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CHAPTER VII COMEDY OF CORYDON AND AMARYLLIS
Among the rest a shepherd, though but young,

??Yet harten’d to his pipe, with all the skill

??His few years could, began to fit his quill,

Willie he hight. . . .

 

??Fair was the day, but fairer was the maid

??Who that day’s morn into the green-woods stray’d.

Sweet was the air, but sweeter was her breathing,

Such rare perfumes the roses are bequeathing.

Browne, “Britannia’s Pastorals.”
I

It was the shepherd-cowman, and not Jinny, who delivered the horn to Will. She had “happened of him,” Master Peartree explained tediously, in the remote field to which he had taken the sheep to feed off the winter barley. “Powerfully trumpeting” for him with it just when he was looking for fly, when indeed in the very act of discovering a maggoty rump, she had besought him to convey that “liddle ole horn,” she being so late and Gran’fer likely to be “in a taking.”

Now this “liddle ole horn”—when Will saw Master Peartree and his sheep-dog coming along in the evening light—he took to be the shepherd’s crook or his great umbrella folded, so lengthy did it loom, and when he perceived that it was what he was expected to perform on, he was taken aback. It was not that he had not seen coach-horns in plenty, but he had seen them in their proper environment and at their proper altitude, their elemental straightforwardness making an exhilarating right-angle with the guard’s mouth, a sort of streaming pennon. But a coach-horn in its bare quiddity, quite as tall as the shrunken old shepherd, and hardly a foot shorter than Will himself, dissociated from jovial visions of scarlet, rum-soused visages and spanking steeds, was as ungainly to behold and as awkward to handle as it was difficult to explain away. Evidently the jade had bought him the largest size on the market; he knew not whether to be flattered or vexed at her idea of the appropriately virile. But to send it by this alien hand—to make a village wonder and scandal of it! How, indeed, was he to explain to the bucolic mind his sudden passion for the instrument? Flutes and concertinas folks could understand, even tin whistles; but what could a man looking round for a farm want with a colossal coach-horn? He was glad at least he had met Master Peartree out of sight of his parents. There was a note attached to the case, and he opened it the more eagerly that it delayed the explanation which Master Peartree seemed to his morbid vision to be grimly awaiting.

“Sir,—Mr. Daniel Quarles has pleasure in forwarding per favour of bearer Mr. William Flynt’s esteemed order. Bill enclosed. I hope you will find the stature agreeable to you—it was only by casualty I got such a protracted one, and as the compass protracts with the stature you could easily educe three octaves from it. Half-tones of course I shall not expect as without holes only a musical Arabian spirit like my granddaughter can evoke them, but when you can play the ‘Buy a Broom’ Polka with concinnity, I shall consider the gloves fairly conquered.

“I remain

“Yours obediently,

“Daniel Quarles.

“P.S.—The mouthpiece unscrews being mutable, so I can exchange it for another, if this does not suit Mr. William Flynt’s lips.”

How the deuce was he to play a polka he had never heard, especially “with concinnity” (whatever that might be), was the dominant thought in his perturbed brain. But as Master Peartree seemed still expectant—was it even of a tune?—Will stooped down to pat the dog, whose black-tipped tail was hoisted like a friendly signal. It was a ragged animal just between two coats—a canine counterpart of its shabby, straggly-haired master—but Will caressed it like a velvety lapdog while he inquired carelessly—his horn tucked like a telescope under his arm—how the Carrier had carried herself, what exactly she had said. But he only provoked—after the briefest glimpse of the girl—a rambling narrative about a sheep that had broken its arm in a “roosh,” in the panicky restlessness of the thundery Sunday: it had fallen down a steep and another had rolled on top of it. And even with this “meldoo” the sheep were so pernickety you could do naught with ’em. Doubtless in this cloudy heat they felt the weight of their wool—he should be shearing some for the early market as soon as they could get the labour, which was not easy in these migrating days. Even young men who came back lazed about, he added pointedly, when they might be earning good money. Will hastened to inquire whether the shearers were as merry at their work as he remembered them. He could never forget the beautiful bass voice of Master Peartree, but he supposed time had now abated its resonancy, or was he mistaken? He was mistaken, he admiringly admitted, for the ancient was soon quavering out in a piping voice:

“There was a sheep went out to reap”

and Will, beating time with the great horn, was solemnly singing the chorus:

