Ten days later Jenny left for Copenhagen. Her mother and Bodil Berner saw her off at the station in the early morning. “You are a lucky one, Jenny!” said Bodil, smiling all over her little soft brown face. And she yawned till the tears came into her eyes.
“Yes, some must be the lucky ones, I suppose. But I don’t think you have anything to complain of either,” said Jenny, smiling too; but she was several times on the point of bursting into tears when she kissed her mother farewell. Standing at[234] the compartment window looking at her, it seemed as if she had not really seen her mother for ever so long. She took in with her eyes the slightly stooping, slender figure, the fair hair that scarcely seemed grey at all, and the strangely unaffected girlish expression of her face, despite its wrinkles. Only the years, not life, had made the furrows, in spite of all she had gone through.
How would she take it if she knew? No, she would never have the courage to tell her and see her under the blow—she who knew nothing about it all and would not have understood. If it had been impossible to go away Jenny thought she would rather have taken her life. It was not love—it was cowardice. She would have to tell her sometime, of course, but it would be easier to do that later, from abroad.
As the train began to glide out from the station she saw Gert walking slowly down the platform behind her mother and sister, who were waving their handkerchiefs. He took off his hat, looking very pale.
It was the first of September. Jenny sat by the window looking out. It was a beautiful day, the air clear and cool, the sky dark blue, and the clouds pure white. The morning dew lay heavy on the rich green meadows where late daisies were in bloom. The birches at the edge of the forest were already turning yellow from the summer heat, and the bilberry shrub was copper coloured. The clusters of the rowan were deep red; where the trees stood on richer soil the leaves were still dark green. The colouring was splendid.
On the slopes stood old silver-grey farmhouses or new shining white or yellow ones with red-painted outhouses and crooked old apple trees with yellow or glassy green fruit showing among the foliage.
Time after time tears veiled her eyes; when she came back—if she ever did....
The fjord became visible near Moss, a town built along the[235] canal, with factory walls and the small wooden houses in gay colours surrounded by gardens. Often when passing it in the train she had thought of going there some day to paint.
The train passed the junction where a branch line turns off to Tegneby. Jenny looked out of the window at the familiar places; there was the drive leading to the house, which lay behind the little fir grove, and there was the church. Dear little Cesca liked to go to church; she felt herself safe and protected there, borne away by a sentiment of supernatural strength. Cesca believed in something—she did not quite know what, but had created some kind of a God for herself.
Jenny was pleased to think that Cesca and her husband seemed to be getting on better. She had written that he had not quite understood her, but had, nevertheless, been so kind and dear and convinced that she would never do anything wrong—on purpose. Strange little Cesca! Everything must come right with her in the end. She was honest and good. But she herself was neither, not to any considerable degree. If only she need not see her mother’s tears; she could bear to hurt her—it only meant that she was afraid of scenes.
And Gert? Her heart shrank at the thought of him. A feeling of physical sickness rose in her, a despair and loathing so profound that she felt herself played out—on the point of becoming indifferent to everything.
Those awful last days in Christiania with him. She had given in at last.
He was coming to Copenhagen, and she had to promise to stay somewhere in the country so that he could come and see her. Would she ever be able to get quite free of him?
In the end she would perhaps have to leave the child with him and run away from it all—for it was a lie, all she had told him about being happy about it and the rest. Sometimes at Tegneby she had really felt so, because she only remembered it was her child—not his at all. But if it were to be a link[236] between him and her humiliation she would have nothing to do with it. She would hate it—she hated it already at the memory of the last days before her departure. The morbid desire to cry and sob to her heart’s content was gone; she felt dry and hard as if she could never cry again.
A week later Gert Gram arrived. She was so worn out and apathetic that she could pretend to be almost in good spirits, and if he had proposed that she should move into the hotel where he was staying, she would have done so. She made him take her to the theatre, to supper at restaurants, and one day, when the weather was fine, for an excursion to Fredensborg, because she saw that it pleased him if she seemed well and happy. She gave up thinking—it was no sacrifice, for as a matter of fact her brain was tired out.
Jenny had taken rooms with a teacher’s widow in a country village. Gram accompanied her there and went back the same evening to Copenhagen. At last she was alone.
She had engaged the rooms without seeing them beforehand. When she had been studying in Copenhagen some years ago she had gone with her fellow-students into the country one day, lunching at an inn and bathing among the rocks, and she remembered it was pretty out there, so when a certain Mrs. Rasmussen, in answer to her advertisement, had offered to house the young lady who was expecting a child, she decided to go there.
