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CHAPTER X TWO IMPERIAL SISTERS
 THE long and prosperous reign of Basil II. (976–1025) has no further interest for us, since we find in the chronicles no reference to a wife of that hardy and brilliant soldier. His younger brother, Constantine, was more like their mother: a man of passion and greed, though with no higher ambition than that of an imperial enjoyment of wine and women, and in that enjoyment he was quite willing to await the natural death of his more sober and more distinguished brother. Although he approached his seventieth year when the undivided rule fell to him, his ways were still those of an aged and jaded, and not very refined, Sybarite, and the three years of his reign interest us only because they show us the earlier environment of his two daughters, Zoe and Theodora, who are the next to occupy—alternately or simultaneously, according to the course of the romance—the gyn?ceum, or women’s quarters, of the palace.  
Constantine’s wife, Helena, daughter of the patrician Alypius, is a mere cipher in the imperial records, and seems to have died much earlier, leaving three daughters—Eudocia, Zoe and Theodora—to grow up as they might in the palace of her voluptuous husband. Eudocia, the eldest, lost during an attack of smallpox whatever comeliness she may have had, and retired to hide her disfigured countenance under the veil of a nun. There remained Zoe and Theodora, and Constantine determined to marry one of the two to some important noble and leave the crown to him. The elder of the two was nearly fifty years old, and Theodora cannot have been much159 younger. It is not very clear why they had not married earlier. Their father, who could hardly be induced to take the least interest in his Empire, had wholly neglected his daughters until he held the sceptre in his hands, and felt that the time was at hand when he must relinquish it to another. He was a very large and robust man, absorbed in hunting, gambling and other less reputable pleasures, and, even when he was sole Emperor, he left the cares of state to his eunuchs and retained his imperial attention for the theatre, the banquet and the dance. In his home the sisters had, says the chronicler, “lived as they listed,” and the further course of the story will make it probable that Zoe had not failed to enjoy her liberty. Theodora was less sensual, but we shall have to include both sisters in the list of Empresses who were little embarrassed by moral scruples.
In approaching their careers we have the rare advantage of an excellent guide. Michael Psellus, one of the leading philosophers and literary men of Byzantine history, not only lived at their Court, and knew them intimately, but he had a genial taste for the tattle and scandal of a court and not the least reluctance to entrust it to his graceful pen. He has been called the Voltaire of Byzantine letters on account of his brilliant, caustic and very candid way of writing the story of his times. We shall find his “Chronography” of inestimable value, provided we make due allowance for the prejudices of the politician and the amiable unscrupulousness of the anecdotist.
Zoe and Theodora were very different types of women. Zoe, who will interest us most, was a woman of fine complexion, very graceful figure and ardent passions. She had large sensuous eyes under heavy eyebrows, a mass of blonde hair, and a skin of remarkable whiteness. She was of middle height, and preferred to dress in simple robes, which exhibited her figure, rather than in the heavy and gorgeous draperies and massive jewellery160 of an Empress; though this simplicity of taste was limited, on one side, by a passion for perfumes and cosmetics, of which she gathered the material from all parts of the world and compounded, either with her own hands or by her maids, so industriously that her room “looked like a workshop.” She took such care of her smooth and clear skin and blonde hair that even in her seventieth year she had no wrinkle or other mark of age. She retained youth also in her blood, and we shall find her remarkably amorous in her sixth decade of life. Such a woman we shall hardly expect to find richly endowed with intellect or greatly restrained by moral sentiments, yet I think that M. Diehl follows too literally the facile witticism of Psellus when he speaks of Zoe as “childish” and “silly,” and I will prefer to let the story of her life tell us the limitations of her intelligence and character.
Theodora will interest us much less than Zoe, and it will suffice to say that she was in all respects different from her sister. Her tall and graceless figure and her very plain features were compensated by a stronger intelligence and greater force of character. She could be coldly stern, even cruel, on occasions, while cruelty only came to Zoe in the impulsive anger of her thwarted passions. We shall see that, when the occasion came to her, she cherished a very high ideal of public duty and used her power with an intelligence and beneficence that Psellus greatly underrates.
Such were the two daughters who, in middle age, were warned by their father that one of them must marry and inherit the Empire. The choice of Constantine first fell upon a distinguished noble named Constantine Delassenus, and a eunuch was sent to bring him from Armenia, where duty had taken him, to the Court. Much tragedy might have been prevented if that eunuch had reached his destination in time, but he was recalled by a second courier and told that the Emperor had changed his mind. It appears that the commander of the palace guards had161 felt that he would not have much influence on a noble like Delassenus, and he had brought to the notice of the Emperor a less young and less vigorous candidate, Romanus Argyrus, who was related to Constantine. Romanus was sixty years old, and had little to recommend him except his incompetency, which would suit the designs of the officers of the Court. He had, however, a wife living in Constantinople at the time, and it seems to have been supposed that he might not be willing to abandon her. The petty schemers of the Court were accordingly directed to bring about a separation, and, as Polyeuctes was dead, and a more accommodating patriarch held the see, no opposition was expected from the Church.
