The wintry days passed for Romola as the white ships pass one who is standing lonely on the shore — passing in silence and sameness, yet each bearing a hidden burden of coming change. Tito’s hint had mingled so much dread with her interest in the progress of public affairs that she had begun to court ignorance rather than knowledge. The threatening German Emperor was gone again; and, in other ways besides, the position of Florence was alleviated; but so much distress remained that Romola’s active duties were hardly diminished, and in these, as usual, her mind found a refuge from its doubt.

She dared not rejoice that the relief which had come in extremity and had appeared to justify the policy of the Frate’s party was making that party so triumphant, that Francesco Valori, hot-tempered chieftain of the Piagnoni, had been elected Gonfaloniere at the beginning of the year, and was making haste to have as much of his own liberal way as possible during his two months of power. That seemed for the moment like a strengthening of the party most attached to freedom, and a reinforcement of protection to Savonarola; but Romola was now alive to every suggestion likely to deepen her foreboding, that whatever the present might be, it was only an unconscious brooding over the mixed germs of Change which might any day become tragic. And already by Carnival time, a little after mid-February, her presentiment was confirmed by the signs of a very decided change: the Mediceans had ceased to be passive, and were openly exerting themselves to procure the election of Bernardo del Nero as the new Gonfaloniere.

On the last day of the Carnival, between ten and eleven in the morning, Romola walked out, according to promise, towards the Corso degli Albizzi, to fetch her cousin Brigida, that they might both be ready to start from the Via de’ Bardi early in the afternoon, and take their places at a window which Tito had had reserved for them in the Piazza della Signoria, where there was to be a scene of so new and striking a sort, that all Florentine eyes must desire to see it. For the Piagnoni were having their own way thoroughly about the mode of keeping the Carnival. In vain Dolfo Spini and his companions had struggled to get up the dear old masques and practical jokes, well spiced with indecency. Such things were not to be in a city where Christ had been declared king.

Romola set out in that languid state of mind with which every one enters on a long day of sight-seeing purely for the sake of gratifying a child, or some dear childish friend. The day was certainly an epoch in carnival-keeping; but this phase of reform had not touched her enthusiasm: and she did not know that it was an epoch in her own life when another lot would begin to be no longer secretly but visibly entwined with her own.

She chose to go through the great Piazza that she might take a first survey of the unparalleled sight there while she was still alone. Entering it from the south, she saw something monstrous and many-coloured in the shape of a pyramid, or, rather, like a huge fir-tree, sixty feet high, with shelves on the branches, widening and widening towards the base till they reached a circumference of eighty yards. The Piazza was full of life: slight young figures, in white garments, with olive wreaths on their heads, were moving to and fro about the base of the pyramidal tree, carrying baskets full of bright-coloured things; and maturer forms, some in the monastic frock, some in the loose tunics and dark-red caps of artists, were helping and examining, or else retreating to various points in the distance to survey the wondrous whole: while a considerable group, amongst whom Romola recognised Piero di Cosimo, standing on the marble steps of Orcagna’s Loggia, seemed to be keeping aloof in discontent and scorn.

Approaching nearer, she paused to look at the multifarious objects ranged in gradation from the base to the summit of the pyramid. There were tapestries and brocades of immodest design, pictures and sculptures held too likely to incite to vice; there were boards and tables for all sorts of games, playing-cards along with the blocks for printing them, dice, and other apparatus for gambling; there were worldly music-books, and musical instruments in all the pretty varieties of lute, drum, cymbal, and trumpet; there were masks and masquerading-dresses used in the old Carnival shows; there were handsome copies of Ovid, Boccaccio, Petrarca, Pulci, and other books of a vain or impure sort; there were all the implements of feminine vanity-rouge-pots, false hair, mirrors, perfumes, powders, and transparent veils intended to provoke inquisitive glances: lastly, at the very summit, there was the unflattering effigy of a probably mythical Venetian merchant, who was understood to have offered a heavy sum for this collection of marketable abominations, and, soaring above him in surpassing ugliness, the symbolic figure of the old debauched Carnival.

This was the preparation for a new sort of bonfire — the Burning of Vanities. Hidden in the interior of the pyramid was a plentiful store of dry fuel and gunpowder; and on this last day of the festival, at evening, the pile of vanities was to be set ablaze to the sound of trumpets, and the ugly old Carnival was to tumble into the flames amid the songs of reforming triumph.

This crowning act of the new festivities could hardly have been prepared but for a peculiar organisation which had been started by Savonarola two years before. The mass of the Florentine boyhood and youth was no longer left to its own genial promptings towards street mischief and crude dissoluteness. Under the training of Fra Domenico, a sort of lieutenant to Savonarola, lads and striplings, the hope of Florence, were to have none but pure words on their lips, were to have a zeal for Unseen Good that should put to shame the luke-warmness of their elders, and were to know no pleasures save of an angelic sort — singing divine praises and walking in white robes. It was for them that the ranges of seats had been raised high against the walls of the Duomo; and they had been used to hear Savonarola appeal to them as the future glory of a city specially appointed to do the work of God.

These fresh-cheeked troops were the chief agents in the regenerated merriment of the new Carnival, which was a sort of sacred parody of the old. Had there been bonfires in the old time? There was to be a bonfire now, consuming impurity from off the earth. Had there been symbolic processions? There were to be processions now, but the symbols were to be white robes and red crosses and olive wreaths — emblems of peace and innocent gladness — and the banners and images held aloft were to tell the triumphs of goodness. Had there been dancing in a ring under the open sky of the Piazza, to the sound of choral voices chanting loose songs? There was to be dancing in ............