Mr. Phoebus had just finished a picture which he had painted for the Emperor of Russia. It was to depart immediately from England for its northern home, except that his imperial majesty had consented that it should be exhibited for a brief space to the people of England. This was a condition which Mr. Phoebus had made in the interests of art, and as a due homage alike to his own patriotism and celebrity.
There was to be a private inspection of the picture at the studio of the artist, and Mr. Phoebus had invited Lothair to attend it. Our friend had accordingly, on the appointed day, driven down to Belmont and then walked to the residence of Mr. Phoebus with Colonel Campian and his wife. It was a short and pretty walk, entirely through the royal park, which the occupiers of Belmont had the traditionary privilege thus to use.
The residence of Mr. Phoebus was convenient and agreeable, and in situation not unlike that of Belmont, being sylvan and sequestered. He had himself erected a fine studio, and added it to the original building. The flower-garden was bright and curious, and on the lawn was a tent of many colors, designed by himself and which might have suited some splendid field of chivalry. Upon gilt and painted perches, also, there were paroquets and macaws.
Lothair on his arrival found many guests assembled, chiefly on the lawn. Mr. Phoebus was highly esteemed, and had distinguished and eminent friends, whose constant courtesies the present occasion allowed him elegantly to acknowledge. There was a polished and gray-headed noble who was the head of the patrons of art in England, whose nod of approbation sometimes made the fortune of a young artist, and whose purchase of pictures for the nation even the furious cognoscenti of the House of Commons dared not question. Some of the finest works of Mr. Phoebus were to be found in his gallery; but his lordship admired Madame Phoebus even more than her husband’s works, and Euphrosyne as much as her sister. It was sometimes thought, among their friends, that this young lady had only to decide in order to share the widowed coronet; but Euphrosyne laughed at every thing, even her adorers; and, while her witching mockery only rendered them more fascinated, it often prevented critical declarations.
And Lady Beatrice was there, herself an artist, and full of aesthetical enthusiasm. Her hands were beautiful, and she passed her life in modelling them. And Cecrops was there, a rich old bachelor, with, it was supposed, the finest collection of modern pictures extant. His theory was, that a man could not do a wiser thing than invest the whole of his fortune in such securities, and it led him to tell his numerous nephews and nieces that he should, in all probability, leave his collection to the nation.
Clorinda, whose palace was always open to genius, and who delighted in the society of men who had discovered planets, excavated primeval mounds, painted pictures on new principles, or composed immortal poems which no human being could either scan or construe, but which she delighted in as “subtle” and full of secret melody, came leaning on the arms of a celebrated plenipotentiary, and beaming with sympathy on every subject, and with the consciousness of her universal charms.
And the accomplished Sir Francis was there, and several R. A. s of eminence, for Phoebus was a true artist, and loved the brotherhood, and always placed them in the post of honor.
No language can describe the fascinating costume of Madame Phoebus and her glittering sister. “They are habited as sylvans,” the great artist deigned to observe, if any of his guests could not refrain from admiring the dresses; which he had himself devised. As for the venerable patron of art in Britain, he smiled when he met the lady of the house, and sighed when he glanced at Euphrosyne; but the first gave him a beautiful flower, and the other fastened it in his button-hole. He looked like a victim bedecked by the priestesses of some old fane of Hellenic loveliness, and proud of his impending fate. What could the Psalmist mean in the immortal passage? Three-score-and-ten, at the present day, is the period of romantic passions. As for our enamoured sexagenarians, they avenge the theories of our cold-hearted youth.
Mr. Phoebus was an eminent host. It delighted him to see people pleased, and pleased under his influence. He had a belief, not without foundation, that every thing was done better under his roof th............