IT was on the eve of St. Nikolay's day, the 5th of December, 1820. That year Natasha with her husband and children had been staying at Bleak Hills since the beginning of autumn. Pierre was in Petersburg, where he had gone on private business of his own, as he said, for three weeks. He had already been away for six, and was expected home every minute.

On this 5th of December there was also staying with the Rostovs Nikolay's old friend, the general on half-pay, Vassily Fedorovitch Denisov.

Next day visitors were coming in celebration of his nameday, and Nikolay knew that he would have to take off his loose Tatar coat, to put on a frock coat, and narrow boots with pointed toes, and to go to the new church he had built, and there to receive congratulations, and to offer refreshments to his guests, and to talk about the provincial elections and the year's crops. But the day before he considered he had a right to spend as usual. Before dinner-time Nikolay had gone over the bailiff's accounts from the Ryazan estate, the property of his wife's nephew; written two business letters, and walked through the corn barns, the cattleyard, and the stables. After taking measures against the general drunkenness he expected next day among his peasants in honour of the fête, he came in to dinner, without having had a moment's conversation alone with his wife all day. He sat down to a long table laid with twenty covers, at which all the household were assembled, consisting of his mother, old Madame Byelov, who lived with her as a companion, his wife and three children, their governess and tutor, his wife's nephew with his tutor, Sonya, Denisov, Natasha, her three children, their governess, and Mihail Ivanitch, the old prince's architect, who was living out his old age in peace at Bleak Hills.

Countess Marya was sitting at the opposite end of the table. As soon as her husband sat down to the table, from the gesture with which he took up his table-napkin and quickly pushed back the tumbler and wineglass set at his place, she knew that he was out of humour, as he sometimes was, particularly before the soup, and when he came straight in to dinner from his work. Countess Marya understood this mood in her husband very well, and when she was herself in a good temper, she used to wait quietly till he had swallowed his soup, and only then began to talk to him and to make him admit that he had no reason to be out of temper. But to-day she totally forgot this principle of hers; she had a miserable sense of his being vexed with her without cause, and she felt wretched. She asked him where he had been. He answered. She asked again whether everything were going well on the estate. He frowned disagreeably at her unnatural tone, and made a hasty reply.

“I was right then,” thought Countess Marya, “and what is he cross with me for?” In the tone of his answer she read ill-will towards her and a desire to cut short the conversation. She felt that her words were unnatural; but she could not restrain herself, and asked a few more questions.

The conversation at dinner, thanks to Denisov, soon became general and animated, and she did not say more to her husband. When they rose from table, and according to custom came up to thank the old countess, Countess Marya kissed her husband, offering him her hand, and asked why he was cross with her.

“You always have such strange ideas; I never thought of being cross,” he said.

But that word always answered her: Yes, I am angry, and I don't choose to say.

Nikolay lived on such excellent terms with his wife that even Sonya and the old countess, who from jealousy would have been pleased to see disagreement between them, could find nothing to reproach them with; but there were moments of antagonism even between them. Sometimes, particularly just after their happiest periods, they had a sudden feeling of estrangement and antagonism; that feeling was most frequent during the times when Countess Marya was with child. They happened to be just now at such a period of antagonism.

“Well, messieurs et mesdames,” said Nikolay loudly, and with a show of cheerfulness (it seemed to his wife that this was on purpose to mortify her), “I have been since six o'clock on my legs. To-morrow will be an infliction, so to-day I'll go and rest.” And saying nothing more to Countess Marya, he went off to the little divan-room, and lay down on the sofa.

“That's how it always is,” thought his wife. “He talks to everybody but not to me. I see, I see that I am repulsive to him, especially in this condition.” She looked down at her high waist and then into the looking-glass at her sallow and sunken face, in which the eyes looked bigger than ever.

And everything jarred upon her: Denisov's shout and guffaw and Natasha's chatter, and above all the hasty glance Sonya stole at her.

Sonya was always the first excuse Countess Marya pitched on for her irritability.

After sitting a little while with her guests, not understanding a word they were saying, she slipped out and went to the nursery.

The children were sitting on chairs playing at driving to Moscow, and invited her to join them. She sat down and played with them, but the thought of her husband and his causeless ill-temper worried her all the time. She got up, and walked with difficulty on tiptoe to the little divan-room

“Perhaps he is not asleep. I will speak plainly to him,” she said to herself. Andryusha, her elder boy, followed her on tiptoe, imitating her. His mother did not notice him.

“Dear Marie, I believe he is asleep; he was so tired,” said Sonya, meeting her in the next room (it seemed to Countess Marya that she was everywhere). “Andryusha had better not wake him.”

Countess Marya looked round, saw Andryusha behind her, felt that Sonya was right, and for that very reason flushed angrily, and with evident difficulty restrained herself from a cruel retort. She said nothing, and, so as not to obey her, let Andryusha follow her, but signed to him to be quiet, and went up to the door. Sonya went out by the other door. From the room where Nikolay was asleep, his wife could hear his even breathing, every tone of which was so familiar.............