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HOME > Inspiring Novel > The Mornin’-Glory Girl > CHAPTER VI.—AN EVENING IN THE WOPP PARLOR.
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CHAPTER VI.—AN EVENING IN THE WOPP PARLOR.
 The broad of sunlight that flooded the dining-room where Nell Gordon sat was suddenly darkened. Looking up she saw the tall straight figure of Howard Eliot at the .  
“Lan’ sakes, here’s friend neighbor,” exclaimed Mrs. Wopp entering the room from the kitchen, “yer jist in time to help this here pore overworked teacher with some papers she brung home from the school.”
 
“P’raps I’ll hinder more than help,” Howard answered, grasping Mrs. Wopp’s outstretched hand and looking questioningly at Nell.
 
“The work I am at now Howard, requires mostly a sense of humor. Just look at this and ask yourself how I manage to keep my face straight sometimes at school.” Howard took the paper handed to him and had hardly read a line before his was .
 
Moses and Betty, hearing what promised to add spice to their evening, quickly entered the room. Mrs. Wopp who always had to know the joke, at once to get rid of the youngsters.
 
“Moses, you git to the barn an’ hunt the aigs, an’ min’ you look in the haystack; that ole yaller hen has been wantin’ ter set in the nigh corner of it.”
 
“I did hunt the aigs,” lied the unhappy Moses who was afraid he was going to miss something.
 
“Then where are they?” demanded Mrs. Wopp. “You are as bad as Anias and who was carried out feet foremost. Go when I tell you. An’ you Betty, go upstairs an’ mend that orful, yawnin’ gap in yer stockin’. Now we hev got rid of the younguns Howard, will you read out what you was larfin’ at?”
 
Thus , Howard began, while Mrs. Wopp leaned back in her chair rocking vigorously.
 
“The cow is a useful animal. It has short legs and a cupple horns sometimes very sharp. Some cows is black some is red, a cow can Ball very loud. If you hear a cow Ball very loud keep on the other side of the fense, she may have lost her and that is why she is Balling very loud.
 
“Cows have a long tale. They wave it and it keeps there back cool, sometimes they wave it to keep off flies and other insecks. Cows cannot run as fast as a but if she is chasing you she seems to be running very fast. If she chases you pick up a tin can or pale and hit on it with a stone. The cow will then stampeed. Cows have four feet called . They are useful for walking this is all I know about cows.”
 
“Well now Howard Eliot I carnt see nothin’ in that to larf at. It is grand readin’. Do read another,” said Mrs. Wopp.
 
Picking up a second paper at , “This is a composition on Alfred the Great,” he explained.
 
“Alfred the Grate was a good king. He had a lot of trubel in his rane. The Danes had come to Ingland and peeple did not no how to read and . He bilt some skools and men called munks showed the peeple how to read and rite the Danes were very crool they killed a lot of men and Alfred the Grate had to run away and hide in a . One day a woman where he horded asked him to turn some pancakes and King Alfred the Grate forgot to turn the pancakes and they were burnt and the woman boxed his ears and would not bord him no more. Alfred the Grate the Danes.”
 
“I am not going to let you see any more compositions,” exclaimed Nell, “You are just making fun of my poor children.”
 
“Howard Eliot may larf, but I think these writin’s is real clever.” Mrs. Wopp grew thoughtful, “Moses’ Aunt Lucindy’s cousin, by marriage, had talents fer literatoor. But the pore girl married an undertaker an’ she no more.”
 
“Let’s all go to the , , and hev some music. It isn’t every evenin’ we hev company,” said Mr. Wopp.
 
“Ef you wish it, Ebenezer,” responded his though still somewhat absorbed in the hopes of her relative, “jist wait till I drawr up the blinds.”
 
The Wopp parlor was seldom entered, except on very special occasions or when Mrs. Wopp with formality and no haste dusted the furniture. The room had an air of solemnity and gloom, absent in the cheerful dining-room where the family usually sat. A homemade rag carpet covered the floor. Six slippery, horsehair chairs, one of them a rocker, and a horsehair couch, which did not invite confidence, were ranged stiffly around the sides of the room. In one corner was an ancient organ, wheezy and querulous with neglect, and in another stood a lofty what-not, on whose numerous shelves were deposited the family treasures. Here, was a woolly lamb at one time beloved of Moses; there his tin bank. Stiffly upright stood Betty’s wax doll Hannah, seldom played with and then only for a few minutes at a time. Mrs. Wopp was represented by a few shell boxes and a match box of china flanked by a china cat.
 
