I

THERE was the thud of horses’ hoofs on the wooden floor; they brought out of the stable the black horse, Count Nulin; then the white, Giant; then his sister Maika. They were all magnificent, expensive horses. Old Shelestov saddled Giant and said, addressing his daughter Masha:

“Well, Marie Godefroi, come, get on! Hopla!”

Masha Shelestov was the youngest of the family; she was eighteen, but her family could not get used to thinking that she was not a little girl, and so they still called her Manya and Manyusa; and after there had been a circus in the town which she had eagerly visited, every one began to call her Marie Godefroi.

“Hop-la!” she cried, mounting Giant. Her sister Varya got on Maika, Nikitin on Count Nulin, the officers on their horses, and the long picturesque cavalcade, with the officers in white tunics and the ladies in their riding habits, moved at a walking pace out of the yard.

Nikitin noticed that when they were mounting the horses and afterwards riding out into the street, Masha for some reason paid attention to no one but himself. She looked anxiously at him and at Count Nulin and said:

“You must hold him all the time on the curb, Sergey Vassilitch. Don’t let him shy. He’s pretending.”

And either because her Giant was very friendly with Count Nulin, or perhaps by chance, she rode all the time beside Nikitin, as she had done the day before, and the day before that. And he looked at her graceful little figure sitting on the proud white beast, at her delicate profile, at the chimney-pot hat, which did not suit her at all and made her look older than her age—looked at her with joy, with tenderness, with rapture; listened to her, taking in little of what she said, and thought:

“I promise on my honour, I swear to God, I won’t be afraid and I’ll speak to her today.”

It was seven o’clock in the evening—the time when the scent of white acacia and lilac is so strong that the air and the very trees seem heavy with the fragrance. The band was already playing in the town gardens. The horses made a resounding thud on the pavement, on all sides there were sounds of laughter, talk, and the banging of gates. The soldiers they met saluted the officers, the schoolboys bowed to Nikitin, and all the people who were hurrying to the gardens to hear the band were pleased at the sight of the party. And how warm it was! How soft-looking were the clouds scattered carelessly about the sky, how kindly and comforting the shadows of the poplars and the acacias, which stretched across the street and reached as far as the balconies and second stories of the houses on the other side.

They rode on out of the town and set off at a trot along the highroad. Here there was no scent of lilac and acacia, no music of the band, but there was the fragrance of the fields, there was the green of young rye and wheat, the marmots were squeaking, the rooks were cawing. Wherever one looked it was green, with only here and there black patches of bare ground, and far away to the left in the cemetery a white streak of apple-blossom.

They passed the slaughter-houses, then the brewery, and overtook a military band hastening to the suburban gardens.

“Polyansky has a very fine horse, I don’t deny that,” Masha said to Nikitin, with a glance towards the officer who was riding beside Varya. “But it has blemishes. That white patch on its left leg ought not to be there, and, look, it tosses its head. You can’t train it not to now; it will toss its head till the end of its days.”

Masha was as passionate a lover of horses as her father. She felt a pang when she saw other people with fine horses, and was pleased when she saw defects in them. Nikitin knew nothing about horses; it made absolutely no difference to him whether he held his horse on the bridle or on the curb, whether he trotted or galloped; he only felt that his position was strained and unnatural, and that consequently the officers who knew how to sit in their saddles must please Masha more than he could. And he was jealous of the officers.

As they rode by the suburban gardens some one suggested their going in and getting some seltzer-water. They went in. There were no trees but oaks in the gardens; they had only just come into leaf, so that through the young foliage the whole garden could still be seen with its platform, little tables, and swings, and the crows’ nests were visible, looking like big hats. The party dismounted near a table and asked for seltzer-water. People they knew, walking about the garden, came up to them. Among them the army doctor in high boots, and the conductor of the band, waiting for the musicians. The doctor must have taken Nikitin for a student, for he asked: “Have you come for the summer holidays?”

“No, I am here permanently,” answered Nikitin. “I am a teacher at the school.”

“You don’t say so?” said the doctor, with surprise. “So young and already a teacher?”

“Young, indeed! My goodness, I’m twenty-six!

“You have a beard and moustache, but yet one would never guess you were more than twenty-two or twenty-three. How young-looking you are!”