“Chrissimus Day, Chrissimus Day”

And now would the famous singer oblige with the “Buy a Broom Polka”? Alas, he did not know it, with or without “concinnity”! But young Ravens might know it, he who was as full of tunes as a dog of fleas, and with his perpetual flow of melody made bread and tea like harvest suppers, and shearing days as jolly as Chrissimus. But where was this musical box? Alas! he had “gone furrin,” being somewhere beyond Southend. But master expected him back for the shearing; he was a rolling stone, was Ravens, but he usually rolled back this time o’ year. No, not rolled with liquor, nor yet like the sheep that broke its arm. Had it been a fat sheep, he would have butchered it, but as it was only store he had set the arm himself. No, he had no need of a vet. for that, like the degenerate young shepherds nowadays; he wouldn’t be beholden to cattle-doctors, not he, keeping for ever o’ salts and gentians and bottles of lotion in his hut, although “suspicioning shab”—it might even be rot from the river-marsh—in one of the sheep which he had just been examining for fly, he had taken the opportunity to ask Jinny to send round Elijah Skindle. ’Tis a long talk that has no turning, and Will, when the narrative thus came, by a wide detour, back to Jinny, ceased fidgeting with the horn, and demanded what she had said to that. It transpired that she had refused to order Elijah, despite that Mrs. Flynt had recommended him as cheaper, alleging, drat her, that Jorrow was the better man. Will, curiously forgetting Mr. Flippance and his horse, concurred in the view that carriers cannot be choosers. He also started another current of indignation against carriers getting other folks to fetch and carry for them. Would the hard-working shepherd, who was too easily put upon, kindly not encourage the girl in future to shirk her job?

Touched by the sense of his own magnanimity and the sixpence slipped into his palm, the good shepherd promised to repress his obligingness in the interests of the higher ethics, and Will, bidding him farewell, slipped behind the row of stag-headed poplars opposite the gate of Frog Farm, and strove—before entering the house—to adjust his horn down his trousers and up his back. It was no easy process with such a “protracted” object: fortunately it was thin, save at the swelling end, but by keeping this bulge below, he could avoid humping his back. To walk with such a ramrod up it and adown one leg would, however, have taxed the talents of the most graceful damsel training for deportment. He hobbled painfully to the rear of the farmhouse, designing to hide the horn before entering, but lo! there was his mother filling the food-pot of his neglected ferrets.

“Oh, my poor Will!” she exclaimed. “I told your father you’d have rheumatics—sitting in chapel in your damp clothes.” She tried to take him pitifully in her arms but he limped away, fearing she would imagine his backbone had come outside.

“It’s only one leg a bit stiff,” he said ungraciously. But she hooked her arm in his and drew her halt offspring towards the back door; a brief but parlous journey, for he felt the horn slipping towards his boot.

“Why, your ankle’s swollen,” said Martha tragically.

“It’ll soon go down,” he assured her.

A terrible struggle agitated the maternal heart. Even Will, preoccupied with his grotesque position, could see her face working.

“You’re sure you wouldn’t like to have the doctor?”

“Oh no, mother. What nonsense!”

Her clouds lifted a little. “But this may be Jinny’s evening for coming—I could tell her to go for him to-morrow.”

“To-morrow it’ll be better—I feel certain, mother.”

She beamed. “I’m so glad you’ve found faith, dearie. I knew when once you began studying the texts you couldn’t miss it. King Asa, too, suffered from his feet. But he sought to the physicians and displeased the Lord. Have no confidence in man, dearie. There’s days I get pains in my side as if my ribs grated together. But I’d be afraid to put myself out of the Lord’s hands, after I’ve trusted to Him all these years.”

Will winced. He seemed to himself vaguely blasphemous. As soon as he was alone in his bedroom, the swelling was transferred to the capacious box so miraculously carried from Chipstone. He dared not descend to supper: so speedy a miracle might have seemed too “Peculiar.” But next morning (after a family breakfast which was for his elders a veritable feast of faith) he stole out with the horn and his fishing-rod and creel to the river, which in the watches of the night he had decided upon as the loneliest spot for practising, while the open ramshackle boat-house, where the rusty punt usually nested, was to afford a hiding-place for the instrument.

