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Chapter 80

 That said, I must be honest here and relay that it takes me only three afternoons of research in the local library to realize that all my original ideas about Balinese paradise were a bit misguided. I'd been telling people since I first visited Bali two years ago that this small island was the world's only true utopia, a place that has known only peace and harmony and balance for all time. A perfect Eden with no history of violence or bloodshed ever. I'm not sure where I got this grand idea, but I endorsed it with full confidence.

"Even the policemen wear flowers in their hair," I would say, as if that proved it.
In reality, though, it turns out Bali has had exactly as bloody and violent and oppressive a history as anywhere else on earth where human beings have ever lived. When the Javanese kings first immigrated here in the sixteenth century, they essentially established a feudal colony, with a strict caste system which--like all self-respecting caste systems--tended not to trouble itself with consideration for those at the bottom. The economy of early Bali was fueled by a lucrative slave trade (which not only preceded European participation in the international slave traffic by several centuries, but also outlived Europe's trafficking of human lives for a good long while). Internally, the island was constantly at war as rival kings staged attacks (complete with mass rape and murder) on their neighbors. Until the late nineteenth century, the Balinese had a reputation amongst traders and sailors for being vicious fighters. (The word amok, as in "running amok," is a Balinese word, describing a battle technique of suddenly going insanely wild against one's enemies in suicidal and bloody hand-to-hand combat; the Europeans were frankly terrified by this practice.) With a well-disciplined army of 30,000, the Balinese defeated their Dutch invaders in 1848, again in 1849 and once more, for good measure, in 1850. They collapsed under Dutch rule only when the rival kings of Bali broke ranks and betrayed each other in bids for power, aligning with the enemy for the promise of good business deals later. So to gauze this island's history today in a dream of paradise is a bit insulting to reality; it's not like these people have spent the last millennium just sitting around smiling and singing happy songs.
But in the 1920s and 1930s, when an elite class of Western travelers discovered Bali, all this bloodiness was ignored as the newcomers agreed that this was truly "The Island of the Gods," where "everyone is an artist" and where humanity lives in an unspoiled state of bliss. It's been a lingering idea, this dream; most visitors to Bali (myself on my first trip included) still endorse it. "I was furious at God that I was not born Balinese," said the German photographer George Krauser after visiting Bali in the 1930s. Lured by reports of otherworldly beauty and serenity, some really A-list tourists started visiting the island--artists like Walter Spies, writers like Noel Coward, dancers like Claire Holt, actors like Charlie Chaplin, scholars like Margaret Mead (who, despite all the naked breasts, wisely called Balinese civilization on what it truly was, a society as prim as Victorian England: "Not an ounce of free libido in the whole culture.")
The party ended in the 1940s when the world went to war. The Japanese invaded Indonesia, and the blissful expa............
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