The widow lived in a tiny yellow, sadly ugly brick cottage outside the village by the main road, which ran dusty and endless between open tilled fields, but Jenny was pleased on the whole. She liked her bedroom with the blue wall-paper, the etchings on the wall, and the white crochet-work d’oyleys all over the place, on the bed, on the back of the American rocking-chair, and on the chest, where Mrs. Rasmussen had placed a bunch of roses the day she arrived.
[237]
From her two little windows she could see the main road winding past the house and the small front garden, where roses, geraniums, and fuchsias grew, heedless of the dust. On the other side of the road was a bare hill at the back of the field. Stone fences, along which the vividly coloured autumn flowers grew between bramble bushes, divided the slope into squares of stubble, greeny-brown meadow, and blue-green turnip field; spriggy wind-blown willow bushes grew along the boundaries. When the evening sun had left Jenny’s window the sky was flaming red and golden above the ridge and the meagre twigs of the willows.
At the back of her room was a neat doll’s-house kitchen with red brick floor, opening into the back yard, where the widow’s chickens were cackling and the pigeons cooing. A small passage ran through the house; on the farther side Mrs. Rasmussen had her parlour, with flower-pots in the window and crochet work everywhere, daguerreotypes and photographs on the walls, and a book-case with religious books in black paper covers, bound volumes of periodicals, and a few novels. At the back was a small room where she slept, and where the air was always heavy with an indefinable odour, though everything in the room was spotlessly clean. She could not hear in there if her boarder on the other side of the passage spent a night now and again in tears.
Mrs. Rasmussen was not so bad, on the whole. Tall and lanky, she pattered about in some kind of felt slippers, always with a worried look on her long yellow face, which was rather like that of a horse and had straggling grey hair combed back from it, forming quaint little wings over the ears. She scarcely ever spoke, save for an anxious question as to whether the lady was pleased with the room or the food, and when Jenny went to sit in the parlour with her needlework they were both perfectly quiet. Jenny was specially grateful to the woman for[238] not mentioning her condition; only once when she went out with her painting paraphernalia did Mrs. Rasmussen ask her anxiously if she did not think it unwise. She had worked hard at first, standing behind a stone fence with her field easel, which threatened to be upset every instant by the wind.
Below the stone fence the stubby rye field sloped towards a swamp where the bog bean round the bluish water pools was whitening, and velvety black peat stacks stood piled on the grass. Beyond the swamp were the chalk-white peasants’ huts set in rich dark green groves and surrounded by meadows, stubbed rye fields, and turnip land as far as the water’s edge. The beach was cut into tiny bays and points, the sand and the short dried grass making it look a whitish yellow. To the north a heather-brown hill with a windmill on top sloped down towards the bay. Light and shadow flitted alternately over the landscape as the clouds travelled across the wide, ever restless sky.
When Jenny got tired she lay down by the fence, looking up at the sky and out over the bay; she could not stand for long at a time, but it made her only more eager. Two small pictures painted from the fence were finished, and she was pleased with them; a third one she painted in the village, where the low whitewashed houses with thatched roofs almost covering the windows, and climbing roses and dahlias in the gardens, stood along a velvety green ditch, and a red brick church stretched its gabled tower above the foliage of the vicarage garden. But it made her nervous when people came to look at her, and flaxen-haired youngsters clustered round her when she was painting. When the picture was finished she moved with her easel again to the stone fence.
In October the rain came, pouring down for a week or two. Now and again the skies cleared a little, letting out a sickly yellow ray of light between the clouds over the hill with the pitiable willows, and the puddles in the road lay shining a[239] little while before the rain troubled their surface again.
Jenny borrowed Mrs. Rasmussen’s books and learnt to knit the kind of lace that bordered her curtains, but neither reading nor knitting came to much. She sat in the rocking-chair by the window all day long, not even caring to dress properly, only wearing her old faded kimono. As her condition became more and more apparent she suffered agonies.
Gert Gram had written to say he was coming to see her, and two days later he arrived, driving up in the early morning in pouring rain. He stayed a week, putting up at the railway hotel two miles from the village, but spending all his time with her. When he left he promised to come again soon—possibly in six weeks.
Jenny lay awake all night with her lamp burning. She knew she could not bear it again; it had been too awful. Everything was unbearable from the moment he arrived—his first worried, compassionate glance when he saw her—dressed in a new navy blue straight frock made by the village dressmaker. “How lovely you are,” he said, and declared she was like a madonna. Madonna, indeed! His arm placed cautiously round her waist, his long, guarded kiss on her forehead, made her feel as if she could die of shame. And how he had worried her with his concern about her health and his advice about taking enough exercise. One day when the rain stopped he dragged her for a long walk, insisting that she should hang on his arm for support. One evening he had looked at her needlework—stealthily—expecting probably that she would be hemming ............