A file of soldiers entered the mansion of Romanus and told him that he had incurred the anger of the Emperor. They were, they said, to lead him to the palace for execution, and his wife was to enter a monastery. Many eyes had been put out, on slight grounds, during the three years’ licentious reign of Constantine, and the threat was serious. The wife fled at once to a monastery, and Romanus was brought, in some trepidation, to the royal presence—to learn that, since his wife was now a nun, he was free to marry the Emperor’s daughter and thus secure the purple. Instead of retiring to thrust a dagger in his heart, as an older Roman would probably have done, the sixty-year-old noble graciously submitted his person to the princesses. Theodora, the favourite of her father, had the first choice, but she turned away in disgust. Possibly Romanus did not regret that this gave him the hand of the more charming Zoe, who, in her forty-ninth year, fully preserved the fresh and brilliant complexion and the warm passions of a young woman. He had set out from home prepared for death, and must have been bewildered by his fortune. The clergy obligingly disentangled the somewhat complicated relation in which they stood to each other, in the eyes of the Church; they were married and crowned on 19th162 November 1028; and, as Constantine died three or four days afterwards, the duty, or pleasure, of governing the Empire fell on them during the first week of their singular honeymoon.
After this inauspicious beginning we shall hardly expect the reign of Romanus III. and Zoe to be one of brilliant and inspiring deeds; indeed, we may say briefly that it was merely an inglorious effort to retain the crowns they had obtained. They adopted the easy device of emptying the treasury on the common folk, the clergy and the monks. The private debts of citizens were paid by them, more churches were built or richly decorated, the clergy were relieved from taxation, and the monks—it was the very culmination of their golden age—were lodged in luxurious mansions which made their calling one of the most attractive in the Empire. The graver nobles frowned, plotted and were savagely punished, but we are interested in these conspiracies only in so far as they involve the imperial sisters.
Theodora, a spirited and intelligent woman, naturally despised the marriage which she had refused, and was regarded with suspicion and hatred by her sister. By some means Zoe put at the head of Theodora’s household a Paphlagonian eunuch in her own pay, a very crafty and unscrupulous man named John, who was enjoined to watch Theodora’s conduct. This very interesting person will be better known to us presently, as he was destined to be the most powerful man in Zoe’s Court. For the moment it is enough to say that, about a year after the coronation, Theodora was discovered to have some share in a conspiracy which was set afoot by Constantine, a relative of the Emperor. It is curious that John also was found guilty, though whether this was merely a trick to conceal his spying, or he had really been gained by Theodora, it would be difficult to say. Theodora was expelled from the palace and confined in a building at Petrion, on the Golden Horn, which seems to have had the mixed characters of a monastery, a state163 prison and a fort. It was the building to which Nicephorus had consigned Theophano for a few weeks before their marriage, and would have comfortable apartments. A year later Romanus was ignominiously beaten by the Saracens and the conspiracy revived. There is no proof that Theodora took part in it, but its aim would be, no doubt, to place her on the throne. In one of those moments of energy which passion occasionally gave her, Zoe went to Petrion, and forced her royal sister to take the vows and adopt the dress of a nun.
As a number of other malcontents lost their eyes or their liberty at the same time, the throne of Zoe and Romanus seemed to be firmly established. Unfortunately, a very grave breach now took place between the imperial pair, and, as a handsome official entered the service of the palace, there happened what so commonly happens in Byzantine history under the circumstances: Zoe fell in love with the handsome servant, and Romanus died, of a mysterious complaint.
Delicacy compels me to refer the inquisitive reader to the Greek text of Psellus, or to the chronicle of the monk Zonaras, for a full explanation of the rift in the sacred palace. Briefly, Romanus had been assured by one of those soothsayers who were in such high repute at Constantinople that he would have a son, and he zealously studied and employed the whole known range of aphrodisiacs and other contrivances that might help to ensure the fulfilment of the prophecy. After two or three years of this peculiar activity he retired in despair from the struggle, leaving Zoe untouched and indignant. As she had now certainly entered her sixth decade of life, the modern reader will have but a slender sympathy with her, and will recognize a very low quality of character in her conduct. Her husband became ill, and his favourite chamberlain, Michael, was often summoned to attend him, even when Zoe shared his bed. This chamberlain was a tall, handsome, fresh-faced young man, whose form pleased the Empress, but there was a deeper intrigue in the affair; the164 chamberlain was a brother of the Paphlagonian eunuch John, whom we saw in charge of Theodora’s mansion, and it is now necessary to present him more intelligibly.
