Mamzelle Aurélie a good strong figure, ruddy cheeks, hair that was changing from brown to gray, and a eye. She wore a man’s hat about the farm, and an old blue army overcoat when it was cold, and sometimes top-boots.  
Mamzelle Aurélie had never thought of marrying. She had never been in love. At the age of twenty she had received a proposal, which she had declined, and at the age of fifty she had not yet lived to regret it.
 
So she was quite alone in the world, except for her dog Ponto, and the negroes who lived in her cabins and worked her crops, and the , a few cows, a couple of , her gun (with which she shot chicken-hawks), and her religion.
 
One morning Mamzelle Aurélie stood upon her gallery, , with arms akimbo, 146a small band of very small children who, to all intents and purposes, might have fallen from the clouds, so unexpected and bewildering was their coming, and so unwelcome. They were the children of her nearest neighbor, Odile, who was not such a near neighbor, after all.
 
The young woman had appeared but five minutes before, accompanied by these four children. In her arms she carried little Elodie; she dragged Ti Nomme by an hand; while Marcéline and Marcélette followed with steps.
 
Her face was red and disfigured from tears and excitement. She had been summoned to a neighboring parish by the dangerous illness of her mother; her husband was away in Texas—it seemed to her a million miles away; and Valsin was waiting with the mule-cart to drive her to the station.
 
“It’s no question, Mamzelle Aurélie; you jus’ got to keep those youngsters fo’ me tell I come back. Dieu sait, I would n’ botha you with ’em if it was any otha way to do! Make ’em mine you, Mamzelle Aurélie; don’ spare ’em. Me, there, I’m half crazy between the 147chil’ren, an’ Léon not home, an’ maybe not even to fine po’ maman alive encore!”—a harrowing possibility which drove Odile to take a final hasty and convulsive leave of her family.
 
She left them crowded into the narrow strip of shade on the porch of the long, low house; the white sunlight was beating in on the white old boards; some chickens were scratching in the grass at the foot of the steps, and one had boldly mounted, and was stepping heavily, solemnly, and aimlessly across the gallery. There was a pleasant odor of pinks in the air, and the sound of negroes’ laughter was coming across the flowering cotton-field.
 
Mamzelle Aurélie stood contemplating the children. She looked with a critical eye upon Marcéline, who had been left staggering beneath the weight of the Elodie. She surveyed with the same calculating air Marcélette her silent tears with the audible grief and rebellion of Ti Nomme. During those few contemplative moments she was collecting herself, determining upon a line of action which should be identical with a line of duty. She began by feeding them.
 
148If Mamzelle Aurélie’s responsibilities might have begun and ended there, they could easily have been dismissed; for her was amply provided against an emergency of this nature. But little children are not little pigs; they require and demand attentions which were wholly unexpected by Mamzelle Aurélie, and which she was ill prepared to give.
 
She was, indeed, very inapt in her management of Odile’s children during the first few days. How could she know that Marcélette always wept when spoken to in a loud and commanding tone of voice? It was a of Marcélette’s. She became acquainted with Ti Nomme’s passion for flowers only when he had plucked all the choicest and pinks for the apparent purpose of critically studying their botanical construction.
 
“Tain’t enough to tell ’im, Mamzelle Aurélie,” Marcéline instructed her; “you got to tie ’im in a chair. It’s w’at maman all time do w’en he’s bad: she tie ’im in a chair.” The chair in which Mamzelle Aurélie tied Ti Nomme was roomy and comfortable, and he seized the opportunity to take a nap in it, the afternoon being warm.
 
149At night, when she ordered them one and all to bed as she would have shooed the chickens into the hen-house, they stayed uncomprehending before her. What about the little white n............