It was worth while going down that pastoral slope these days, even were one not bent on music, solitude, and the winning of gloves. In weather so prematurely sultry, the river was so sweet and still and green, with its shadowy reflections, its blobs of duckweed, the sedges and flags along its banks, and the willows—grey-white or silvery—along its borders: gliding so tranquilly in its reaches and lapping so lazily round its islands that only at bends did the water seem to flow at all. In the undulating meadows that sloped to it, silted with cow-droppings, Master Peartree’s kine lay around chewing, and the sense of brooding heat gave to the landscape a dreamy magic, suffused with a sense of water.

It was to this idyllic retreat that our Tityrus or Corydon repaired to essay his metallic pipe. And, standing on the bank like a watchman, his horn to his lips, “Tucker, tucker,” he breathed industriously into the unresponsive instrument. In vain did he lip and tongue the notes as instructed, nothing broke the sultry silence. Surely the mouthpiece could not suit Mr. William Flynt’s lips. Suddenly, in his shamed impotence, he had a sense of a breathing presence. In his agitation the horn slipped from his nervous fingers and went souse into the water, while the startled beast—for the observer proved to be only one of Master Peartree’s cows—lumbered bouncingly back along the pasture.

Fortunately the instrument had lodged in the shallow mud of the bank. Fishing it up—it was his sole catch that week—he found to his joy that it emitted a faint toot, and he rightly divined that a little water was just what it had needed. Encouraged by this intervention of Providence in his favour, his performance bore henceforwards some proportion to his pains.

It was embarrassing though to return from these painful puffings without a single bite. Every dinner-time he had to sneak in as best he could with empty basket after a morning of pertinacious tooting, successful enough to frighten off the deafest fish. Once, indeed, going home by a somewhat roundabout route that skirted Blackwater Hall, he chanced on a Chipstone fishmonger serving Long Bradmarsh, and was able to take home some fruits of his rod. But the only time our piscatorial swain ever tried for an honest bite was when he saw or heard somebody or something coming along. Then, drawing in his horn like a snail, he presented the picture of the complete angler. Usually it was only Bidlake’s barge that disturbed his strenuous solitude, and the transient mockery of the twins was for the futile fisher, not for the unsuspected musician. Not even Master Peartree’s cows ever munched their way again to the bank while the horn was at its fell exercises, for, like the horn which the fairy Logistilla presented to Astolpho in “Orlando Furioso,” its blast seemed to put all creation to flight. His sole auditors were a pair of swans who refused to quit their normal haunt, though they hissed him fiercely. Possibly they were accustomed “to hear old Triton blow his wreathèd horn,” and so had a standard of musical taste. Is not the swan’s own song, too, celebrated, though it appears only to perform before it dies, as if to evade criticism?

But however soundly the swans might hiss, Will, after three days of red-faced rehearsal on the pleasant bank of the Brad, felt ready to challenge his female critic in all save the polka she had set for examination, and this he determined—after failing to hunt it out—was no fair part of the wager. A whole evening he had spent reknitting the thread of old acquaintanceship with carolling cottagers, gleaning much gratitude for his kindly attentions, but not the melody he was after, and being forced politely to abide while gaffers piped “Heave away, my Johnny,” or gammers ruthlessly completed “Midsummer Fair” or “Dashing away with the Smoothing Iron.” However, he could now turn out such complicated military flourishes that he excited his own military ardour, and felt like marching in his thousands, and doing such deeds of derring-do that the lips of all the damsels of Essex would vie to change places with that mouthpiece. It was high time then that this particular damsel should understand how vain was her hope that he could be baffled by a tube. Though he might not know that polka, he was sure that whatever “concinnity” might be, he could perform with it, and impatience began to steal over him at the delay in the test performance. For if Jinny had fobbed him off with the shepherd on Tuesday, she evaded service altogether on Friday. Even Nip might conceivably crop up with some small groceries tied on to him, and he could not try it on the dog. Also, unless he saw her soon, the cattle fair would be upon them, and she still unsaved. He must, with the relics of his copybook paper, compose a new note, formally citing her to stand and hear, and deliver the gloves.

