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THE MASTERSINGERS OF NUREMBERG
THE MASTERSINGERS OF NUREMBERG
(Die Meistersinger von Nürnberg)

After the decay of the knightly court poetry of the Minnesingers, whose pure and noble art had been inspired and encouraged by the age of chivalry in which they lived, the spontaneous love of song, natural to the character of the German people, was lost for a time in the gloom and ignorance of the dark Middle Ages; but, later on, when the Reformation had once more lighted the way to knowledge and culture, the beautiful art was revived by guilds of musical enthusiasts, known as The Mastersingers.

But the dramatic, chivalric conception of life, which had been the prevailing spirit of the Minnesingers of old, all of whom had been of noble birth and exercised their art in the courts of kings, never quite returned; for the Mastersingers, being but humble burghers and artisans, could not attain to such courtly grace of expression, and their art was naturally of a stiffer and more pedantic character. Yet they did excellent work, establishing schools and guilds of poetry and song in most of the principal towns of Germany; but by hedging themselves in by narrow rules and conventions, they left little margin for the soaring spirit of true genius, which ever chafes at petty restraints, and insists on freedom of fancy.

In Nuremberg, the Mastersingers attained to the greatest excellence of their class; and in the middle of the sixteenth century there flourished in this community, the simple-minded, large-hearted Hans Sachs, the truest poet of his time, whose broad views were in refreshing contrast to the dull and cramped conceptions of art held by most of the Mastersingers.

It was during the time when Hans Sachs was a leader amongst the celebrated Mastersingers of Nuremberg, that this story opens; and upon St. John\'s Eve in a certain year, he and his musical friends were called upon to undergo a new and exciting experience in the pursuit of their beloved art.

Veit Pogner, a goldsmith, and the wealthiest of the older Mastersingers, impelled by an enthusiastic love of art, had just offered the hand of his beautiful daughter, Eva, together with the inheritance of all his riches and worldly possessions, as a prize to the master musician who should gain the wreath of victory in the grand contest to be held on St. John\'s Day, in accordance with the usual custom.

Amongst the competing masters who felt most confident of success was Sixtus Beckmesser, the town clerk, who occupied the important office of marker in the society, an officer whose duty it was to mark on a slate the faults made against the established rules and regulations of the Guild. Beckmesser, though without talent, and no longer young, nor even possessed of any pleasing personal charms, was so conceited that he fancied none to be his equal in music and poetry; and in spite of the fact that Eva was to have power to refuse the prize-winner, should he prove distasteful to her, he yet felt assured of success, though the maiden had never shown signs of favour to him.

As a matter of fact, Eva had already fixed her affections upon a young knight, one Sir Walter von Stolzing, who, being descended from the old Minnesingers, whose glorious achievements he had read of and studied, and in whom the truly poetic, romantic, and knightly art was revived, had left his now decaying ancestral hall, in order to find kindred spirits amongst the celebrated Mastersingers of music-loving Nuremberg; and having once been brought into contact with the soaring, enthusiastic spirit of this noble youth, she could never again be contented with the pedantic methods of the burgher Mastersingers.

Walter, having business relations with old Pogner in connection with his poverty-stricken estate, had thus made acquaintance with the goldsmith\'s fair daughter; and the exquisite soul-inspiring beauty and pure, sweet nature of this maiden having quickly kindled a consuming passion in his impetuous, romantic heart, and knowing that his love was returned, he determined to enter the ranks of the competitors on St. John\'s Day, since none but a Mastersinger could aspire to her hand, and trusted that his great love would enable his song to gain the victor\'s wreath.

For this reason, he repaired on St. John\'s Eve to the Church of St. Katherine, where the Mastersingers held their meetings, and requested to be admitted to the competition. He was greatly disconcerted on being informed by a lively young man named David, who was apprenticed to Hans Sachs the cobbler, that the musical guild was arranged as a trades\' guild, with degrees of membership, such as apprentices, scholars, and singers, and that it was usual to spend at least a year in each degree before attaining to the rank of a "master"; and he was filled with impatience on hearing of the many petty rules and narrow restrictions in verse and song-making which were necessary to be observed ere he could hope to please the Mastersingers, who had absolute faith in their own standard of perfection, and refused to admit into their ranks any who failed to conform to the same, seven faults only against the rules being allowed to candidates for admission to their competitions.

