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Volume One—Chapter Thirty Nine.
The Gentle Ada?el, and Farewell to them.

    “Yet one kind kiss before we part,
    drop a tear, and bid adieu.”

To be the wife of a true believer, in whatever state of society, from the most refined to the most barbarous, is to be cursed in the fullest acceptation of the word. But of the two extremes, many, if the choice were given, would doubtless prefer the drudgery that falls to the lot of the partner of the untaught savage, with all the manifold discomforts attending precarious subsistence, to the immolation and seclusion, which in civilised Mohammadan countries, is imposed upon the fairest of God’s works. Taking no part with her lord in the concerns of this world—taught to expect no participation in the happiness of that which is to come—she is a prisoner kept to minister to the lusts of the flesh; and the higher the state of cultivation—the more exalted the rank of the captive—so much the more rigorous is the restraint imposed.

In the European acceptation of the term, small traces are here to be found of the sentiment of love; and jealousy, when it does exist, would seldom appear to arise from any regard for the object that has created the feeling. The Dankáli female has contrived to retain her natural right of liberty; and so long as the wife performs the labour required at her hands, she is at full liberty to flirt unreproved, to the full extent of her coquettish inclinations. Upon Baileela devolves the task of leading the foremost camel, or carrying the heavy burthen slung by a sharp rope which passes across her breast. She fetches water and wood, prepares the milk, and boils the meat. She it is who weaves mats of the date-leaf for the use of her listless and indolent lord; tends his flocks of sheep and goats, dismantles and erects his wigwam when migrations are undertaken to distant pools and pastures; and, seated at his feet, chases away the flies which disturb his repose beneath the shade of the palm. Here, however, the needle is monopolised by the male, and he is sometimes to be seen industriously stitching a new leathern petticoat for his hard-worked partner, who, conscious of the fleeting nature of her charms, makes the utmost of her short lease; and in the nature of her occupation finds ample opportunities for indulgence.

The features of the Bedouin damsel, although degenerate, resemble those of the Arabian mother, from whom she claims descent; and so close a similarity pervades the community at large, that one mould would appear to have been employed for every individual composing it. Nature being suffered to model her daughters according to her will, their figures during a brief period are graceful; but feminine symmetry is soon destroyed by the constant pressure of heavy loads against the chest, and under the fiery heat of her native sands, the nymph is presently transformed into the decrepit hag, with bent back and waddling gait. A short apron of bullock’s hide, with frilled edges, is tied above the hips with a broad band, the sport of every wanton whirlwind; but from the waist upwards the person is unveiled. A coif of blue calico covers the head of those who have entered the conjugal state, whilst that of the virgin is unattired; but the hair of all is arranged in an infinity of elaborate plaits falling to the shoulders, and liberally greased. So are also sundry narrow bands of raw hide, which are usually tied above the ankles by way of charms to strengthen the legs, and which, contracting as they dry, sink deep below the surface of the part compressed.

A petalled sprig, appearing to grow out of the waistband, ascends on either side of the spine, in tattooed relief, resembling tambour work, and diverging across the ribs, finishes in fancy circles around the bosom according to the taste of the designer. This is a constant quantity, and the charms of many a belle are further heightened by scarification—an angle to break the evenness of the smooth forehead, or the arc of a circle to improve the dimple on the cheek, being favourite devices. From the ears of all who can afford personal ornament, depend two conical drops wrought of thick brass wire spirally coiled, resting on a curved iron base, and separated by two broad horizontal bands of pewter. When the wearer is in activity, the flapping of these cumbrous metallic appendages is ridiculous enough, and the rattle may be heard to a considerable distance as they come into violent collision with a necklace composed of a medley of beads, bones, cowrie shells, jingles, and amulets, strung in many rows upon a leathern collar embedded in dirt and grease, and terminating in a large rhomb of pewter. Bracelets and anklets of the same metal are usual, and the ornament of a squalling brat with inflamed weasel-like eyes slung over the back, is rarely wanting to complete the figure—a jerk to the right or to the left bringing it readily across the shoulder when occasion demands.

The Bedouin wigwam—a rectangle of eight feet in length by six broad, and five high—is constructed of a succession of branches in couples, curved before the fire, and lashed in the form of a lip-arch. A mat composed of date leaves forms the roof; and the whole fabric, wherein the hand of no master builder is visible, is thus readily transferred from place to place. “Omnia mea mecum fero” should form the motto............
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