But it was not easy to fix the place for deciding the wager. The riverside meadows she could not well get at in her cart, and for her to come specially on foot was hardly to be expected, in view of her household labours. To cut her off and perform to her on a high road was to run risks of being publicly ridiculous: even by-ways have ears. Suppose his nerve or his breath failed, suppose some impish accident muffled up the horn: there would he be with swollen cheeks, a mountain in labour, producing not even, a mouse-squeak; the mock of man and beast. But there was Steeples Wood—not too far back off the high road, but approached by a tangly brake that few ever penetrated: there—if he could persuade her to it—was the ideal place for the great horn solo. In a postscript he would express his willingness to take off her hands the purchase of the Showman’s horse. To convey all this by correspondence involved almost as much effort as the practising, though his renewed call upon the Bible came to Caleb and Martha as the natural sequel of his faith-cure. It was no small feat of composition, this particular letter, in face of a people, which, however abundant its horses, appeared to have had neither “wagers” upon them, nor “gloves,” riding or other.
II

That gloves were unknown to the ancient Hebrews, Will could hardly bring himself to believe, even by hours of searching, especially after coming upon a Fashion Catalogue for Ladies, which showed a surprising wardrobe. Bonnets they had, it would appear, and headbands and tablets and changeable suits of apparel, and mantles and wimples and crisping pins and fine linen and hoods and vails, and mufflers and girdles and stomachers: as for their jewel-cases, they seemed stuffed not only with rings and ear-rings and charms and bracelets and moony tires, but likewise with jewels that dangled at the nose or tinkled at the feet. How then should so elegant a world have dispensed with gloves? But so—after scouring the sacred Book from Genesis to Revelation—he must finally fain believe. Not a single patriarch, priest, satrap, shepherd, physician, apostle, publican, or sinner had ever sported gloves, and the Queen of Sheba fared no better in this respect than the Witch of Endor. Solomon in all his glory was not arrayed with even one of these. The Pharisees, it would appear, covered their foreheads with phylacteries—whatever these might be—but left their hands bare. And yet, Will thought wistfully, reading so early in the sacred Book how Rebekah “put the skins of the kids of the goats upon Jacob’s hands,” they might surely in all those centuries have gone on to the idea of gloves, especially for winter wear. But no, thousands of years after Rebekah, the knuckles of Dives were apparently as raw as those of Lazarus. Oh, why had he not betted something Biblical—a muffler now would have suited either sex: even handkerchiefs were available. Not that he could not risk spelling “gloves” to accord with “loves,” which he found with no great difficulty in the holy text: he felt it romantic to throw himself thus trustfully upon “love,” even should it prove misleading.

Yet the search was not altogether vain, for though he could find no gloves, the prophets, he found, were full of exhortations to Jinny, which he carefully dog-eared and committed to memory and kept up his sleeve for contingencies. “How canst thou contend with horses?” Jeremiah asked her. Ezekiel warned her against the cattle-dealer. “By reason of the abundance of his horses their dust shall cover thee.” As for Isaiah, he remarked plumply: “Woe unto them that draw iniquity with cords of vanity, and sin as it were with a cart rope.”

To himself, on the other hand, the prophets were kind; abounding in promises for the prosperity of his horn. And it was Amos who supplied his letter with its opening sentence, abrupt but dramatic:

“Can two walk together except they be agreed?”

But the letter written, there was the problem of sending it. The intervention of either Bundock or Daniel was intolerable. He must find an individual way. One verse that he came upon—it was in the Book of Esther—enchanted him with its images, telling how Mordecai wrote an order in the King’s name “and sealed it with the King’s ring and sent letters by post on horseback, riders on mules, camels, and young dromedaries.” How he would have liked to seal his letter too with a royal ring, and send it “by post on horseback.” He had a vision of the long procession of mules, camels, and dromedaries filing along the grass-grown lane to Blackwater Hall. How old Daniel would rub his eyes at the strange humped beasts—yes, and Jinny too. She would perhaps think that Mr. Flippance had acquired a new show and was paying her a processional visit. Possibly these animal images did lead him to the invention of his postal method, or possibly it was his prior apprehension of Jinny’s utilizing Nip as a package-bearer. At any rate, after having wondered whether Martha’s pigeons could be trained up in the way they should go, he hit on the device of tying his note to Nip’s collar. The creature was friendly, and that Saturday afternoon it would be at home. He would only have to hover long enough around Blackwater Hall for his post-dog to fawn upon him. Of course there was no certainty the dangling missive would escape Daniel’s spectacles, but Nip being providentially of the colour of paper, it was possible heaven had not blanched him in vain. Besides, this time the note was carefully addressed to Miss Jinny Quarles, with the “Quarles” scratched out by an afterthought when he remembered that it was not her name.