Nevertheless, still believing in his own natural gifts, which he had cultivated in the beautiful woodlands of his birthplace, untrammelled by forms and conventions, when the Mastersingers had assembled, he requested permission to prove to them that he was a master of poetic song, and therefore justified in entering the competition on the morrow; and, since he was introduced to them by Pogner himself, who vouched for his good faith, he was invited to sing a song, though the Guild members were horrified on hearing that he had never studied in any Mastersinging guild, and had received no other instruction than that afforded by a love of Nature, and a natural poetic instinct fanned into being by reading accounts of the romantic Minnesingers of old.

Beckmesser, the marker, having pompously ensconced himself in his accustomed curtained recess, with slate and chalk to mark down the faults of the candidate, announced that he was ready to hear the young knight\'s trial; and Walter immediately burst forth into an enthusiastic song in praise of spring-time and maidenhood, so full of true poetry and music that it held the masters spellbound, in spite of the fact that it completely outraged all their pet rules in every direction.

But the conceited Beckmesser was full of indignation that one so unheedful of the forms and conventions of his own infallible guild should dare to aspire to enter the ranks of the Mastersingers; and before the song was half finished, he burst noisily from behind his curtain, and contemptuously announced that the candidate had already failed many times over, since his slate was scored at least fifty times with faults against the rules, the singer having had no regard at all for the special construction of verse and musical form which he and his friends alone considered to be correct.

The Mastersingers all agreed with the marker\'s condemnation, with the exception of Hans Sachs, who knew that Beckmesser\'s verdict was chiefly caused by jealousy; and he himself being the only true poet-musician in the Mastersingers\' Guild, alone was able to appreciate Walter\'s beautiful song, and, seeing that the young knight had a real and lofty genius far beyond anything that his burgher friends could boast of, boldly stood up in his defence, declaring to the outraged company that the stranger\'s music was of a higher order than their own and consequently not to be judged by their standards, which might not be infallible after all.

But the Mastersingers were not to be convinced, even though their favourite Hans Sachs spoke in favour of the audacious stranger; and so Walter was declared "outsung" and in no way fit to be admitted into the ranks of the Mastersingers.

The young knight, repelled by the Mastersingers\' narrow art, from which he had hoped to derive such pleasure, was filled with disappointment and despair; but, finding that he could not hope to gain the hand of his beloved Eva as a Mastersinger, he determined to make an attempt to elope with her that evening.

Eva, being anxious to learn how her lover had fared at his trial, sent her attendant, Magdalena, to get the news from her sweetheart, David, the apprentice of Hans Sachs; and then, upon returning at dusk from a walk with her father, she remained outside the house, to hear what her handmaid had to say. The two girls talked in low tones, for they saw that Hans Sachs (whose shop stood exactly opposite the house of the goldsmith) was still at work; for honest Hans, suspecting the young knight\'s intention with regard to Eva, had determined to frustrate his plans, in kindness to the imprudent pair, since he loved them both.

Eva was in despair when told by Magdalena of her lover\'s failure; but, seeing Walter at that moment approaching, she sent her maid within doors, and awaited him with a joy she could not conceal.

The lovers embraced rapturously; and Eva, enthralled by Walter\'s love for her, readily agreed to his passionate pleading that they should fly together that night. Ere they could make their escape, however, they heard approaching steps; and, hastily concealing themselves behind some bushes, they were forced to wait until the intruder should depart.

The newcomer was none other than Beckmesser, the conceited marker, who, having composed a song to sing at the contest on the morrow, had come now to sing it as a serenade beneath the window of the fair Eva, hoping that the maiden would be thus so favourably impressed by his composition, that she would speak in his favour when he was adjudged the winner, as he so fondly expected to be; and, stationing himself beneath his charmer\'s chamber window, he commenced his song, which was in reality a very poor one, consisting of inferior poetry and worse melody.

Hans Sachs, hoping now to deter Sir Walter and Eva from their rash act by keeping them in their hiding-place, at once began to sing himself in a very loud voice, to a rollicking tune and merry words; an unexpected performance which was naturally very disconcerting to the serenader.

In a furious rage at this wanton drowning of h............
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