1

Almost six months have passed since that scene, much has happened, much has completely changed, and a new life has begun for me since then. . . . But I must settle what I have left doubtful in my story.

To me at least, the first question at the time, and long afterwards was: how Versilov could have brought himself to act in concert with a man like Lambert, and what were his objects in doing so? Little by little, I have arrived at an explanation of a sort; to my thinking, at those moments, that is, all that last day and the day before, Versilov can have had no definite aim, and I believe, indeed, he did not reflect on the matter at all, but acted under the influence of a whirlwind of conflicting emotions. But the theory of actual madness I cannot accept, especially as he is not in the least mad now. But the “second self” I do accept unquestionably. What is a second self exactly? The second self, according to a medical book, written by an expert, which I purposely read afterwards, is nothing else than the first stage of serious mental derangement, which may lead to something very bad. And in that scene at my mother’s, Versilov himself had with strange frankness described the “duality” of his will and feelings. But I repeat again: though that scene at mother’s and that broken ikon were undoubtedly partly due to the influence of a real “second self,” yet I have ever since been haunted by the fancy that there was in it an element of a sort of vindictive symbolism, a sort of resentment against the expectations of those women, a sort of angry revolt against their rights and their criticism. And so hand in hand with the “second self” he broke the ikon, as though to say “that’s how your expectations will be shattered!” In fact, even though the “second self” did come in, it was partly simply a whim. . . . But all this is only my theory; it would be hard to decide for certain.

It is true that in spite of his adoration for Katerina Nikolaevna, he had a deep-rooted and perfectly genuine disbelief in her moral qualities. I really believe that he waited outside the door then, to see her humiliated before Lambert. But did he desire it, if even he waited for it? Again I repeat: I firmly believe that he had no desire, no intention even. He simply wanted to be there, to rush in afterwards, to say something, perhaps to insult, perhaps even to kill her. . . . Anything might happen then; but when he came with Lambert he had no idea what would happen. I may add that the revolver was Lambert’s and that he himself came unarmed. Seeing her proud dignity, and above all, exasperated by Lambert’s blackguardliness in threatening her, he dashed in — and only then went mad. Did he mean to shoot her at that instant? In my opinion he did not know what he was doing, but he certainly would have shot her if we had not thrust aside his hand.

His wound proved to be not a fatal one, and it healed, but he was ill in bed rather a long time, at mother’s, of course.

Now as I am writing these lines it is the middle of May, an exquisite spring day, and our windows are open. Mother is sitting beside him: he strokes her cheeks and hair and gazes into her face with tender emotion. Oh, this is only the half of the old Versilov, he never leaves mother’s side now, and will never leave her again. He has even gained the “gift of tears,” as Makar Ivanovitch, of precious memory, said in his story about the merchant. I fancy, however, that Versilov has a long life before him. With us he is perfectly good-natured and candid as a child, though he never loses his sense of proportion and self-control, and does not talk too freely. All his intellect and his moral nature have remained unchanged, though all his ideal side has become more marked. I may say frankly that I have never loved him so much as now, and I regret that I have neither time nor space to say more about him.

I will, however, tell one recent anecdote about him (and there are many). He had quite recovered by Lent, and in the sixth week declared that he would fast and take the sacrament. He had not taken the sacrament for thirty years or more I believe. Mother was delighted; they began preparing Lenten dishes, rather expensive, dainty ones, however. In the next room I heard him on Monday and Tuesday chanting to himself “The Bridegroom cometh,” and he was delighted with the verses and the chant. He spoke beautifully of religion several times during those days; but on Wednesday the fast suddenly came to an end. Something suddenly irritated him, some “amusing contrast,” as he expressed it, laughing; he disliked something in the exterior of the priest, in the surroundings; whatever it was, he returned and said with a gentle smile: “My friends, I love God, but I am not fitted for that.” The same day roast beef was served at dinner.

But I know that even now mother often sits beside him, and in a low voice, with a gentle smile, begins to talk to him of the most abstract subjects: now she has somehow grown DARING with him, but how this has come to pass I don’t know. She sits beside him and speaks to him usually in a whisper. He listens with a smile, strokes her hair, kisses her hand, and there is the light of perfect happiness in his face. He sometimes has attacks that are almost like hysterics. Then he takes her photograph, the one he kissed that evening, gazes at it with tears, kisses it, recalls the past, gathers us all round him, but at such moments he says little.

