T would be a  pastime for some curious scholar to write up the antecedents and traditions of these ten ubiquitous  with which Nature dowers most of us; a survey reaching from the crime that darkened the morning of the world—the handiwork of Cain—to the most delicate outcome of art, finished yesterday; a summary of all the  and symbolisms connected with the hand and its doings; challenges, investitures, , salutations; the science of  that the Romans loved; records made by  or pen by Michael Angelo, Goethe, Palestrina; of gloves and rings and falcon-jesses; of armor  on by saddened sweethearts, and prizes  at tourneys; of power in the soldier, and  in the fair lady; of Eastern , and missal illuminations in gray cells, and manuscripts folded and preserved through centuries; of "pickers and stealers" and money-getting associations, , bestowals, and . The Dutch boy, stopping the  with his frozen thumb in times of flood, shall not be forgotten; nor that maid of honor who, with her slender wrist, bolted the door against the raging mob of revolutionists, undauntedly long, and at last vainly; and in the chapter of heroisms shall be found the patient pyramid-builders, and Mucius Scævola, unflinching in fire; how with his hand Attila made kings tremble, Xerxes  the sea, and the saint of old Assisi won bird and beast from , to feed and be . We bethink us lastly of antique instruments, old , intaglios, and rare lamps; of the child Christopher , raising card-houses and forecasting the stone glories of London; or of Petrarch, roving in a dusty world of books, and so dying, suddenly and with-18-out pain, with his arm about them, as of things among those which our historian shall touch.
 
Scarce any author, save Sir Thomas Browne, hath thought it worth while to spend learned discussion on the right and the left hand. Yet it is a   we  on a youngling's mind when we teach it to discard the good service and ready offices of its honest sinistral member; so that we may come to look upon a left-handed neighbor as a sort of natural protest against an ill custom, and a  of unjustly suppressed forces.
 
A hand , a hand outstretched, have in them all of  and ; hospitality shines in a hand proffered,—"a frank hand," as the  saith. Like a shell turned from the light, but with the  of the morning not yet faded from it, is a babe's hand, "tip-tilted," lovely, as if it should close on nothing ruder than a flower. The bronzed hands of , the  hands of idleness, differing even as life and death, the dear, remembered, cordial hands of one's youth,—shall they not have their laureate also in the  that is to be, this new philosopher in trifles, this student of the furthest and subtlest bodily activities, and chronicler, as it were, in extremis?
 
The hand betrays the heart; not to thee,  gypsy! with thy  life-lines, but even to the unchrismed eye of the . We detect good-nature in yon plump matron, because of that pudgy but roseate part of her appended to her Tuscan ; good-nature and  and simple faith. We have close acquaintance with  hands,  hands,  hands,  hands, fastidious hands, hands sensitive and fair, friends to all things gentle, and pulsing with intelligence. We read in this hand how it hath healed a bitter wound; and in that, how it hath locked the door against a cry. Have we not known hands dark and shrunken with age or suffering, instinct yet with so-called  blood? The memory comes over us of the prince (such was verily his  title) from a far , the inscrutable Asiatic,  in speech and dress, whose chilling touch, recalling icicles in midsummer, we   at meeting and parting, and over whose origin we sun-lovers made jests, in the halls of that dreaming heir of a later dynasty, Madame B.
 
It was the boast of Job that he had not kissed his hand in sign of worship to sun nor moon nor stars. Note the  and noble  of Banquo, to express reliance and rest in time of perplexity:—
 
"In the great hand of God I stand."
 
To what fopperies, what wild freaks of mediæval years, hath the  hand lent itself! to the triangles, stars, portraits of ancient caligraphic cunning; to the , shape ,  a request to the barber, or the heart, dolphin, and true-love knot, that revealed a swain's metrical sighs to the  eyes of Phyllis. Peace to those old minimizers! to him, the spider-worker, whose elfin Iliad Cicero saw, packed  in a nutshell; to sturdy Peter Bales, "that did so take Eliza" with his infinitesimal tracery, which the lion-queen delighted to read through a  glass, holding his airy volume on her thumb-nail!
 