“What a beast!” thought Nikitin. “He, too, takes me for a whipper-snapper!”

He disliked it extremely when people referred to his youth, especially in the presence of women or the schoolboys. Ever since he had come to the town as a master in the school he had detested his own youthful appearance. The schoolboys were not afraid of him, old people called him “young man,” ladies preferred dancing with him to listening to his long arguments, and he would have given a great deal to be ten years older.

From the garden they went on to the Shelestovs’ farm. There they stopped at the gate and asked the bailiff’s wife, Praskovya, to bring some new milk. Nobody drank the milk; they all looked at one another, laughed, and galloped back. As they rode back the band was playing in the suburban garden; the sun was setting behind the cemetery, and half the sky was crimson from the sunset.

Masha again rode beside Nikitin. He wanted to tell her how passionately he loved her, but he was afraid he would be overheard by the officers and Varya, and he was silent. Masha was silent, too, and he felt why she was silent and why she was riding beside him, and was so happy that the earth, the sky, the lights of the town, the black outline of the brewery—all blended for him into something very pleasant and comforting, and it seemed to him as though Count Nulin were stepping on air and would climb up into the crimson sky.

They arrived home. The samovar was already boiling on the table, old Shelestov was sitting with his friends, officials in the Circuit Court, and as usual he was criticizing something.

“It’s loutishness!” he said. “Loutishness and nothing more. Yes!”

Since Nikitin had been in love with Masha, everything at the Shelestovs’ pleased him: the house, the garden, and the evening tea, and the wickerwork chairs, and the old nurse, and even the word “loutishness,” which the old man was fond of using. The only thing he did not like was the number of cats and dogs and the Egyptian pigeons, who moaned disconsolately in a big cage in the verandah. There were so many house-dogs and yard-dogs that he had only learnt to recognize two of them in the course of his acquaintance with the Shelestovs: Mushka and Som. Mushka was a little mangy dog with a shaggy face, spiteful and spoiled. She hated Nikitin: when she saw him she put her head on one side, showed her teeth, and began: “Rrr . . . nga-nga-nga . . . rrr . . . !” Then she would get under his chair, and when he would try to drive her away she would go off into piercing yaps, and the family would say: “Don’t be frightened. She doesn’t bite. She is a good dog.”

Som was a tall black dog with long legs and a tail as hard as a stick. At dinner and tea he usually moved about under the table, and thumped on people’s boots and on the legs of the table with his tail. He was a good-natured, stupid dog, but Nikitin could not endure him because he had the habit of putting his head on people’s knees at dinner and messing their trousers with saliva. Nikitin had more than once tried to hit him on his head with a knife-handle, to flip him on the nose, had abused him, had complained of him, but nothing saved his trousers.

After their ride the tea, jam, rusks, and butter seemed very nice. They all drank their first glass in silence and with great relish; over the second they began an argument. It was always Varya who started the arguments at tea; she was good-looking, handsomer than Masha, and was considered the cleverest and most cultured person in the house, and she behaved with dignity and severity, as an eldest daughter should who has taken the place of her dead mother in the house. As the mistress of the house, she felt herself entitled to wear a dressing-gown in the presence of her guests, and to call the officers by their surnames; she looked on Masha as a little girl, and talked to her as though she were a schoolmistress. She used to speak of herself as an old maid—so she was certain she would marry.

Every conversation, even about the weather, she invariably turned into an argument. She had a passion for catching at words, pouncing on contradictions, quibbling over phrases. You would begin talking to her, and she would stare at you and suddenly interrupt: “Excuse me, excuse me, Petrov, the other day you said the very opposite!”

Or she would smile ironically and say: “I notice, though, you begin to advocate the principles of the secret police. I congratulate you.”

If you jested or made a pun, you would hear her voice at once: “That’s stale,” “That’s pointless.” If an officer ventured on a joke, she would make a contemptuous grimace and say, “An army joke!”

And she rolled the r so impressively that Mushka invariably answered from under a chair, “Rrr . . . nga-nga-nga . . . !”

On this occasion at tea the argument began with Nikitin’s mentioning the school examinations.