Katerina Nikolaevna he seems to have completely forgotten and has never once mentioned. Nothing has been said of marriage with my mother so far, either. They did think of taking him abroad for the summer; but Tatyana Pavlovna strongly opposed it, and he did not desire it himself. They will spend the summer at a villa, in some country place in the neighbourhood of Petersburg. By the way we are all still living at the expense of Tatyana Pavlovna. One thing I will add: I am dreadfully sorry that I have several times in this narrative allowed myself to take up a disrespectful and superior attitude in regard to Versilov. But as I wrote I imagined myself precisely at each of the moments I was describing. As I finish my narrative and write the last lines, I suddenly feel by the very process of recalling and recording, I have re-educated myself. I regret a great deal I have written, especially the tone of certain sentences and pages, but I will not cross them out or correct a single word.

I have stated that he never says one word of Katerina Nikolaevna; but I really believe that he is quite cured of his passion. Of her I never speak except sometimes to Tatyana Pavlovna, and then in secret. Katerina Nikolaevna is now abroad; I saw her before she went away, and visited her several times. Since she has been abroad I have received two letters from her, and have answered them. But of what was in her letter and what we discussed I will say nothing; that is another story, a quite NEW story, and perhaps it is still in the future; indeed there are some things of which I say nothing even to Tatyana Pavlovna, but enough of that. I will only add that she is not married, and that she is travelling, with the Pelistchevs. Her father is dead and she is the richest of widows. At this moment she is in Paris.

Her rupture with Büring took place very quickly, and as it were of itself, that is, extremely naturally. I will describe it, however.

On the morning of that terrible scene, the pock-marked man to whom Trishatov and his tall friend had gone over, succeeded in letting Büring know of the proposed crime. This was how it happened. Lambert still tried to persuade him to work with him, and, when he gained possession of the letter, he told him all the details of the undertaking, up to the very last moment, that is, when Versilov suggested the trick to get rid of Tatyana Pavlovna. But at the last moment the pock-marked man, who had more sense than the rest, and foresaw the possibility of a serious crime being committed, preferred to betray Lambert. He reckoned upon Büring’s gratitude as something more secure than the fantastic plan made by Lambert, who was clumsy and hotheaded, and by Versilov, who was almost mad with passion. All this I learned afterwards from Trishatov. I know nothing, by the way, of Lambert’s relations with the pock-marked man, and I cannot understand why Lambert could not have acted without him. A question of far more interest for me is why Lambert needed Versilov when, having the letter in his possession, he might perfectly well have dispensed with the latter’s assistance. The answer is clear to me now. Versilov was of use to Lambert from his knowledge of all the circumstances; moreover, if their plans miscarried, or some accident happened, Lambert reckoned on throwing all responsibility on Versilov. And since the latter did not want money, Lambert thought his help very opportune.

But Büring did not arrive in time. When he reached the scene of action an hour later, Tatyana Pavlovna’s flat wore a very different aspect. Five minutes after Versilov had fallen on the carpet, covered with blood, Lambert, whom we all believed to be dead, raised his head and got up. He looked about him with amazement, quickly grasped the position, went into the kitchen without saying a word, put on his coat, and disappeared for ever. The document he left on the table. I have heard that he was not seriously ill but only slightly indisposed afterwards; the blow from the revolver had stunned him and drawn blood, but had done no further harm.

Meanwhile Trishatov had run for the doctor; but before the doctor arrived, Versilov, too, returned to consciousness, though before that Tatyana Pavlovna succeeded in bringing Katerina Nikolaevna to herself and taking her home. And so when Büring ran in upon us he found in Tatyana Pavlovna’s flat only me, the doctor, Versilov, and my mother, who had been fetched by Trishatov, and though still ill, had come in haste, beside herself with anxiety. Büring stared at us with amazement, and as soon as he learned that Katerina Nikolaevna had gone home he went off to see her without saying another word to us.