Disraeli the elder tells us of the pleasing origin of that modern phrase,—"to write like an angel;"   from one Angelo Vergecio, a scribe who drifted to Paris under Francis I., and whose name became in time a synonyme for beautiful caligraphy. To write like an angel! Now, with due allowance of the possession, among  beings, of our poor terrene , yet may angels themselves most solemnly and securely preserve us from the foregoing solecism! Saving the  Angelo, a legend incorporated, none do so much write like angels as that slave-trader, the writing-master, enemy and  of the hand's natural freedom. Handwriting, that should be matter of separate mental habit and muscular action, as Hartley Coleridge , the writing-master artificializes into a set form: a young lady is to write so; a clerk, so. There is a  supposed respectability in keeping to this masquerade, where revelations of individuality are never in order. Spectre of our childhood, bugbear of  years, , , what can we call thee worse than thou art in bare English, Copy-book! the faithfullest  of our life, religious as Hannibal's, was against thee. We recall with unalterable , that not for one moment did we tolerate thee, save under burning protest; that thy long- da capo moralities, all letter and no spirit, made our soul ; that every hour at the desk of old, under thy correct, staring eye, was an hour of scorn and insurrection; and that we celebrate daily thine anniversary and thy festival, after our own heart, in cherishing every irregularity that thy Puritan code abhorreth. Aye, tails and  are dear to us, and we fear not to send  our t without his bar, our i without her dot, lest we should seem reconciled to thine atrocious ritual. We shake our  hand in thy face, thou  impostor!
 
 
We are not of  habit, but we reserve a sentiment warm as York's against Lancaster, or a right Carlist's towards the mild  race of Spain, for that fellow-mortal whose traceries in ink and pencil are sealed with orthodoxy. By the accepted wretchedness of their capitals, the moral depravity of their loop-letters, we choose our friends,—the least  the least dear. We cannot  Giotto, because of his O, that had no . We take  and delight in that  Janus-jest of the last Bourbon Louis, who, re-entering his palace, the Imperial initial everywhere above and beside him, said, with a light shudder, to one of his blood, "Voilà des ennemis autour de nous!" Not for all the authority of divine  herself, shall we be mindful of our P's and Q's. A flourish—not, indeed, the  blare of , but the misguided  of a pen-point—we look upon as a , yea (if we may proportion adjectives to our grade of feeling), a  sin.
 
Character demonstrates itself in trifles. Wash-24-ington wrote with clearness and deliberation, like a law-; Rufus Choate, intricately and whimsically, like a wit. Oldys runs down the list of English royal autographs, drawing no inferences, and set  on his fact. Cromwell's signature is paradoxically faint and vacillating. "Elizabeth  an upright hand,—a large, tall character; James I., in an ungainly fashion, all ; Charles I., an Italian hand, the most correct of any prince we ever had; Charles II., a little, fair, running, uneasy hand," such, adds a commentator, as we might expect from that illustrious vagabond, who had much to write, often in odd situations, and never could get rid of his natural restlessness and . It goes somewhat hard with us that Porson, Young, and especially Thackeray,  a proper , and were  to consider penmanship as one of the fine arts. Nevertheless, we take it that Mr. Joseph Surface, in the comedy, would write so as to gladden the "herte's roote" of a school-mistress; as, likewise, might our honest friend Iago. Item, that Homer's-25- mark was but a hen-scratch, outdone, in his own day, by the most time-out-of-mind stroller that sang, eyeless, with him.
 
No ,  over the innocent rascalities of Afric tribes, burns with holier  than seizes us on  the  of the "Penman's Gazette." Hark to its  philippics: "Good penmanship hath made fortunes; every year thousands are advanced by it to position and liberal salaries; students make it a . It is worth more than all the Greek and Latin, the  rubbish of the higher schools and colleges, for, ('thine exquisite reason, dear ?')—for it yields prompt and generous returns in money, food, clothing, good associations, and  to usefulness in the world!" The gentle reader is to imagine MONEY in huge capitals, and the other rewards of merit  successively, till the incentives to usefulness are scarce visible to the naked eye. And then, forsooth, one is encouraged periodically by the fish-like portraits of Famous Penmen! Have a care, have a care, little guileless , lest thy physiognomy, some black morning, should lend its beauty to the procession of fiends who Write Like Angels!
 
Whom shall we hire to shout from the house-tops, , and with Quixotic , that success should be won through ambitions a trifle exclusive of money, food, and clothing; and that this "new heraldry of hands, not hearts," is a  error? Who is there to  that strange ? Think into what grave  we might be drawn, even by the silken string of the "Penman's Gazette;" into what  of an unheavenly lesson! But we forbear.
 
A century closes at the finger-tips of two men of unequal age, and every touch of palm to palm forges a link of the unseen social chain which connects us with the father of our race. We take in ours, with enthusiastic consciousness, a hand we honor, or a hand that by representation has, perhaps, held cordially that of "the great of old." So chance we to strike, across the  of time, into the grasp of Caedmon, the Saxon beginner, or the real Roland of the horn, or Plato, or Alcuin, or him of Salzburg, the sunniest-hearted maker of music. Neither in our  can we forget that a Hand not all of earth rested once upon childish heads in Galilee, and passed among vast crowds, forgiving, healing, and doing good; and we know not but that our meanest brother, coming as a stranger, may bring to us, in more ways than one, its transmitted .
	
				 
		   			
		
        