“Excuse me, Sergey Vassilitch,” Varya interrupted him. “You say it’s difficult for the boys. And whose fault is that, let me ask you? For instance, you set the boys in the eighth class an essay on ‘Pushkin as a Psychologist.’ To begin with, you shouldn’t set such a difficult subject; and, secondly, Pushkin was not a psychologist. Shtchedrin now, or Dostoevsky let us say, is a different matter, but Pushkin is a great poet and nothing more.”

“Shtchedrin is one thing, and Pushkin is another,” Nikitin answered sulkily.

“I know you don’t think much of Shtchedrin at the high school, but that’s not the point. Tell me, in what sense is Pushkin a psychologist?”

“Why, do you mean to say he was not a psychologist? If you like, I’ll give you examples.”

And Nikitin recited several passages from “Onyegin” and then from “Boris Godunov.”

“I see no psychology in that.” Varya sighed. “The psychologist is the man who describes the recesses of the human soul, and that’s fine poetry and nothing more.”

“I know the sort of psychology you want,” said Nikitin, offended. “You want some one to saw my finger with a blunt saw while I howl at the top of my voice—that’s what you mean by psychology.”

“That’s poor! But still you haven’t shown me in what sense Pushkin is a psychologist?”

When Nikitin had to argue against anything that seemed to him narrow, conventional, or something of that kind, he usually leaped up from his seat, clutched at his head with both hands, and began with a moan, running from one end of the room to another. And it was the same now: he jumped up, clutched his head in his hands, and with a moan walked round the table, then he sat down a little way off.

The officers took his part. Captain Polyansky began assuring Varya that Pushkin really was a psychologist, and to prove it quoted two lines from Lermontov; Lieutenant Gernet said that if Pushkin had not been a psychologist they would not have erected a monument to him in Moscow.

“That’s loutishness!” was heard from the other end of the table. “I said as much to the governor: ‘It’s loutishness, your Excellency,’ I said.”

“I won’t argue any more,” cried Nikitin. “It’s unending. . . . Enough! Ach, get away, you nasty dog!” he cried to Som, who laid his head and paw on his knee.

“Rrr . . . nga-nga-nga!” came from under the table.

“Admit that you are wrong!” cried Varya. “Own up!”

But some young ladies came in, and the argument dropped of itself. They all went into the drawing-room. Varya sat down at the piano and began playing dances. They danced first a waltz, then a polka, then a quadrille with a grand chain which Captain Polyansky led through all the rooms, then a waltz again.

During the dancing the old men sat in the drawing-room, smoking and looking at the young people. Among them was Shebaldin, the director of the municipal bank, who was famed for his love of literature and dramatic art. He had founded the local Musical and Dramatic Society, and took part in the performances himself, confining himself, for some reason, to playing comic footmen or to reading in a sing-song voice “The Woman who was a Sinner.” His nickname in the town was “the Mummy,” as he was tall, very lean and scraggy, and always had a solemn air and a fixed, lustreless eye. He was so devoted to the dramatic art that he even shaved his moustache and beard, and this made him still more like a mummy.

After the grand chain, he shuffled up to Nikitin sideways, coughed, and said:

“I had the pleasure of being present during the argument at tea. I fully share your opinion. We are of one mind, and it would be a great pleasure to me to talk to you. Have you read Lessing on the dramatic art of Hamburg?”

“No, I haven’t.”

Shebaldin was horrified, and waved his hands as though he had burnt his fingers, and saying nothing more, staggered back from Nikitin. Shebaldin’s appearance, his question, and his surprise, struck Nikitin as funny, but he thought none the less:

“It really is awkward. I am a teacher of literature, and to this day I’ve not read Lessing. I must read him.”

Before supper the whole company, old and young, sat down to play “fate.” They took two packs of cards: one pack was dealt round to the company, the other was laid on the table face downwards.

“The one who has this card in his hand,” old Shelestov began solemnly, lifting the top card of the second pack, “is fated to go into the nursery and kiss nurse.”

The pleasure of kissing the nurse fell to the lot of Shebaldin. They all crowded round him, took him to the nursery, and laughing and clapping their hands, made him kiss the nurse. There was a great uproar and shouting.

“Not so ardently!” cried Shelestov with tears of laughter. “Not so ardently!”

