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HOME > Children's Novel > Girlhood and Womanhood > VII.—STRIPS SOME OF THE THORNS FROM THE HEDGE AND THE GARDEN ROSES.
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VII.—STRIPS SOME OF THE THORNS FROM THE HEDGE AND THE GARDEN ROSES.

Will Locke lay dying. One would have thought, from his tranquillity, confidence, and love of work, even along with spare diet, that he would have lived long. But dreamland cannot be a healthy region for a man in the body to inhabit. Will was going where his visions would be as nought to the realities. He was still one of the most peaceful, the happiest of fellows, as he had been all his life. He babbled of the pictures he would paint in another region, as if he were conscious that he had painted in a former state. It seemed, too, that the poor fellow's spiritual life, apart from his artist career, took sounder, cheerier substance and form, as the other life grew dimmer and wilder. Dulcie was almost reconciled to let Will go; for he would be more at home in the spirit-world than here, and she had seen sore trouble, which taught her to acquiesce, when there were a Father and a Friend seen glimmeringly but hopefully beyond the gulf. Dulcie moved about, with her child holding by her skirts, resigned and helpful in her sorrow.

The most clouded faces in the old room in St. Martin's Lane—with its old litter, so grievous to-day, of brushes, and colours, and graving tools, and wild pictures which the painter would never touch more—were those of Sam Winnington and Clary. Will had bidden Sam and Clary be sent for to his deathbed; and, offended as they had been, and widely severed as they were now, they rose and came trembling to obey the summons. Clary gave one [Page 162]look, put her handkerchief quickly to her eyes, and then turned and softly covered the tools, lifted the boiling pot to the side of the grate, and took Dulcie's fretful, wondering child in her lap. She was not a fine lady now, but a woman in distress. Sam stood immoveable and uncertain, with a man's awkwardness, but a face working with suppressed emotion.

Will felt no restraint; he sat up in his faded coat with his cravat open to give him air, and turning his wan face with its dark shadow towards Sam Winnington in his velvet coat, with a diamond ring sparkling on his splashed hand, and his colour, which had grown rosy of late years, heightened with emotion, addressed his old friend.

"I wanted to see you, Sam; I had something on my mind, and I could not depart with full satisfaction without saying it to you; I have done you wrong."

Sam raised his head, startled, and stared at the sick man: poor Will Locke; were his wits utterly gone? they had always been somewhat to seek: though he had been a wonderful fellow, too, in his own way—wonderful at flowers, and birds, and beasts, if he had but been content with them.

"I called you a mere portrait-painter, Sam," continued the dying man; "I refused to acknowledge your inspiration, and I knew better: I saw that to you was granted the discernment to read the human face and the soul behind it, as to me it was given to hold converse with nature and the subtle essence of good and evil. Most painters before you have painted masks; but yours are the clothings of immortals: and your flesh is wonderful, Sam—how [Page 163]you have perfected it! And it is not true what they tell you of your draperies: you are the only man alive who can render them picturesque and not absurd, refined and not stinted. You were a genteel fellow, too, from the beginning, and would no more do a dirty action when you had only silver coins to jingle in your pockets, than now when they are stuffed with gold moidores."

"Oh, Will, Will!" cried Sam, desperately bowing his head; "I have done little for you."

"Man!" cried Will, with a kingly incredulity, "what could you do for me? I wanted nothing. I was withdrawn somewhat from my proper field, to mould and colour for daily bread; but Dulcie saved me many a wasted hour, and I could occupy the period of a mechanical job in conceiving—no, in marshalling my visions. Mine was a different, an altogether higher line than yours, Sam; you will forgive me if I have told you too abruptly," and the poverty-stricken painter, at his last gasp, looked deprecatingly at his old honoured associate.

But he was too far gone for ceremony; he was too near release for pain. He had even shaken hands with the few family cares he was capable of experiencing, and had commended Dulcie to Sam Winnington without a single doubt. He felt, like Gainsborough, that they were all going to heaven, and Vandyke was in the company. Where was the room for misunderstanding now! Here was the end of strife, and the conclusion of the whole matter. Some other sentences Will spoke before his parting breath; and when his hearers heard him murmuring the word "garment," they fancied he still raved of his calling—on to the [Page 164]end. But his mind had turned and taken refuge in another c............
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