take off his great-coat, and so sat sweltering through what would otherwise have been a most thrilling meal. He felt that he was a blot on the smart beauty of the family, and he hoped the Phoenix knew what he was suffering for its sake. Of course, we are all pleased to suffer for the sake of others, but we like them to know it unless we are the very best and noblest kind of people, and Robert was just ordinary.

Father was full of jokes and fun, and every one laughed all the time, even with their mouths full, which is not manners. Robert thought father would not have been ............
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