It was Nikitin’s “fate” to hear the confessions of all. He sat on a chair in the middle of the drawing-room. A shawl was brought and put over his head. The first who came to confess to him was Varya.

“I know your sins,” Nikitin began, looking in the darkness at her stern profile. “Tell me, madam, how do you explain your walking with Polyansky every day? Oh, it’s not for nothing she walks with an hussar!”

“That’s poor,” said Varya, and walked away.

Then under the shawl he saw the shine of big motionless eyes, caught the lines of a dear profile in the dark, together with a familiar, precious fragrance which reminded Nikitin of Masha’s room.

“Marie Godefroi,” he said, and did not know his own voice, it was so soft and tender, “what are your sins?”

Masha screwed up her eyes and put out the tip of her tongue at him, then she laughed and went away. And a minute later she was standing in the middle of the room, clapping her hands and crying:

“Supper, supper, supper!”

And they all streamed into the dining-room. At supper Varya had another argument, and this time with her father. Polyansky ate stolidly, drank red wine, and described to Nikitin how once in a winter campaign he had stood all night up to his knees in a bog; the enemy was so near that they were not allowed to speak or smoke, the night was cold and dark, a piercing wind was blowing. Nikitin listened and stole side-glances at Masha. She was gazing at him immovably, without bClinking, as though she was pondering something or was lost in a reverie. . . . It was pleasure and agony to him both at once.

“Why does she look at me like that?” was the question that fretted him. “It’s awkward. People may notice it. Oh, how young, how na?ve she is!”

The party broke up at midnight. When Nikitin went out at the gate, a window opened on the first-floor, and Masha showed herself at it.

“Sergey Vassilitch!” she called.

“What is it?”

“I tell you what . . .” said Masha, evidently thinking of something to say. “I tell you what. . . Polyansky said he would come in a day or two with his camera and take us all. We must meet here.”

“Very well.”

Masha vanished, the window was slammed, and some one immediately began playing the piano in the house.

“Well, it is a house!” thought Nikitin while he crossed the street. “A house in which there is no moaning except from Egyptian pigeons, and they only do it because they have no other means of expressing their joy!”

But the Shelestovs were not the only festive household. Nikitin had not gone two hundred paces before he heard the strains of a piano from another house. A little further he met a peasant playing the balalaika at the gate. In the gardens the band struck up a potpourri of Russian songs.

Nikitin lived nearly half a mile from the Shelestoys’ in a flat of eight rooms at the rent of three hundred roubles a year, which he shared with his colleague Ippolit Ippolititch, a teacher of geography and history. When Nikitin went in this Ippolit Ippolititch, a snub-nosed, middle-aged man with a reddish beard, with a coarse, good-natured, unintellectual face like a workman’s, was sitting at the table correcting his pupils’ maps. He considered that the most important and necessary part of the study of geography was the drawing of maps, and of the study of history the learning of dates: he would sit for nights together correcting in blue pencil the maps drawn by the boys and girls he taught, or making chronological tables.

“What a lovely day it has been!” said Nikitin, going in to him. “I wonder at you—how can you sit indoors?”

Ippolit Ippolititch was not a talkative person; he either remained silent or talked of things which everybody knew already. Now what he answered was:

“Yes, very fine weather. It’s May now; we soon shall have real summer. And summer’s a very different thing from winter. In the winter you have to heat the stoves, but in summer you can keep warm without. In summer you have your window open at night and still are warm, and in winter you are cold even with the double frames in.”

Nikitin had not sat at the table for more than one minute before he was bored.

“Good-night!” he said, getting up and yawning. “I wanted to tell you something romantic concerning myself, but you are—geography! If one talks to you of love, you will ask one at once, ‘What was the date of the Battle of Kalka?’ Confound you, with your battles and your capes in Siberia!”

“What are you cross about?”

“Why, it is vexatious!”

And vexed that he had not spoken to Masha, and that he had no one to talk to of his love, he went to his study and lay down upon the sofa. It was dark and still in the study. Lying gazing into the darkness, Nikitin for some reason began thinking how in two or three years he would go to Petersburg, how Masha would see him off at the station and would cry; in Petersburg he would get a long letter from her in which she would entreat him to come home as quickly as possible. And he would write to her. . . . He would begin his letter like that: “My dear little rat!”