But, alas! Nip did not play up; that longed-for quadruped did not appear in the purlieus of the Hall. Will, tired of carrying about the note, thought again of sticking it up in the stable and ventured near, but his fear of encountering Daniel Quarles was too lively, and finally he essayed—with some obscure remembrance of Bowery melodrama—to fix it gleamingly in the fork of a tree by which Methusalem stood when harnessing and unharnessing. To his amaze a chaffinch flew out of the fork in violent protest, while her gaily coloured consort dashed up from another quarter, crying “U-whit” at him like an avine Flippance. Peeping into the hollow of the fork he saw a couple of rather belated youngsters, ugly, bald-headed, and featherless, apparently new-hatched and almost savouring of the egg: yet when he touched them with the note, opening great eyes and yawning with yellow beaks and kicking each other with skeleton legs. But before he could bethink himself of a new posting-place, lo! as sudden as the chaffinches but far more welcome, with a yelp of joy and a perpendicular tail wagging like a mad pendulum, Nip was upon him; and having succeeded with a desperate bound in licking the tip of his stooping chin, rolled himself on mother-earth with voluptuous grunts. Will profited by this supineness to attach the note by the thread he had passed through it.

The new postal system was a success. For when Will after high tea sneaked out to the Common and sounded his horn—with a happy combination of challenge, salute, and signal—Nip actually appeared with a reply.

It was, however, unsatisfactory. Miss Boldero—the very name, though he divined it denoted the same Jinny, came like a glacial blast—presented her compliments to Mr. William Flynt, but she had no time to be romantic in woods (she said) nor, even at their homes, could she ever pay more than volant visits to anybody, and that strictly in the way of Daniel Quarles’s business. He could almost always find her at Blackwater Hall except Tuesdays and Fridays, but she trusted he would not be too turgid and thrasonical about his playing, even if his contumacious serenade should be puissant enough to extort the pair of gloves.

All these strange words came, of course, from “The Universal Spelling-Book.” Will, though he would still have refused to toot before her grandfather, might have felt less crushed had he known that in that ancient authority, “romantic” was defined as “idle.”
III

It is possible that persons of strict ethics—like Miss Gentry, say—would have lost sympathy with Jinny in these epistolary efforts of hers to stand on tiptoe, so to speak, and write beyond her education. But in thus titivating her style with gems of speech she knew not to be false, she was moved by the necessity of countering an overweening, overbearing, interfering young man, who was subtly assuming a sort of critical wardenship over her and her life: he needed a good vibration (“shaking or beating”), she must teach him by her gelidity (“coldness”) to be less conversant (“familiar”), and that she was quite his parallel (“equal”). He must be made to feel that her company was not to be had for the rogation (“asking”), in short that she was no housekeeping ignoramus to be ridden over by world-travelled wisdom, however genuine. No, she was not going to incurvate (“bow or bend”) to Mr. William Flynt.

This rigidity was the more necessary as, ever since in that thunderstorm his hand had tightened on hers—or was it the reverse?—the lightnings seemed to pass through her, the reverberations to shake her, whenever she thought of him, and even when she did not. What there was in him to rend her thus elementally she could not understand; doubtless it was the memory of the storm now for ever associated with him. He seemed—it was perhaps his life of adventure—to be in mystic unison with tempests and floods and that sea-creek of her childhood, now remembered exclusively as tossing and white-flecked. Even when she was turning over her Spelling-Book to find words to “vibrate” him with, it was the pages that vibrated: when she copied its gelid trisyllables, she felt her hand again in his, and her quill quivered as if the lightning were going through it.

And even Miss Gentry, though she would have derided Jinny’s new vocabulary, might have admitted that there was a laudable side to her pursuit of learning: the Spelling-Book itself overflowed with commendation of such scholastic zeal. Jinny no longer knitted or sewed in her evening hour of leisure. It was occupied—even after the concoction of the grandiose letter—in a feverish study of the volume neglected since her first scholastic period. She must make herself a greater intellectual power, she felt: she must master all human knowledge. And that all human knowledge lay in the hundred and fifty pages of this little book, our simple village girl, who was not romantic in any sense of that word, who, except for Bible and hymn-book, had never read a book—not even a novel—and who approached life with senses fresh and virginal, sincerely and crudely believed.

