The autumn days declined to winter. Once more the leisure world was in transition between country and town, and Fifth Avenue, still deserted at the week-end, showed from Monday to Friday a broadening stream of carriages between house-fronts gradually restored to consciousness.
The Horse Show, some two weeks earlier, had produced a passing semblance of reanimation, filling the theatres and restaurants with a human display of the same costly and high-stepping kind as circled daily about its ring. In Miss Bart's world the Horse Show, and the public it attracted, had ostensibly come to be classed among the spectacles disdained of the elect; but, as the feudal lord might sally forth to join in the dance on his village green, so society, unofficially and incidentally, still condescended to look in upon the scene. Mrs. Gormer, among the rest, was not above seizing such an occasion for the display of herself and her horses; and Lily was given one or two opportunities of appearing at her friend's side in the most conspicuous box the house afforded. But this lingering semblance of intimacy made her only the more conscious of a change in the relation between Mattie and herself, of a dawning discrimination, a gradually formed social standard, emerging from Mrs. Gormer's chaotic view of life. It was inevitable that Lily herself should constitute the first sacrifice to this new ideal, and she knew that, once the Gormers were established in town, the whole drift of fashionable life would facilitate Mattie's detachment from her. She had, in short, failed to make herself indispensable; or rather, her attempt to do so had been thwarted by an influence stronger than any she could exert. That influence, in its last analysis, was simply the power of money: Bertha Dorset's social credit was based on an impregnable bank-account.
Lily knew that Rosedale had overstated neither the difficulty of her own position nor the completeness of the vindication he offered: once Bertha's match in material resources, her superior gifts would make it easy for her to dominate her adversary. An understanding of what such domination would mean, and of the disadvantages accruing from her rejection of it, was brought home to Lily with increasing clearness during the early weeks of the winter. Hitherto, she had kept up a semblance of movement outside the main flow of the social current; but with the return to town, and the concentrating of scattered activities, the mere fact of not slipping back naturally into her old habits of life marked her as being unmistakably excluded from them. If one were not a part of the season's fixed routine, one swung unsphered in a void of social non-existence. Lily, for all her dissatisfied dreaming, had never really conceived the possibility of revolving about a different centre: it was easy enough to despise the world, but decidedly difficult to find any other habitable region. Her sense of irony never quite deserted her, and she could still note, with self-directed derision, the abnormal value suddenly acquired by the most tiresome and insignificant details of her former life. Its very drudgeries had a charm now that she was involuntarily released from them: card-leaving, note-writing, enforced civilities to the dull and elderly, and the smiling endurance of tedious dinners--how pleasantly such obligations would have filled the emptiness of her days! She did indeed leave cards in plenty; she kept herself, with a smiling and valiant persistence, well in the eye of her world; nor did she suffer any of those gross rebuffs which sometimes produce a wholesome reaction of contempt in their victim. Society did not turn away from her, it simply drifted by, preoccupied and inattentive, letting her feel, to the full measure of her humbled pride, how completely she had been the creature of its favour.
She had rejected Rosedale's suggestion with a promptness of scorn almost surprising to herself: she had not lost her capacity for high flashes of indignation. But she could not breathe long on the heights; there had been nothing in her training to develop any continuity of moral strength: what she craved, and really felt herself entitled to, was a situation in which the noblest attitude should also be the easiest. Hitherto her intermittent impulses of resistance had sufficed to maintain her self-respect. If she slipped she recovered her footing, and it was only afterward that she was aware of having recovered it each time on a slightly lower level. She had rejected Rosedale's offer without conscious effort; her whole being had risen against it; and she did not yet perceive that, by the mere act of listening to him, she had learned to live with ideas which would once have been intolerable to her.
To Gerty Farish, keeping watch over her with a tenderer if less discerning eye than Mrs. Fisher's, the results of the struggle were already distinctly visible. She did not, indeed, know what hostages Lily had already given to expediency; but she saw her passionately and irretrievably pledged to the ruinous policy of "keeping up." Gerty could smile now at her own early dream of her friend's renovation through adversity: she understood clearly enough that Lily was not of those to whom privation teaches the unimportance of what they have lost. But this very fact, to Gerty, made her friend the more piteously in want of aid, the more exposed to the claims of a tenderness she was so little conscious of needing.
Lily, since her return to town, had not often climbed Miss Farish's stairs. There was something irritating to her in the mute interrogation of Gerty's sympathy: she felt the real difficulties of her situation to be incommunicable to any one whose theory of values was so different from her own, and the restrictions of Gerty's life, which had once had the charm of contrast, now reminded her too painfully of the limits to which her own existence was shrinking. When at length, one afternoon, she put into execution the belated resolve to visit her friend, this sense of shrunken opportunities possessed her with unusual intensity. The walk up Fifth Avenue, unfolding before her, in the brilliance of the hard winter sunlight, an interminable procession of fastidiously-equipped carriages--giving her, through the little squares of brougham-windows, peeps of familiar profiles bent above visiting-lists, of hurried hands dispensing notes and cards to attendant footmen--this glimpse of the ever-revolving wheels of the great social machine made Lily more than ever conscious of the steepness and narrowness of Gerty's stairs, and of the cramped blind alley of life to which they led. Dull stairs destined to be mounted by dull people: how many thousands of insignificant figures were going up and down such stairs all over the world at that very moment--figures as shabby and uninteresting as that of the middle-aged lady in limp black who descended Gerty's flight as Lily climbed to it!
"That was poor Miss Jane Silverton--she came to talk things over with me: she and her sister want to do something to support themselves," Gerty explained, as Lily followed her into the sitting-room.
"To support themselves? Are they so hard up?" Miss Bart asked with a touch of irritation: she had not come to listen to the woes of other people.