“Yes, my dear little rat!” he said, and he laughed.

He was lying in an uncomfortable position. He put his arms under his head and put his left leg over the back of the sofa. He felt more comfortable. Meanwhile a pale light was more and more perceptible at the windows, sleepy cocks crowed in the yard. Nikitin went on thinking how he would come back from Petersburg, how Masha would meet him at the station, and with a shriek of delight would fling herself on his neck; or, better still, he would cheat her and come home by stealth late at night: the cook would open the door, then he would go on tiptoe to the bedroom, undress noiselessly, and jump into bed! And she would wake up and be overjoyed.

It was beginning to get quite light. By now there were no windows, no study. On the steps of the brewery by which they had ridden that day Masha was sitting, saying something. Then she took Nikitin by the arm and went with him to the suburban garden. There he saw the oaks and, the crows’ nests like hats. One of the nests rocked; out of it peeped Shebaldin, shouting loudly: “You have not read Lessing!”

Nikitin shuddered all over and opened his eyes. Ippolit Ippolititch was standing before the sofa, and throwing back his head, was putting on his cravat.

“Get up; it’s time for school,” he said. “You shouldn’t sleep in your clothes; it spoils your clothes. You should sleep in your bed, undressed.”

And as usual he began slowly and emphatically saying what everybody knew.

Nikitin’s first lesson was on Russian language in the second class. When at nine o’clock punctually he went into the classroom, he saw written on the blackboard two large letters—M. S. That, no doubt, meant Masha Shelestov.

“They’ve scented it out already, the rascals . . .” thought Nikitin. “How is it they know everything?”

The second lesson was in the fifth class. And there two letters, M. S., were written on the blackboard; and when he went out of the classroom at the end of the lesson, he heard the shout behind him as though from a theatre gallery:

“Hurrah for Masha Shelestov!”

His head was heavy from sleeping in his clothes, his limbs were weighted down with inertia. The boys, who were expecting every day to break up before the examinations, did nothing, were restless, and so bored that they got into mischief. Nikitin, too, was restless, did not notice their pranks, and was continually going to the window. He could see the street brilliantly lighted up with the sun; above the houses the blue limpid sky, the birds, and far, far away, beyond the gardens and the houses, vast indefinite distance, the forests in the blue haze, the smoke from a passing train. . . .

Here two officers in white tunics, playing with their whips, passed in the street in the shade of the acacias. Here a lot of Jews, with grey beards, and caps on, drove past in a waggonette. . . . The governess walked by with the director’s granddaughter. Som ran by in the company of two other dogs. . . . And then Varya, wearing a simple grey dress and red stockings, carrying the “Vyestnik Evropi” in her hand, passed by. She must have been to the town library. . . .

And it would be a long time before lessons were over at three o’clock! And after school he could not go home nor to the Shelestovs’, but must go to give a lesson at Wolf’s. This Wolf, a wealthy Jew who had turned Lutheran, did not send his children to the high school, but had them taught at home by the high-school masters, and paid five roubles a lesson.

He was bored, bored, bored.

At three o’clock he went to Wolf’s and spent there, as it seemed to him, an eternity. He left there at five o’clock, and before seven he had to be at the high school again to a meeting of the masters —to draw up the plan for the viva voce examination of the fourth and sixth classes.

When late in the evening he left the high school and went to the Shelestovs’, his heart was beating and his face was flushed. A month before, even a week before, he had, every time that he made up his mind to speak to her, prepared a whole speech, with an introduction and a conclusion. Now he had not one word ready; everything was in a muddle in his head, and all he knew was that today he would certainly declare himself, and that it was utterly impossible to wait any longer.

“I will ask her to come to the garden,” he thought; “we’ll walk about a little and I’ll speak.”

There was not a soul in the hall; he went into the dining-room and then into the drawing-room. . . . There was no one there either. He could hear Varya arguing with some one upstairs and the cClink of the dressmaker’s scissors in the nursery.

There was a little room in the house which had three names: the little room, the passage room, and the dark room. There was a big cupboard in it where they kept medicines, gunpowder, and their hunting gear. Leading from this room to the first floor was a narrow wooden staircase where cats were always asleep. There were two doors in it—one leading to the nursery, one to the drawing-room. When Nikit............