John was a very shrewd, ambitious, vulpine provincial of mean family; he had been converted into a eunuch in early years, had held office in the employment of the Emperor Basil, and had then retired to a monastery. His character is so far removed from religious ideals that one is disposed to imagine him as having been compelled to take the black robe for some indiscretion, but it is quite possible that he adopted it voluntarily, as at this time many of the monasteries were merely luxurious colonies of bachelors living on a swollen stream of legacies. Romanus, who knew his ability, brought him from his monastery to supervise Theodora and her affairs. In spite of the curious statement that he was himself involved in the conspiracy, he was soon back at Court, and in great favour. He had five brothers and a sister, and the general character of the family may be deduced from the fact that three of the six brothers were moneylenders, two (John and Simeon) were monks, while the sister, Maria, had married a ship-caulker at the quays. John used his influence to introduce these brothers into the very lucrative service of the State. Within a few years the beau of the family became Emperor, the son of the ship-caulker also became Emperor, the ship-caulker himself became High Admiral of the Fleet, two other brothers had the rank of generals, and John became the virtual ruler of the Empire.
It was chiefly through his young and attractive-looking brother that John pushed their fortunes. Michael was a young man of large and well-proportioned figure, with that freshness of complexion which we often find in nerve-diseased or epileptic subjects. He became a favourite chamberlain of Romanus, and John presently noticed that Zoe was interested in him. Romanus was visibly failing, and Michael was at times called in to chafe his feet as he lay in bed with Zoe. “Who will165 believe,” the monk Zonaras asks, “that he did not take the opportunity to rub Zoe’s feet also?” Zoe expressed to John a lively interest in his brother, and John took care that their movements should not be hampered by any of the restrictions that normally curtailed the liberty of a Byzantine Empress. The pale Paphlagonian, in the black dress of a monk, was already the supreme master of the palace, but the most piquant feature of his position is to find him chiding the nervous hesitation of his brother and feeding the improper admiration of the Empress.
Psellus dilates, almost gloats, for pages over the development of this singular love story, in a way that hardly becomes a great exponent of Plato and Aristotle. Before long the relation of the two was known to the whole Court. Michael was loaded with jewels and other presents, and not infrequently courtiers would find him sitting, still rather nervously, on the same couch with the infatuated Empress. One day a servant entered the throne-room for some purpose, and almost fell to the ground in astonishment. Zoe had made Michael sit on the throne, had put the crown on his head and the sceptre in his hand, and was admiringly murmuring: “My darling, my flower of beauty, joy of my eyes, consoler of my soul,” etc. Instead of bursting into passion at the entrance of the official, she bade him do homage to the man who would one day be his Emperor. So says, at least, the philosophic Psellus, whom many believe. It is quite certain that Zoe made flagrant love to the chamberlain, and that the Emperor knew it. His sister, Pulcheria, angrily spoke to him of the notorious scandal, but he professed to be ignorant of it and was content to exact from Michael an oath that there was no truth in the rumour. Other writers say that he overlooked the liaison because it preserved his middle-aged spouse from promiscuous irregularity.
Romanus forgot that such love affairs were apt to entail tragic consequences for the superfluous man. As Zoe’s passion increased, he found himself suffering from166 an alarming and mysterious illness. His hair fell out in patches, his breathing was laboured, his face—a more significant symptom in an old man like Romanus—became livid and puffy. Whether this illness was really due to a slow poison, and whether the poison was administered by John or Zoe, are points which we must leave as we find them in the chronicles—uncertain. Since there is very little doubt that Romanus was murdered in the end, the theory of poison is not reckless; but Romanus was aged and worn, and the illness may have been natural. However that may be, Romanus lingered in a frightful condition until Holy Thursday of the year 1041. On that sacred day Romanus distributed to the Senators the ceremonious gifts prescribed in the ritual, and retired to the bath. From the bath he was presently removed in a dying condition to his bed. However possible it may be that he had had a serious attack of his illness in the bath, we cannot easily ignore the persistent statement that men entered the bathroom, and either strangled the Emperor or held his head under the water. Psellus gives this as a rumour, but even he seems to believe it. Both Michael and John are accused of the murder, and it is left uncertain whether Zoe was privy to the plot. Her immediate conduct will not dispose us to be eager to clear her memory of the suspicion, but we may be sure that the monk John was the soul of the plot.
