As Gilbert rapidly traced these last lines, the dinner-bell sounded. He descended in haste to the grand hall. They were already at the table.
"Tell me, if you please," said Count Kostia, addressing him gayly, "what you think of our new comrade?"
Gilbert then noticed a fifth guest, whose face was not absolutely unknown to him. This newly invited individual was seated at the right of Father Alexis, who seemed to relish his society but little, and was no less a personage than Solon, the favorite of the master, one of those apes which are vulgarly called "monkeys in mourning," with black hair, but with face, hands, and feet of a reddish brown.
"You will not be vexed with me for inviting Solon to dine with us?" continued M. Leminof. "The poor beast has been hypochondriacal for several days, and I am glad to procure this little distraction for him. I hope it will dissipate it. I cannot bear melancholy faces; hypochondria is the fate of fools who have no mental resources."
He pronounced these last words half turning towards Stephane. The young man's face was more gloomy than ever. His eyes were swollen, and dark circles surrounded them. The indignation with which the brutal remark of his father filled him, gave him strength to recover from his dejection. He resolutely set about eating his soup, which he had not touched before, and feeling that Gilbert's eyes were fixed upon him, he raised his head quickly and darted upon him a withering glance. Gilbert thought he divined that he called him to account for his carnation, and could not help blushing,—so true is it that innocence does not suffice to secure one a clear conscience.
"Frankly, now," resumed the Count, lowering his voice, "don't you see some resemblance between the two persons who adorn the lower end of this table?"
"The resemblance does not strike me," answered Gilbert coldly.
"Ah! mon Dieu, I do not mean to say that they are identical in all points. I readily grant that Father Alexis uses his thumbs better; I admit, too, that he has a grain or two more of phosphorus in his brain, for you know the savants of to-day, at their own risk and peril, have discovered that the human mind is nothing but a phosphoric tinder-box."
"It is these same savants," said Gilbert, "who consider genius a nervous disorder. Much good may it do them. They are not my men."
"You treat science lightly; but answer my question seriously: do you not discover certain analogies between these two personages in black clothes and red faces?"
"My opinion," interrupted Gilbert impatiently, "is that Solon is very ugly, and that Father Alexis is very handsome."
"Your answer embarrasses me," retorted the Count, "and I don't know whether I ought to thank you for the compliment you pay my priest, or be angry at the hard things you say of my monkey. One thing is certain," added he, "that my monkey and my priest,—I'm wrong,—my priest and my monkey, resemble each other in one respect: they have both a passionate appetite for truffles. You will soon see."
They were just serving fowl with truffles. Solon devoured his portion in the twinkling of an eye, and as he was prone to coveting the property of others, he fixed his eyes, full of affectionate longing, on his neighbor's plate. Active, adroit, and watching his opportunity, he seized the moment when the priest was carrying his glass to his lips; to extend his paw, seize a truffle, and swallow it, was the work of but half a second. Beside himself with indignation, the holy man turned quickly and looked at the robber with flashing eyes. The monkey was but little affected by his anger, and to celebrate the happy success of his roguery, he capered and frisked in a ridiculous and frantic way, clinging with his forepaws to the back of his chair. The good father shook his head sadly, moved his plate further off, and returned to his eating, not, however, without watching the movements of the enemy from the corner of his eye. In vain he kept guard; in spite of his precautions,—a new attack, a new larceny—and fresh caperings of joy by the monkey. Father Alexis at last lost patience, and the monkey received a vigorous blow full in the muzzle, which drew from him a sharp shriek; but at the same instant the priest felt two rows of teeth bury themselves in his left cheek. He could hardly repress a cry, and gave up the game, leaving Solon to gorge himself to his beard in the spoils, while he busied himself in stanching his wound, from which the blood gushed freely.
The Count affected to be ignorant of all that passed; but there was a merry sparkle in his eyes which testified that not a detail of this tragic comedy had escaped his notice.
"You appear to distrust Solon, Father," said he, seeing that the priest pushed back his chair and kept at a distance from the baboon. "You are wrong. He has very sweet manners; he is incapable of a bad action. He is only a little sad now, but in his melancholy, he observes all the rules of good breeding; which is not the case with all melancholy people," added he, throwing a look at Stephane, who, taken with a sudden access of sadness, had just leaned his elbow upon the table and made a screen of his right hand to hide his tears from his father. Gilbert felt himself near stifling, and as soon as he could, left the table. Fortunately no one followed him onto the terrace. Stephane had no more flowers to cultivate, and went to shut himself up in his high tower. On his part, Father Alexis went to dress his wound; as to M. Leminof, he was displeased with the cool and, as he thought, composed air with which Gilbert had listened to his pleasantries, and he retired to his study, promising himself to give to Monsieur his secretary, whom, nevertheless, he valued very highly, that last touch of pliancy which he needed for his perfection. Count Kostia was of an age when even the strongest mind feels the necessity of occasional relaxation, and he would have been glad to have near him a pliant, agreeable companion, and enchanted could that companion have been his secretary.
Gilbert strode across the terrace, and, leaning over the parapet, gazed long and silently at the highroad. "Ten months yet!" said he to himself, and contracting his brows, he turned to look at the odious castle, where destiny had cast his lot. It seemed as if the old pile wished to avenge itself for his ill humor: never had it been clothed with such a smiling aspect. A ray of the setting sun rested obliquely upon its wide roof; the bricks had the warm color of amber, the highest points were bathed in gold dust, and the gables and vanes threw out sparks. The air was balmy; the lilacs, the citron, the jasmine, and the honeysuckle intermingled their perfumes, which the almost imperceptible breath of the north wind spread in little waves to the four corners of the terrace.
