About eight months after the Countess d’Ascoli had been laid in her grave in the Campo Santo, two reports were circulated through the gay world of Pisa, which excited curiosity and awakened expectation everywhere.
The first report announced that a grand masked ball was to be given at the Melani Palace, to celebrate the day on which the heir of the house attained his majority. All the friends of the family were delighted at the prospect of this festival; for the old Marquis Melani had the reputation of being one of the most hospitable, and, at the same time, one of the most eccentric men in Pisa. Every one expected, therefore, that he would secure for the entertainment of his guests, if he really gave the ball, the most whimsical novelties in the way of masks, dances, and amusements generally, that had ever been seen.
The second report was, that the rich widower, Fabio d’Ascoli, was on the point of returning to Pisa, after having improved his health and spirits by traveling in foreign countries; and that he might be expected to appear again in society, for the first time since the death of his wife, at the masked ball which was to be given in the Melani Palace. This announcement excited special interest among the young ladies of Pisa. Fabio had only reached his thirtieth year; and it was universally agreed that his return to society in his native city could indicate nothing more certainly than his desire to find a second mother for his infant child. All the single ladies would now have been ready to bet, as confidently as Brigida had offered to bet eight months before, that Fabio d’Ascoli would marry again.
For once in a way, report turned out to be true, in both the cases just mentioned. Invitations were actually issued from the Melani Palace, and Fabio returned from abroad to his home on the Arno.
In settling all the arrangements connected with his masked ball, the Marquis Melani showed that he was determined not only to deserve, but to increase, his reputation for oddity. He invented the most extravagant disguises, to be worn by some of his more intimate friends; he arranged grotesque dances, to be performed at stated periods of the evening by professional buffoons, hired from Florence. He composed a toy symphony, which included solos on every noisy plaything at that time manufactured for children’s use. And not content with thus avoiding the beaten track in preparing the entertainments at the ball, he determined also to show decided originality, even in selecting the attendants who were to wait on the company. Other people in his rank of life were accustomed to employ their own and hired footmen for this purpose; the marquis resolved that his attendants should be composed of young women only; that two of his rooms should be fitted up as Arcadian bowers; and that all the prettiest girls in Pisa should be placed in them to preside over the refreshments, dressed, in accordance with the mock classical taste of the period, as shepherdesses of the time of Virgil.
The only defect of this brilliantly new idea was the difficulty of executing it. The marquis had expressly ordered that not fewer than thirty shepherdesses were to be engaged—fifteen for each bower. It would have been easy to find double this number in Pisa, if beauty had been the only quality required in the attendant damsels. But it was also absolutely necessary, for the security of the marquis’s gold and silver plate, that the shepherdesses should possess, besides good looks, the very homely recommendation of a fair character. This last qualification proved, it is sad to say, to be the one small merit which the majority of the ladies willing to accept engagements at the palace did not possess. Day after day passed on; and the marquis’s steward only found more and more difficulty in obtaining the appointed number of trustworthy beauties. At last his resources failed him altogether; and he appeared in his master’s presence about a week before the night of the ball, to make the humiliating acknowledgment that he was entirely at his wits’ end. The total number of fair shepherdesses with fair characters whom he had been able to engage amounted only to twenty-three.
“Nonsense!” cried the marquis, irritably, as soon as the steward had made his confession. “I told you to get thirty girls, and thirty I mean to have. What’s the use of shaking your head when all their dresses are ordered? Thirty tunics, thirty wreaths, thirty pairs of sandals and silk stockings, thirty crooks, you scoundrel—and you have the impudence to offer me only twenty-three hands to hold them. Not a word! I won’t hear a word! Get me my thirty girls, or lose your place.” The marquis roared out this last terrible sentence at the top of his voice, and pointed peremptorily to the door.
The steward knew his master too well to remonstrate. He took his hat and cane, and went out. It was useless to look through the ranks of rejected volunteers again; there was not the slightest hope in that quarter. The only chance left was to call on all his friends in Pisa who had daughters out at service, and to try what he could accomplish, by bribery and persuasion, that way.
After a whole day occupied in solicitations, promises, and patient smoothing down of innumerable difficulties, the result of his efforts in the new direction was an accession of six more shepherdesses. This brought him on bravely from twenty-three to twenty-nine, and left him, at last, with only one anxiety—where was he now to find shepherdess number thirty?
He mentally asked himself that important question, as he entered a shady by-street in the neighborhood of the Campo Santo, on his way back to the Melani Palace. Sauntering slowly along in the middle of the road, and fanning himself with his handkerchief after the oppressive exertions of the day, he passed a young girl who was standing at the street door of one of the houses, apparently waiting for somebody to join her before she entered the building.
“Body of Bacchus!” exclaimed the steward (using one of those old Pagan ejaculations which survive in Italy even to the present day), “there stands the prettiest girl I have seen yet. If she would only be shepherdess number thirty, I should go home to supper with my mind at ease. I’ll ask her, at any rate. Nothing can be lost by asking, and everything may be gained. Stop, my dear,” he continued, seeing the girl turn to go into the house as he approached her. “Don’t be afraid of me. I am steward to the Marquis Melani, and well known in Pisa as an eminently respectable man. I have something to say to you which may be greatly for your benefit. Don’t look surprised; I am coming to the point at once. Do you want to earn a little money? honestly, of course. You don’t look as if you were very rich, child.”
“I am very poor, and very much in want of some honest work to do,” answered the girl, sadly.
“Then we shall suit each other to a nicety; for I have work of the pleasantest kind to give you, and plenty of money to pay for it. But before we say anything more about that, suppose you tell me first something about yourself—who you are, and so forth. You know who I am already.”
“I am only a poor work-girl, and my name is Nanina. I have nothing more, sir, to say about myself than that.”
“Do you belong to Pisa?”
“Yes, sir—at least, I did. But I have been away for some time. I was a year at Florence, employed in needlework.”
“All by yourself?”
“No, sir, with my little sister. I was waiting for her when you came up.”
“Have you never done anything else but needlework? never been out at service?”
“Yes, sir. For the last eight months I have had a situation to wait on a lady at Florence, and my sister (who is turned eleven, sir, and can make herself very useful) was allowed to help in the nursery.”
“How came you to leave this situation?”
“The lady and her family were going to Rome, sir. They would have taken me with them, but they could not take my sister. We are alone in the world, and we never have been parted from each other, and never shall be—so I was obliged to leave the situation.”
“And here you are, back at Pisa—with nothing to do, I suppose?”
“Nothing yet, sir. We only came back yesterday.”
“Only yesterday! You are a lucky girl, let me tell you, to have met with me. I suppose you have somebody in the town who can speak to your character?”
“The landlady of this house can, sir.”
“And who is she, pray?”
“Marta Angrisani, sir.”
“What! the well-known sick-nurse? You could not possibly have a better recommen............