It is quite certain, and is agreed by the most pious men, that figures and allegories have been carried too far. Some of the fathers of the church regard the piece of red cloth, placed by the courtesan Rahab at her window, for a signal to Joshua’s spies, as a figure of the blood of Jesus Christ. This is an error of an order of mind which would find mystery in everything.
Nor can it be denied that St. Ambrose made very bad use of his taste for allegory, when he says, in his book of “Noah and the Ark,” that the back door of the ark was a figure of our hinder parts.
All men of sense have asked how it can be proved that these Hebrew words, “maher, salas-has-bas,” (take quick the spoils) are a figure of Jesus Christ? How is Judah, tying his ass to a vine, and washing his cloak in the wine, also a figure of Him. How can Ruth, slipping into bed to Boaz, figure the church, how are Sarah and Rachel the church, and Hagar and Leah the synagogue? How do the kisses of the Shunamite typify the marriage of the church? A volume might be made of these enigmas, which, to the best theologians of later times, have appeared to be rather far-fetched than edifying.
The danger of this abuse is fully admitted by Abbé Fleury, the author of the “Ecclesiastical History.” It is a vestige of rabbinism; a fault into which the learned St. Jerome never fell. It is like oneiromancy, or the explanation of dreams. If a girl sees muddy water, when dreaming, she will be ill-married; if she sees clear water, she will have a good husband; a spider denotes money, etc. In short, will enlightened posterity believe it? The understanding of dreams has, for more than four thousand years, been made a serious study.
Symbolical Figures.
All nations have made use of them, as we have said in the article “emblem.” But who began? Was it the Egyptians? It is not likely. We think we have already more than once proved that Egypt is a country quite new, and that many ages were requisite to save the country from inundations, and render it habitable. It is impossible that the Egyptians should have invented the signs of the zodiac, since the figures denoting our seed-time and harvest cannot coincide with theirs. When we cut our corn, their land is covered with water; and when we sow, their reaping time is approaching. Thus the bull of our zodiac and the girl bearing ears of corn cannot have come from Egypt.
Here is also an evident proof of the falsity of the new paradox, that the Chinese are an Egyptian colony. The characters are not the same. The Chinese mark the course of the sun by twenty-eight constellations; and the Egyptians, after the Chald?ans, reckoned only twelve, like ourselves.
The figures that denote the planets are in China and in India all different from those of Egypt and of Europe; so are the signs of the metals; so is the method of guiding the hand in writing. Nothing could have been more chimerical than to send the Egyptians to people China.
All these fabulous foundations, laid in fabulous times, have caused an irreparable loss of time to a prodigious multitude of the learned, who have all been bewildered in their laborious researches, which might have been serviceable to mankind if directed to arts of real utility.
Pluche, in his History, or rather his fable, of the Heavens, assures us that Ham, son of Noah, went and reigned in Egypt, where there was nobody to reign over; that his son Menes was the greatest of legislators, and that Thoth was his prime minister.
According to him and his authorities, this Thoth, or somebody else, instituted feasts in honor of the deluge; and the joyful cry of “Io Bacche,” so famous among the Greeks, was, among the Egyptians, a lamentation. “Bacche” came from the Hebrew “beke,” signifying sobs, and that at a time when the Hebrew people did not exist. According to this explanation, “joy” means “sorrow,” and “to sing” signifies “to weep.”
The Iroquois have more sense. They do not take the trouble to inquire what passed on the shores of Lake Ontario some thousand years ago: instead of making systems, they go hunting.
The same authors affirm that the sphinxes, with which Egypt was adorned, signified superabundance, because some interpreters have asserted that the Hebrew word “spang” meant an “excess”; as if the Egyptians had taken lessons from the Hebrew tongue, which is, in great part, derived from the Ph?nician: besides, what relation has a sphinx to an abundance of water? Future schoolmen will maintain, with greater appearance of reason, that the masks which decorate the keystones of our windows are emblems of our masquerades; and that these fantastic ornaments announced that balls were given in every house to which they were affixed.
Figure, Figurative, Allegorical, Mystical, Tropological, Typical, etc.
This is often the art of finding in books everything but what they really contain. For instance, Romulus killing his brother Remus shall signify the death of the duke of Berry, brother of Louis XI.; Regulus, imprisoned at Carthage, shall typify St. Louis captive at Mansurah.
It is very justly remarked in the “Encyclop?dia,” that many fathers of the church have, perhaps, carried this taste for allegorical figures a little too far; but they are to be reverenced, even in their wanderings. If the holy fathers used and then abused this method, their little excesses of imagination may be pardoned, in consideration of their holy zeal.
The antiquity of the usage may also be pleaded in justification, since it was practised by the earliest philosophers. But it is true that the symbolical figures employed by the fathers are in a different taste.
For example: When St. Augustine wishes to make it appear that the forty-two generations of the genealogy of Jesus are announced by St. Matthew, who gives only forty-one, he says that Jechonias must be counted twice, because Jechonias is a corner-stone belonging to two walls; that these two walls figure the old and the new law; and that Jechonias, being thus the corner-stone, figures Jesus Christ, who is the real corner-stone.
The same saint, in the same sermon, says that the number forty must prevail; and at once abandons Jechonias and his corner-stone, counted as two. The number forty, he says, signifies life; ten, which is perfect beatitude, being multiplied by four, which, be............