And these wandering perfumes mingled themselves, in passing, with other odors more delicate and more subtle; from each leaf, each petal, each blade of grass, exhaled secret aromas, mute words which the plants exchange with each other, and which revealed to Gilbert's heart the great mystery of happiness which animates the soul of things.
Gilbert was determined to drown his sorrows this evening in the divine harmonies of nature. To succeed the better, he called poetry to his aid, for the great poets are the eternal mediators between the soul of things and our feeble hearts of earth and clay. He recited the distichs where Goethe has related in a tongue worthy of Homer or Lucretius the metamorphosis of the plants. This was placed like a preamble at the beginning of the volume which he carried with him in his walks, and he had learned it by heart a few days before. The better to penetrate the sense of these admirable lines, he tried to translate them into French alexandrines, which he sometimes composed. This effort at translation soon appeared to him beyond his abilities; all the French words seemed too noisy, too brilliant or too vulgar, or too solemn to render these mute accents, these intonations veiled as if in religious mystery, by which the author of Faust intended to express the subtle sounds and even the silence of nature. We know that it is only in German poetry that we can hear the grass growing from the bosom of the earth, and the celestial spheres revolving in space.
Every language has its pedals and its peculiar registers; the Teutonic muse alone can execute these solemn airs which must be played with the soft pedal. For more than an hour Gilbert exhausted himself in vain attempts, and at last, disheartened, he contented himself with reciting aloud the poem which he despaired of translating. He uttered the first part with the fire of enthusiasm; but his voice fell as he pronounced the following passage:
"Every flower, my beloved, speaks to thee in a voice distinct and clear; every plant announces to thee plainly the eternal laws of life; but these sacred hieroglyphics of the goddess which thou decipherest upon their perfumed foreheads, thou wilt find everywhere hidden under other emblems. Let the caterpillar drag itself creeping along, and soon the light butterfly darts rapidly through the air; and let man also, with his power of self- development, follow the circle of his soul's metamorphoses. Oh! then wilt thou remember that the bond which united our spirits was first a germ from which sprang in time a sweet and charming acquaintance; friendship in its turn soon revealed its power in our hearts, until love came at last, crowning it with flowers and fruits."
At this place a light cloud of sadness passed over Gilbert's face; he felt a secret dissatisfaction at meeting in the verses of his favorite poet a passage which he could not apply to his own experience.
Meanwhile, night had come, a night like a softened and refreshed day. The radiant moon shone in the zenith; she inundated the fields of heaven with soft whiteness, she shook her torch over the Rhine, and made the crests of its restless waves scintillate; she poured over the tops of the trees a rain of silvery light; she suspended from their branches necklaces of sapphires and azure diamonds, which the breeze in passing sportively dashed together. The great slumbering woods thrilled at the touch of this dew of light which bathed their lofty brows; they felt something divine insinuating itself in the horror of their somber recesses. From time to time a nightingale gave to the wind a few notes sonorous and sustained; it seemed the voice of the forest, speaking in its sleep,—its soul, carried away in ecstasy, exhaling its intoxication in a long sigh of love.
Gilbert had been sitting up very late recently, since he had decided to remain but a short time at Geierfels, and he had grown pale over the Byzantines, in the hope of advancing in his task so much, that Count Kostia would more easily consent to his departure. Robust as was his constitution, he finished by tiring himself out, and nature claiming its rights, sleep seized him at the moment when he was about leaving the bank to seek his room, and have a little nocturnal chat with Agathias and Procopius.
When he awoke, the moon had already declined towards the horizon, which discovery surprised him greatly, as he thought he had slept but a few moments. He rose and shook his limbs, stiff from the dampness. Fortunately, he was the only one at Geierfels who had free ingress and egress; the turret which he inhabited communicated with the terrace by a private staircase, to the entrance of which he had the key. Fortunately, too, the bulldogs had learned to know him, and never dreamed of disturbing his movements. He gained the little door without any difficulty, opened it, and having lit a candle which he drew from his pocket, commenced cautiously to ascend the winding staircase, the steps of which were broken in many places. He had just reached the first landing where terminated the spacious corridor, which extended along the principal facade parallel with the terrace, and was preparing to cross it, when he heard a long and painful groan, which seemed to come from the other end of the gallery. Starting, he remained motionless some moments, with neck extended and ears alert, peering into the obscurity from whence he expected to see some melancholy phantom emerge; but almost immediately a gust of wind driving through the broken square of a dormer window made it grind upon its hinges and give out a plaintive sound, which reverberated through the corridor. Gilbert then fancied that what he had taken for a sigh was only the moaning of the wind, counterfeiting in its melancholy gambols the voice of human grief. Resuming his ascent, he had already mounted some steps, when a second groan, still more dismal than the first, reached his ears, and froze the blood in his veins. He was sure he could not be deceived now; the wind had no such accents—it was a wail, sharp, harsh, and heartrending, which seemed as though it might come from the bosom of a specter.
A thousand sinister suppositions assailed Gilbert's mind, but he gave himself no time to reflect. Agitated, panting, his head on fire, he sprang with one bound down the staircase, and reaching the entrance of the gallery, cried out in a trembling voice, and scarcely knowing what he said:
"Who's there? Who wants assistance? I, Gilbert, am ready to come to his aid—"
His voice was swallowed up and lost in the somber arches of the corridor. No answer; the darkness remained dumb. In the rapidity of his movement, Gilbert had extinguished his candle; he prepared to relight it, when a hat flew by and struck his forehead with his wings. The start which this unforeseen attack gave him made him drop the candle; he stooped to pick it up, but could not find it. In spite............