He was perturbed; he saw clearly that now scandal and gossip were almost inevitable. The affair did not make any great scandal, however. The pistol-shot could not be concealed, it is true; but the chief facts remained almost unknown. All that was discovered by the investigation that was made was that a certain V., a man passionately in love, though almost fifty and with a family, had declared his feelings to the young lady, a person worthy of the highest respect, who did not share his sentiments, and in a sudden access of madness had shot himself. Nothing more than this came out, and in that form the story even got into the papers, no names being mentioned but only initials. I know that Lambert was not troubled in any way.

Nevertheless Büring was alarmed. To make matters worse he chanced to learn of the interview between Katerina Nikolaevna and Versilov two days before the catastrophe. This enraged him, and he rather incautiously ventured to observe to Katerina Nikolaevna that after that he was not surprised that such extraordinary adventures could happen to her. Katerina Nikolaevna refused him on the spot, without anger, but without hesitation. All her preconceived ideas of the judiciousness of marrying such a man vanished like smoke. Possibly she had seen through him long before, and perhaps the shock she had been exposed to had changed some of her views and feelings. But of that again I will say nothing. I will only add that Lambert made his escape to Moscow, and that I have heard he got into trouble over something there. Trishatov I have lost sight of since that day, though I am still trying to track him; he vanished after the death of his friend “le grand dadais,” who shot himself.
2

I have mentioned the death of the old prince Nikolay Ivanovitch. The good-natured, kindly old man died not long after his adventure. His death took place, however, quite a month later in his bed at night, from a stroke. I never saw him again after the day he was in my flat. I was told that during that month he became far more rational, more tender in his manner even, he ceased to be apprehensive, shed no more tears, and did not once utter a word about Anna Andreyevna. All his affection was centred on his daughter. On one occasion, a week before his death, Katerina Nikolaevna suggested inviting me to entertain him, but he actually frowned: I simply state this fact without trying to explain it. His estate turned out to be in good order at his death, and he left a very considerable fortune as well. A third of this fortune was by his will divided between his innumerable goddaughters but it struck every one as strange, that there was no mention of Anna Andreyevna in his will at all; her name was omitted. But I know for a fact that a few days before his death, the old man summoned his daughter and his friends, Pelistchev and Prince V., and instructed Katerina Nikolaevna, in view of the possibility of his speedy decease, to set aside out of his fortune sixty thousand roubles for Anna Andreyevna. He expressed his wishes briefly, clearly and precisely, not indulging in a single exclamation or explanation. After his death, and when his affairs were put in order, Katerina Nikolaevna, through her lawyer, informed Anna Andreyevna that the sixty thousand roubles were at her disposal; but drily, with no unnecessary words, Anna Andreyevna declined the money: she refused to accept it in spite of every assurance that this had been the old prince’s desire. The money still lies waiting for her, and Katerina Nikolaevna still hopes to induce her to change her mind; but this will never happen of that I am positive, for I am now one of Anna Andreyevna’s closest and most intimate friends. Her refusal made rather a stir, and people talked about it. Her aunt, Madame Fanariotov, who had been annoyed at first by her scandalous affair with the old prince, suddenly took a different view of it, and, after she refused the money, made her a solemn assurance of her respect. Her brother, on the other hand, quarrelled with her finally on account of it. But though I often go to see Anna Andreyevna, I cannot say that we ever discuss anything very intimate; we never refer to the past; she is very glad to see me, but talks to me chiefly of abstract subjects. Among other things, she has told me that she is firmly resolved to go into a convent; that was not long ago; but I don’t believe this, and look upon it simply as an expression of bitterness.

But what is really tragic is what I have to tell of my sister Liza’s fate. That is real unhappiness. What are all my failures beside her bitter lot? It began with Prince Sergay Petrovitch’s dying in the hospital before his trial. He died before Prince Nikolay Ivanovitch. Liza was left to face the world with her unborn child. She did not shed tears and was outwardly calm, she became gentle and resigned; but all her old fire seemed to have vanished for ever. She helped mother meekly, nursed Andrey Petrovitch through his illness, but became very silent and never seemed to notice anyone or anything, a............