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VII FACES IN THE FIRE
It was half-past ten! I had no idea it was so late! Our little camp was pitched about four miles up Captain’s Gully, under the massive shelter of Bulman’s Ridge. It had been a perfect, cloudless day; all our excursions—fishing, shooting, botanizing, and the rest—had been crowned with delightful success; and after supper we sat round the great camp fire, talking. We talked, of course, of the only things ever discussed around camp fires—old times and old faces. I was struck with the number of sentences that began ‘I remember once——.’ Then, one by one, the others stole away to their tents—those little white tents that had looked like stray snowflakes in a wilderness of bush whenever we caught sight of them from the hills in the daytime, yet which seemed all the world to us at night. One by one, with a ‘Here’s off!’ or a ‘So long!’ the others had slipped quietly away, and the fire and I were at last left to ourselves. How still it all was! Now and then I heard the queer cry of a mopoke up the gully; and once there was the swish of a bough beneath the leap of a ’possum. 173But, save for these, I could hear no sound but the subdued hissing and rumbling of the logs as they crumpled up in the fire before me. I remained for awhile, looking into the glowing embers; and there, in the dying fire, the faces of my companions all came back to me. And not theirs alone; for I saw, too, the old familiar faces of which we had been chatting, and a hundred others as well. It was then that I was startled by the ’possum in the branches overhead. I looked at my watch; it was half-past ten; and I too turned my back on the fire that had revealed so much. And I wondered, as I moved away to my tent, why, by the side of the fire, we always think of the Past, dream of the Past, talk of the Past. Why do our yesterdays all spring to new and glorious life when the flickering flames are lighting up our faces?

Our camp broke up a day or two later; and all such thoughts seemed to have died with the fire that gave them birth. But, oddly enough, they returned to me this morning. For, when I arose, I was conscious of a distinct snap of winter in the atmosphere; and when I entered the study I discovered that the divinity who presides over such matters had lit the first fire of another year. I saluted it with pleasure, not merely for the sake of the comfort it promised me, but for its own sake. I greeted it as one greets an old and trusted friend. On this side 174of the world we scarcely know what winter means, and we are therefore in danger of underestimating the historic value of the fire. We can produce nothing in Australia worthy of comparison with those stern winters with which Northern and Western writers have made us so familiar. We are accustomed to a literature which pours in upon us from high Northern latitudes, and which describes, with a picturesque realism that evokes a sympathetic shiver, the glacial snowdrifts that, for weeks on end, lie deep along the hedgerows; the hapless bird that falls, frozen to death, from the leafless bough; the rabbit that perishes of slow starvation in its wretched burrow; and the fish that floats in stupor beneath the very ice that furnishes the skater’s paradise. But whilst, to us, snow and ice are things of imagination or of memory, I felt thankful this morning, as I knelt down like some old fire-worshipper and warmed my numb hands at the cheerful blaze, that this Tasmanian winter of ours has just enough sting in it to preserve in me a lively appreciation of this ancient and honourable institution.

For the fireside is sanctified by a great and glorious tradition. It enshrines all that is most mystical and most wonderful in our civilization. In his pictures of the forest, Jack London again and again emphasizes the magic effect of the fireside even on the creatures of the wild. When White Fang, the 175wolf, saw the tongues of flame and clouds of smoke that arose from beneath the Indian’s hands, he was mystified. It seemed to him a sign of some divinity in man of which he knew nothing. It drew him as by some mesmeric influence. ‘He crawled several steps towards the flame. His nose touched it.’ And when he felt the pain it seemed as if an angry deity had smitten him.

In The Call of the Wild, Jack London returns to the same idea. Buck, the great dog, was a creature of the wild, and sometimes the yearning for the wild swept over him with almost irresistible authority. What was it that kept him from bounding off into the forest and shaking the dust of civilization from his paws for ever? It was because ‘faithfulness and devotion, things born of fire and roof,’ had been developed within him. He had sprawled on the hearth before John Thornton’s fire; had looked up hungrily into John Thornton’s face; had learned to love his master more than life itself; and to the fireside of his master he was bound by invisible chains that he could not snap. ‘Deep in the forest,’ says Jack London, ‘a call was sounding, and as often as he heard this call, mysteriously thrilling and luring, he felt compelled to turn his back upon the fire and the beaten earth around it, and to plunge into the forest, and on and on, he knew not where or why; nor did he wonder where or why, the call 176sounding imperiously, deep in the forest. But as often as he gained the soft unbroken earth and the green shade, the love for John Thornton drew him back to the fire again.’ The fire; it is always the fire. The fire seems, even to the brutes, to be the emblem of the genius of our humanity.

For the triumph of humanity is the creation of home; and the soul of the home is the fireside. The luxurious summer evenings, with their wide range of out-of-door allurements, tend to discount the attractions of the home, and to depreciate the value of domestic intercourse. We return from business and rush out again for recreation. But winter furnishes a salutary corrective. When the day’s work is done, and the home is once reached, everything conspires to enhance its seductive charms. Outside, the dark and the cold, the bleak wind and the driving rain, threaten multiple discomforts to the gadabout who dares to venture forth; whilst within, the blazing fire, the cheerful hum of table talk, and the genial hospitalities of home make their most resistless appeal amidst the wintriest conditions. Was it not for this reason that the fire came to be regarded for centuries as the natural emblem of domestic felicity? In the days before matches were invented, when the lighting of a fire was a much more laborious business than it is to-day, the first fire in the home of a newly married pair was started 177by the bearing of a burning brand from each of the homes from which bride and bridegroom came. It was intended as a kind of ritual. The communication of the flame from the old hearths which they had left to the new one which they had established was designed to symbolize the perpetuation of all that was worthiest and most sacred in the homes from which the young people had come. It was the transfer of the Past—that radiant and tender Past that saluted me from the glowing embers of my camp fire in the gully—to the roseate and unborn future.

But although it was in my solitude that the fire in Captain’s Gully spoke to me, the fire is no lover of loneliness. It is the very emblem of hospitality, and there are few graces more attractive. We boast that an Englishman’s home is his castle, and we do all that legislation can accomplish to make that castle impregnable and inviolate. We close the door, and draw the blinds, and we feel ............
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