Nor was the pose of “The Universal Spelling-Book” calculated to dissipate her delusion. This wonderful work, which was now destined to become Jinny’s guide, philosopher, and friend, had nothing in common with those shallow productions of a later period, concerned mainly with correct combinations of letters. Dating from the age of folios and exhibiting, despite its diminutive size, the same solid solemnity, it did really take all knowledge for its province. (You learnt, for example, how to make the very ink you spelled with—and although you may rarely have possessed those best blue galls of Aleppo which formed the base of black, still you might hope to get the three pints of stale beer that were the substratum of red.) And not only all knowledge, but all morals formed the farrago of this book. Well might it ostentate among its “Patronizers” clergymen, private gentlemen, philomaths, writing masters, and heads of academies.

Originally published—as already related—in the year of the Lisbon Earthquake, and creating apparently as great a sensation (in England at least), it constituted an omnium gatherum so peculiar and extensive that there was no earthly (or heavenly) subject you could be certain of not meeting there, though there was one subject you could be certain of never escaping, for it cropped up in the quaintest connexions—and that was Virtue.

As the author—who hailed oddly from the Royal Exchange Assurance Office—justly claimed in his dedication to the Right Honourable Slingsby Bethell, Esq., Lord Mayor of the City of London, and One of its Representatives in Parliament (an encourager of everything tending to “the Practice of Piety” and “the Good of Mankind”), it was designed to do more than barely teach the young idea how to spell. “To inculcate into the Minds of Youth early Notices of Religion and Virtue, and to point out to them their several Duties in the various Stages of Life” was no less its aim. “And I should be very thankful,” explained His Lordship’s obliged, obedient, and most humble servant, “should I prove an instrument in the Hand of Providence in preventing but one of the rising Generation from falling a sacrifice to the pernicious Doctrines, secret Whispers, and perpetual Insinuations of Popish Emissaries.”

It was a passage that had always swelled Jinny’s bosom with emotion and the vow to ensure the gratification of this saintly aspiration by supplying in herself the minimum one member of the rising Generation to baffle these minions of the Scarlet Woman. It had been at first a little bemusing to reflect that for her Peculiar friends, the Established Church was little less pernicious: still, fended by the double buffer of her sect and Protestantism, she had thus far resisted the Emissaries she had never encountered (for certainly the Rev. Mr. Fallow, whatever the Chipstone curate might say of his Puseyite practices, had never tried to pervert her even to the Establishment).

With three generations brought up on this pious pabulum—the copy from which Sidrach the Owler had educated himself for smuggling was already beyond the fiftieth edition—-it seemed strange that the century should have had any declensions from virtue to note; that papistry should have progressed was incredible.

If in her dim, childish way, Jinny had ever felt a jarring note in this treasure-house of virtue and information, it was the assumption that both these existed primarily for little boys. True, among the fascinating woodcuts was one depicting little girls at school, but even there the mistress occupied the stiff chair, while the Dominie of the boys’ school, majestic in a full-bottomed wig, sat throned on a chair with arms. “A good child will love God,” she read with humid eyes, only to be pulled up short by “he will put his whole trust in Him.” Everything seemed to be masculine, from God downwards: there was no place for women even in punishment: to be “well whipt at School and at Home, Day and Night”—a recommendation she found it difficult to reconcile with the definition of “Ferula,” as “a foolish Instrument, used in some Schools”—was a Nemesis held out only to the boy who minded not his Church, his School, and his Book. Such a one would live and die a Slave, a Fool, and a Dunce. But as to the fate of bad little girls there was a mysterious silence. Even for their goodness there was no sure reward: for though presumably they were included in the well-behaved who would be clothed in Garments of Gold and have a Crown of Gold set on their Head, while Angels rejoiced to see them, these joys were never definitely attached to an exclusively feminine pronoun. A virtuous “woman” appeared once to her relief, but it was only to be a crown to her husband. Even in the foot-notes Jinny could not find a female. “If the young learner has learnt to read these lessons pretty perfectly,” said one note, “let him go over them once more.” As for the Useful Fables, it was the boy that stole Apples or went into the Water instead of going to School; and when it came to the longest story of all, “Life truly painted in the Natural History of Tommy and Harry”—the story that professed to show “Youth the ways of life in General,” and did indeed show how wickedness wrecks you on the Coast of Barbary, where you are torn to pieces by wild beasts as per woodcut, while the pattern of Virtue and Goodness still lives happy—it appeared that even a realistic picture of life may be complete without girls.
IV