Zoe came, with ostentatious (the chronicler says feigned) tears, to see that her husband was really dead or dying, though she did not await the end, which occurred soon afterwards. When we learn that she announced her intention of marrying Michael the same evening we are disposed to see in her an element of cold-blooded calculation which does not very well assort with the character we have given her. It would probably be much more correct to conceive her as nervous and confused, and simply yielding to the dictation of the monk John. Her father’s eunuchs, who had remained in her service, begged her to wait some time,167 but John bullied and threatened, and Michael was forthwith decked in the dead man’s robes and placed beside Zoe in the gold-roofed hall. The patriarch was summoned to the palace and curtly ordered to crown Michael and marry him at once to the very recent widow, in the presence of the assembled Senators. The whole scene is so repulsive that we need not hesitate to accept the last touch given to it in the chronicles. The archbishop hesitated, but a present of a hundred pounds in gold from John removed his scruples, and he invoked the blessing of God on the new imperial marriage.
 
THE EMPRESS Z?E
FROM ‘CONSTANTINOPLE’ BY E. A. GROSVENOR
After this authentic episode it is superfluous to seek to determine the share of Zoe in the illness and death of her first husband. The monk-eunuch was capable of any crime, and it is, perhaps, not likely that he would take others into his confidence in perpetrating them. His brother Michael was a feeble-minded man, of no criminal instincts, whom we shall presently find smitten with the deepest remorse for the part he had played. Zoe also was little more than a tool in the hands of John. Had he communicated his criminal design to them, they would probably have consented, but there is no evidence that he did so. The marriage, however, is a sordid fact that no casuistry can excuse. It would, no doubt, be represented to Zoe that delay would give an opportunity for a revolution, and there were always at Constantinople nobles who were ready to aspire to the throne when so excellent a pretext was afforded. These considerations may explain, but cannot excuse, Zoe’s action. She was almost, if not quite, devoid of moral feeling. The utmost we can say for her is that it was not merely her passion for Michael that gave such indecent precipitancy to a woman of fifty-four years. But she had no children to protect, and she lent herself to this disgraceful procedure merely in order to retain her royal position.
We read, therefore, without the least sympathy that, while the change made the fortune of the astute John and his brethren, it brought great disappointment and168 chagrin to Zoe. She had, the chronicler says, imagined that the lowly chamberlain, grateful for his elevation to the throne, would be her slave, and she at once gathered about her the former servants of her father and began to rule. But the monk had no intention of handing to her the power he had purchased so heavily. His official position was merely that of “orphanotrophos,” or director of charitable institutions; his real position was that of Emperor. Most of the brothers were able men, but Michael was, as John probably took into account from the first, epileptic and incapable of self-assertion. John, therefore, took the reins in his own hands. He summarily dismissed Zoe’s eunuchs and maids and put about her an army of servants in his own employment, so that she could not even go to the bath without the permission and knowledge of the eunuch. To the Empire and its affairs, it may be said, he devoted the most careful and intelligent attention. Even in the midst of a solitary carouse—for the monk was fond of wine—he would turn with alacrity to any pressing business. It was only in the dishonest enrichment of himself and his brothers, whom he at once promoted to the highest commands, that he overreached himself.
One noble only, the Constantine Delassenus who had so narrowly missed the Empire and the hand of Zoe, rebelled against this division of the Empire among a family of low-born eunuchs and money-changers, and the punishment of Delassenus so well illustrates the world in which Zoe now found herself that it may be briefly recounted. John secured the loyalty of the Senators by a generous distribution of money, and then sent a eunuch to assure Delassenus, who was in Armenia, that his conduct would be overlooked if he disarmed at once. Delassenus required some tremendous security of such a promise on the part of John, and it was left to the clergy to devise a new and particularly ponderous oath. The evolution of the oath in Byzantine life is one of the many ways in which we may trace the169 degradation of its character; no one had any longer the faintest confidence in oaths on the true cross or the Sacrament. A group of clerics were therefore sent with the most sacred objects in the reliquaries of Constantinople, and they marshalled before the eyes of Delassenus the cross, the napkin bearing a miraculous image of Christ, the original letter of Christ to King Abgar, and the portrait of Mary painted by St Luke. On these portentous relics an oath was taken that no punishment would be inflicted on him. He submitted; and a few months later, when the people of Antioch rose against their oppressive tax-gatherers, the revolt was subtly traced to the distant noble, and he was exiled and ruined.
Zoe tolerated the domination of the odious monk for a few years impatiently, and at length made an attempt on his life. She won one of the eunuchs whom John had placed about her, and directed him to off............
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