"I'm afraid they have nothing left: Ned's debts have swallowed up everything. They had such hopes, you know, when he broke away from Carry Fisher; they thought Bertha Dorset would be such a good influence, because she doesn't care for cards, and--well, she talked quite beautifully to poor Miss Jane about feeling as if Ned were her younger brother, and wanting to carry him off on the yacht, so that he might have a chance to drop cards and racing, and take up his literary work again."
Miss Farish paused with a sigh which reflected the perplexity of her departing visitor. "But that isn't all; it isn't even the worst. It seems that Ned has quarrelled with the Dorsets; or at least Bertha won't allow him to see her, and he is so unhappy about it that he has taken to gambling again, and going about with all sorts of queer people. And cousin Grace Van Osburgh accuses him of having had a very bad influence on Freddy, who left Harvard last spring, and has been a great deal with Ned ever since. She sent for Miss Jane, and made a dreadful scene; and Jack Stepney and Herbert Melson, who were there too, told Miss Jane that Freddy was threatening to marry some dreadful woman to whom Ned had introduced him, and that they could do nothing with him because now he's of age he has his own money. You can fancy how poor Miss Jane felt--she came to me at once, and seemed to think that if I could get her something to do she could earn enough to pay Ned's debts and send him away--I'm afraid she has no idea how long it would take her to pay for one of his evenings at bridge. And he was horribly in debt when he came back from the cruise--I can't see why he should have spent so much more money under Bertha's influence than Carry's: can you?"
Lily met this query with an impatient gesture. "My dear Gerty, I always understand how people can spend much more money--never how they can spend any less!"
She loosened her furs and settled herself in Gerty's easy-chair, while her friend busied herself with the tea-cups.
"But what can they do--the Miss Silvertons? How do they mean to support themselves?" she asked, conscious that the note of irritation still persisted in her voice. It was the very last topic she had meant to discuss--it really did not interest her in the least--but she was seized by a sudden perverse curiosity to know how the two colourless shrinking victims of young Silverton's sentimental experiments meant to cope with the grim necessity which lurked so close to her own threshold.
"I don't know--I am trying to find something for them. Miss Jane reads aloud very nicely--but it's so hard to find any one who is willing to be read to. And Miss Annie paints a little---"
"Oh, I know--apple-blossoms on blotting-paper; just the kind of thing I shall be doing myself before long!" exclaimed Lily, starting up with a vehemence of movement that threatened destruction to Miss Farish's fragile tea-table.
Lily bent over to steady the cups; then she sank back into her seat. "I'd forgotten there was no room to dash about in--how beautifully one does have to behave in a small flat! Oh, Gerty, I wasn't meant to be good," she sighed out incoherently.
Gerty lifted an apprehensive look to her pale face, in which the eyes shone with a peculiar sleepless lustre.
"You look horribly tired, Lily; take your tea, and let me give you this cushion to lean against."
Miss Bart accepted the cup of tea, but put back the cushion with an impatient hand.
"Don't give me that! I don't want to lean back--I shall go to sleep if I do."
"Well, why not, dear? I'll be as quiet as a mouse," Gerty urged affectionately.
"No--no; don't be quiet; talk to me--keep me awake! I don't sleep at night, and in the afternoon a dreadful drowsiness creeps over me."
"You don't sleep at night? Since when?"
"I don't know--I can't remember." She rose and put the empty cup on the tea-tray. "Another, and stronger, please; if I don't keep awake now I shall see horrors tonight--perfect horrors!"
"But they'll be worse if you drink too much tea."
"No, no--give it to me; and don't preach, please," Lily returned imperiously. Her voice had a dangerous edge, and Gerty noticed that her hand shook as she held it out to receive the second cup.
"But you look so tired: I'm sure you must be ill---"
Miss Bart set down her cup with a start. "Do I look ill? Does my face show it?" She rose and walked quickly toward the little mirror above the writing-table. "What a horrid looking-glass--it's all blotched and discoloured. Any one would look ghastly in it!" She turned back, fixing her plaintive eyes on Gerty. "You stupid dear, why do you say such odious things to me? It's enough to make one ill to be told one looks so! And looking ill means looking ugly." She caught Gerty's wrists, and drew her close to the window. "After all, I'd rather know the truth. Look me straight in the face, Gerty, and tell me: am I perfectly frightful?"
"You're perfectly beautiful now, Lily: your eyes are shining, and your cheeks have grown so pink all of a sudden---"
"Ah, they WERE pale, then--ghastly pale, when I came in? Why don't you tell me frankly that I'm a wreck? My eyes are bright now because I'm so nervous--but in the mornings they look like lead. And I can see the lines coming in my face--the lines of worry and disappointment and failure! Every sleepless night leaves a new one--and how can I sleep, when I have such dreadful things to think about?"
"Dreadful things--what things?" asked Gerty, gently detaching her wrists from her friend's feverish fingers.
"What things? Well, poverty, for one--and I don't know any that's more dreadful." Lily turned away and sank with sudden weariness into the easy-chair near the tea-table. "You asked me just now if I could understand why Ned Silverton spent so much money. Of course I understand--he spends it on living with the rich. You think we live ON the rich, rather than with them: and so we do, in a sense--but it's a privilege we have to pay for! We eat their dinners, and drink their wine, and smoke their cigarettes, and use their carriages and their opera-boxes and their private cars--yes, but there's a tax to pay on every one of those luxuries. The man pays it by big tips to the servants, by playing cards beyond his means, by flowers and presents--and--and--lots of other things that cost; the girl pays it by tips and cards too--oh, yes, I've had to take up bridge again--and by going to the best dress-makers, and having just the right dress for every occasion, and always keeping herself fresh and exquisite and amusing!"
S............