Behold, however, Jinny—despite her sex—embarked on a learned career, and burning the midnight oil in her fat little lamp instead of curling up in her chest of drawers. Puckering her brow she sat on a squat wooden arm-chair in that dun papered living-room, imbibing virtue and information, till the Dutch clock in the outer box-room startled her with its emphatic declaration of the hour, and the cracked mirror revealed eyes heavy-lidded. Far out over the Common streamed the curtained light of that midnight oil, for the shutter could not be closed, owing to a pair of blackbirds that had set up house in the eaves. Jinny had found one of the young fallen on the grass: she had fed it with morsels of meat which it swallowed with great yellow gulps, following up the meal with a fluted grace. She had restored it to its nest—touched to mark the domestic virtue of its co-incubating parents. It had grown quite big now and flown hoppingly away with short sharp cries, but Jinny still cherished the nest and felt no need of the barring shutter. In the silence the creakings of the cottage often sounded like footsteps outside, but Jinny was not nervous, and a real footstep would rouse Nip, she knew. Sometimes, these warm May nights, she heard the cuckoo keeping hours as late as hers, sometimes the nightingales would sing passionately in the lane. There was one, she knew, that niched in a mutilated, ivy-swathed trunk bordering on the Common, and she would hear it answering the faint melancholy calls from afar with throbs and gushes of melody as well as with a series of quick, piercing notes. And sometimes when the air was clear she could hear the distant church clocks. But all these sounds, like Nip’s and the Gaffer’s snoring, were but a restful accompaniment to the acquisition of omniscience: even the nightingale, in her ignorance of literature, failed to romanticize her thoughts, painfully bent on mastering all there was to know.

Meanings, we have seen, played a great part in these studies: “Dollar—a Dutch coin”; “Engineer—an Artist”; “Gambadoes—a Sort of Boots”; “History—an Account of Things”; “Interview—Mutual Sight”; “Logarithms—Artificial Numbers”; “Mahomet—the Turkish Impostor”; “Replevin—a Writ so called”; “Stolidity—Foolishness”; “Tarantula—a Baneful Insect”; “Valentine—a Romish Festival”; “Upholsterer—an Undertaker”; “Zodiac—a Circle in the Heavens”: such were the strange vocables she kept muttering and misunderstanding: believing indeed that “Paramour” was merely a grander word for “Lover” and connecting divorce with “Schismatic—one guilty of unlawful separation.” It pained her to meet the “Sadducees—a People that Denies the Being of Angels,” slurring, as did these unimaginable heretics, the status of her own mother. Surely it was for such that “Damnation—the punishment of Hell Torments” had been designed. Punctuation too she studied, growing learned in Apostrophes, Asterisks, Carets, Crotchets, and Obelisks; other hours were devoted to Grammar, Tenses, Degrees of Comparison (always between good and better Boys), Genitives, and even Scraps of Latin. Pronunciation, however, was her great stumbling-block. How was it possible to keep one’s feet in the chaos, say, of four-syllabled words, each accented on a different syllable? Antiquary, Ambassador, Affidavit, Animadvert—it was heart-breaking and head-splitting. Her memory, so marvellous when vivified by realities, broke down before this procession of shadows.

With what relief she turned to the rich riot of “Moral and Satyric Poems”—though her sex was still distressingly ignored, and through every loophole the eternal male popped up.

He most improves who studies with Delight

And learns Sound Morals while he learns to write.

Still, where “Swearing, Gaming, and Pride” were rebuked in lashing lines, she was not sorry to find the petticoat conspicuous by its absence. It was a rare joy to come on Queen Anne in a “List of Abbreviations” under the unexpected guise of A.R.; in the list of kings, too, she appeared again, together with Mary and Elizabeth; not a large proportion, Jinny thought, rejoicing at the Victoria unforeseen by the learned author, whose “Chronological Account of Remarkable Things” stopped, like her friend Commander Dap’s, at the Battle of Trafalgar.

This table was indeed one of her favourite pages—it gave he............
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