Again Miss Twinkleton has delivered her valedictory address, with the accompaniments of white-wine and pound-cake, and again the young ladies have departed to their several homes. Helena Landless has left the Nuns’ House to attend her brother’s fortunes, and pretty Rosa is alone.

Cloisterham is so bright and sunny in these summer days, that the Cathedral and the monastery-ruin show as if their strong walls were transparent. A soft glow seems to shine from within them, rather than upon them from without, such is their mellowness as they look forth on the hot corn-fields and the smoking roads that distantly wind among them. The Cloisterham gardens blush with ripening fruit. Time was when travel-stained pilgrims rode in clattering parties through the city’s welcome shades; time is when wayfarers, leading a gipsy life between haymaking time and harvest, and looking as if they were just made of the dust of the earth, so very dusty are they, lounge about on cool door-steps, trying to mend their unmendable shoes, or giving them to the city kennels as a hopeless job, and seeking others in the bundles that they carry, along with their yet unused sickles swathed in bands of straw. At all the more public pumps there is much cooling of bare feet, together with much bubbling and gurgling of drinking with hand to spout on the part of these Bedouins; the Cloisterham police meanwhile looking askant from their beats with suspicion, and manifest impatience that the intruders should depart from within the civic bounds, and once more fry themselves on the simmering high-roads.

On the afternoon of such a day, when the last Cathedral service is done, and when that side of the High Street on which the Nuns’ House stands is in grateful shade, save where its quaint old garden opens to the west between the boughs of trees, a servant informs Rosa, to her terror, that Mr. Jasper desires to see her.

If he had chosen his time for finding her at a disadvantage, he could have done no better. Perhaps he has chosen it. Helena Landless is gone, Mrs. Tisher is absent on leave, Miss Twinkleton (in her amateur state of existence) has contributed herself and a veal pie to a picnic.

‘O why, why, why, did you say I was at home!’ cried Rosa, helplessly.

The maid replies, that Mr. Jasper never asked the question.

That he said he knew she was at home, and begged she might be told that he asked to see her.

‘What shall I do! what shall I do!’ thinks Rosa, clasping her hands.

Possessed by a kind of desperation, she adds in the next breath, that she will come to Mr. Jasper in the garden. She shudders at the thought of being shut up with him in the house; but many of its windows command the garden, and she can be seen as well as heard there, and can shriek in the free air and run away. Such is the wild idea that flutters through her mind.

She has never seen him since the fatal night, except when she was questioned before the Mayor, and then he was present in gloomy watchfulness, as representing his lost nephew and burning to avenge him. She hangs her garden-hat on her arm, and goes out. The moment she sees him from the porch, leaning on the sun-dial, the old horrible feeling of being compelled by him, asserts its hold upon her. She feels that she would even then go back, but that he draws her feet towards him. She cannot resist, and sits down, with her head bent, on the garden-seat beside the sun-dial. She cannot look up at him for abhorrence, but she has perceived that he is dressed in deep mourning. So is she. It was not so at first; but the lost has long been given up, and mourned for, as dead.

He would begin by touching her hand. She feels the intention, and draws her hand back. His eyes are then fixed upon her, she knows, though her own see nothing but the grass.

‘I have been waiting,’ he begins, ‘for some time, to be summoned back to my duty near you.’

After several times forming her lips, which she knows he is closely watching, into the shape of some other hesitating reply, and then into none, she answers: ‘Duty, sir?’

‘The duty of teaching you, serving you as your faithful music-master.’

‘I have left off that study.’

‘Not left off, I think. Discontinued. I was told by your guardian that you discontinued it under the shock that we have all felt so acutely. When will you resume?’

‘Never, sir.’

‘Never? You could have done no more if you had loved my dear boy.’

‘I did love him!’ cried Rosa, with a flash of anger.

‘Yes; but not quite — not quite in the right way, shall I say? Not in the intended and expected way. Much as my dear boy was, unhappily, too self-conscious and self-satisfied (I’ll draw no parallel between him and you in that respect) to love as he should have loved, or as any one in his place would have loved — must have loved!’

She sits in the same still attitude, but shrinking a little more.

‘Then, to be told that you discontinued your study with me, was to be politely told that you abandoned it altogether?’ he suggested.

‘Yes,’ says Rosa, with sudden spirit, ‘The politeness was my guardian’s, not mine. I told him that I was resolved to leave off, and that I was determined to stand by my resolution.’

‘And you still are?’

‘I still am, sir. And I beg not to be questioned any more about it. At all events, I will not answer any more; I have that in my power.’

She is so conscious of his looking at her with a gloating admiration of the touch of anger on her, and the fire and animation it brings with it, that even as her spirit rises, it falls again, and she struggles with a sense of shame, affront, and fear, much as she did that night at the piano.

‘I will not question you any more, since you object to it so much; I will confess —’

‘I do not wish to hear you, sir,’ cries Rosa, rising.

This time he does touch her with his outstretched hand. In shrinking from it, she shrinks into her seat again.

‘We must sometimes act in opposition to our wishes,’ he tells her in a low voice. ‘You must do so now, or do more harm to others than you can ever set right.’

‘What harm?’

‘Presently, presently. You question ME, you see, and surely that’s not fair when you forbid me to question you. Nevertheless, I will answer the question presently. Dearest Rosa! Charming Rosa!’

She starts up again.

This time he does not touch her. But his face looks so wicked and menacing, as he stands leaning against the sun-dial-setting, as it were, his black mark upon the very face of day — that her flight is arrested by horror as she looks at him.

‘I do not forget how many windows command a view of us,’ he says, glancing towards them. ‘I will not touch you again; I will come no nearer to you than I am. Sit down, and there will be no mighty wonder in your music-master’s leaning idly against a pedestal and speaking with you, remembering all that has happened, and our shares in it. Sit down, my beloved.’

She would have gone once more — was all but gone — and once more his face, darkly threatening what would follow if she went, has stopped her. Looking at him with the expression of the instant frozen on her face, she sits down on the seat again.

‘Rosa, even when my dear boy was affianced to you, I loved you madly; even when I thought his happiness in having you for his wife was certain, I loved you madly; even when I strove to make him more ardently devoted to you, I loved you madly; even when he gave me the picture of your lovely face so carelessly traduced by him, which I feigned to hang always in my sight for his sake, but worshipped in torment for years, I loved you madly; in the distasteful work of t............