In the very centre of the room stood a small table swathed in a hand-painted felt drape. On this the huge family Bible in which was chronicled the marriages, births and deaths of the Wopp family during the last three generations.
 
On the wall hung a gilt-framed portrait, which said represented Ebenezer Wopp, a wreath of carefully made wax flowers, a silver coffin-plate framed and bearing the name and date of of Mr. Wopp’s mother, and two or three colored chromos.
 
“Betty, play us a toon,” requested Mr. Wopp who was very fond of music.
 
Without further urging the child began to pick out with one finger a complicated melody which Mrs. Wopp assured the audience was “Dare to be a Daniel.”
 
“Aint that wonderful Miss Gordon? An’ Betty never had a lesson in her life. She jist naterly takes to music,” said Mrs. Wopp .
 
“It certainly is wonderful,” agreed Nell with perfect truth.
 
“Do you know that piece of music called ‘The Rose of Larst Summer’?” inquired the musical .
 
Nell confessed she had heard of it.
 
“Will you please play it fer us then, it is so touchin’. You will find the music on the organ.”
 
While the strains of this enlivening classic were issuing from the asthmatic instrument, Moses and Betty in the more atmosphere of the hall were trying to fit the time to “Old Dan Tucker” their favorite dance.
 
“Now ef you would jist play ‘Home Sweet Home’ with variations, my dear, we’ll arterwards hev a game of crokinole. Crokinole is sich an amusin’ game.”
 
Miss Gordon complied, then followed the old favorite with a two-step played in as a manner as the organ would allow.
 
The young dancers in the hall found the change of music decidedly exhilarating, as an occasional testified.
 
“Bully fer you, ’s Gordon,” shouted the excited Moses leaping furiously. “Keep her goin’. Ole Dan Tucker jist fits that toon.”
 
“Shame on you Moses, rampagin’ an’ bellerin’ there like a gang of coyotes,” his mother.
 
The strains of “Red Wing” having died away, Mrs. Wopp busied herself setting up the crokinole board. “Me and won’t play, jist the young folks,” she announced.
 
“Hurry Betty and set opposite me so’s we play together,” said Moses, unwittingly giving Cupid his innings.
 
“You’re a brilliant youth Moses,” smiled Howard approvingly, “and sure to get on in life. You don’t appreciate your own cleverness half as much as I do.”
 
Moses stared, wondering at this unusual compliment.
 
In the meantime Mr. Wopp sitting on the edge of the sofa was examining for at least the two-hundredth time the red plush album which contained the records of the Wopp family, past and present, in picture form. He looked long and earnestly at a tin-type representing a plump, velvet-coated, mop-haired boy of twelve. He sighed deeply.
 
“I must of looked like that Lize or the picter couldn’t of been took.” Ruefully he rubbed his bald crown.
 
“The fleetin’ of youth is most sartin,” answered his wife, coining this epigram on the shortness of life’s spring-time, and sighing as she . The good lady herself was looking through a stereoscope at some views and finding one of Niagara Falls she endeavored to cheer her husband.
 
“Do you remember when we went to Niagary Falls on our weddin’ tower, Ebenezer? We seen this here whirlpool an’ Goat Island an’ the show. Them was the happy days.”
 
Mrs. Wopp rose from her chair and seating herself on the sofa beside her husband took his thin hand in her substantial one, squeezing it openly.
 
Out of the tail of her eye Betty this little touch of sentiment and was much impressed.
 
“Be keerful how you shoot that checker Betty or we’re goin’ to git beat,” Moses. He found himself opposed to no mean .
 
to the fact of her son’s existence and perhaps as an to her unusual display of sentiment, Mrs. Wopp spoke rather sharply. “Moses, time you an’ Betty was in bed. You won’t want to git up in the mornin’ an’ milk the cows.” Later left alone in the lower part of the house she stood arms akimbo in the middle of the kitchen gazing at the door through which Nell Gordon had just departed. Shaking her head she said mysteriously, “I kalkerlate as how things is a-settin’ in that way.”

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