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THIRD CHAPTER
 CERTAIN DEVELOPING INCIDENTS ARE CAUGHT INTO THE CURRENT OF NARRATIVE—ALSO A SUPPER WITH REIFFERSCHEID In the week that followed, Paula's review of Quentin Charter's new book appeared. As a bit of luxury reading, she again went over "A Damsel Came to Peter." It stood up true and strong under the second reading—the test of a real book. The Western writer became a big figure in her mind. She thought of him as a Soul; with a certain gladness to know that he was Out There; that he refused to answer the call of New York; that he had waited until he was an adult to make his name known, and could not now be and and spoiled. There was a purity about parts of his work—an uncompromising thunder against the fleshly trends of living—to which she could only associate , , and mystic power. He was altogether an abstraction, but she was glad that he lived—in the West and in her brain.
 
Also her mind was called to lower explorations of life; moments in which it seemed as if every tissue within her had been carried from arctic to the springing verdures of the Indies. A sound, an odor, a man's step, the voice of a child, would start the spell, especially in moments of receptivity or aimless pondering. Thoughts formed in a lively fascinating way, dreamily over her intelligence, her with indescribable , brushing her half-closed,—until she suddenly awoke to the fact that this was not herself, but Bellingham's thirst playing upon her. Beyond words dreadful then, it was to realize this thing in her brain—to feel it spread hungrily through her and localize in her lips, her breast, and the hollow of her arms. Bellingham crushed the trained energies of his thought-force into her consciousness, her helpless. Though he was , certain physical forces which he aroused did not fall asleep.... Frequently came that efflorescence. Her name was called; the way shown her. Once when she was summoned to the 'phone, she knew that it was he, but could not at first resist. Reason came at the sound of her own and frightened voice. Again one night, between nine and ten, when Bellingham was in power, she had reached the street and was hurrying toward the surface-car in Central Park West. Her name was called by Reifferscheid. He accompanied her through the Park and back to her door. He said he thought that she was working too hard, confessed himself about her eating enough.
 
One thought apart from these effects, Paula could not shake from her mind: Were there human beings with dead or dying souls? Did she pass on the street men and women in whom the process of soul-starvation was complete or completing? Could there be human mind-cells detached from hope, holiness, charity, , and every lovely conception; infected throughout with earth's destructive principle? The thought terrorized her soul, so that she became almost afraid to glance into the face of strangers. To think of any man or woman without one hope! This was insufferable. Compared with this, there is no tragedy, and the wildest physical suffering is an easy temporal thing. She felt like crying from the housetops: "Listen to pity; love the good; cultivate a tender conscience; be clean in body and in mind! Nothing matters but the soul—do not let that die!"
 
Then she remembered that every master of the bright tools of art had this message in his own way; every musician heard it among the splendid harmonies that winged across his heaven; every prophet stripped himself of all else, save this message, and every mystic was ordered up to Nineveh to give it sound. Indeed, every great voice out of the multitude was a cry of the soul. It came to her as never before, that all uplift is in the words, Love One Another. If only the world would see and hear!
 
And the world was so immovable—a locked room that resisted her strength. This was her especial terror—a locked room or a locked will.... Once when she was a little girl, she released a caged canary that belonged to a neighbor, and during her punishment, she kept repeating:
 
"It has wings—wings!"
 
Liberty, spaces of sky, shadowed running streams, unbroken woods where the paths were so dim as not to disturb the dream of undiscovered depths—in the midst of these, Paula had found, as a girl, a startling kind of happiness. She was tireless in the woods, and strangely slow to hunger. No gloomy stillness haunted her; the sudden of a squirrel or rabbit could not shake her nerves, nor even the degraded spiral of a serpent to cover. Her eyelids narrowed in the midst of . School her lips; much of it, indeed, put a look of hopeless toleration in her eyes, but the big, silent woods quickly healed her mind; in them she found the full life.
 
At one time, her father essayed to lock her in a closet. Paula told him she would die if he did, and from the look upon the child's face, he could not doubt.... He had directly punished her once, and for years afterward, she could not repress a at his touch. She would serve him in little things, bring him the choicest fruits and flowers; she anticipated his wants in the house and knew his habits as a caged thing learns the movements of its keepers; invariably, she was respectful and apt—until her will was challenged. Then her mother would weaken and her father passed on with a smile. "Paula does not permit me to forget that I have the honor to be her father," he once said.
 
Reading grew upon her unconsciously. There was a time when she could not read, another when she could. She did not remember the transition, but one afternoon, when she was barely five, she sat for hours in the still as a , save for the turning leaves—sat upon a hassock with Grimm. It was The Foster Brother which pioneered her mind. That afternoon endured as one of the most periods of her life. The pleasure was so intense that she felt she must be doing wrong.
 
Grimm explained the whole world, in proving the reality of fairies. The soul of the child had always been awake to influences her associates missed. Wonderful Grimm cleared many mysteries—the unseen activities of the woods, the visitors of the dark in her room before she was quite asleep; the invisible weaving behind all events. Later, books brought out the element of attraction between man and woman, but such were the of her home that nothing occurred to startle her curiosity. It was left to the friendly woods to reveal a mystery and certain ultimate meanings.... She was sick with the force of her divining; the peace and purity of her mind shattered. The revelations of human origin were all that she could bear. She rebelled against the manner of coming into the world, a heaven-high rebellion. Something of pity with her for her mother. For years, she could not come to a belief that the Most High God had any interest in a creature of such . Queerly enough, it was the great preparer, Darwin, who helped her at the last. Man having come up through dreadful centuries from an earth-bent mouth and , to a pitying heart and a lifted brow—has all the more hope of becoming an angel....
 
There was something of the nature of a birthmark in Paula's for the animal in man and woman. Her mother had been sheltered in girlhood to such an extent that the mention of a corsage-ribbon would have offended. Very early, she had married, and the first days of the relation crushed illusions that were never restored. The birth of Paula ended a period of sorrow, which brought all the fine threads of her life into wear, gave expression to the highest agony of which she was capable, and ravelled out her emotions one by one. As a mother, she was rather forceless; the excellent elements of her lineage seemed all in the capacities of the child. Her limitations had not widened in the dark months, nor had her nature refined. It was as if the heart of the woman had lost all its color and . The great sweep of Paula's emotions; her strangeness, her mind and heart-hunger for freedom; her love for open spaces, still and the trends of running water—all expressed, without a doubt, the mysterious of her mother's finer life. But something beyond heredity, distances beyond the reach of human mind to explain, was the lofty quality of the child's soul. Very old it was, and wise; very strange and very strong.
 
Paula never failed afterward in a single opportunity to spare younger girl-friends from the of revelation, as it had come to her. The bare truth of origin, she made radiant with illimitable human possibilities.... Her dream beyond words was some time to give the world a splendid man or woman. Loving, and loved by a strong-souled, deep-thinking man; theirs the fruit of highest human ; beautiful communions in the midst of life's nobilities, and the glory of these on the brow of their child—such was her dream of womanhood, whitened through many .
 
Her mother died when Paula was twenty. The call came in the night. In the summons was that awful note which tells the end. Her mother was on the border and crossing swiftly. Paula screamed.
 
There was no answer, but a faint on the brow that had been .
 
"Mother!... Mother!" a last time—then the answer:
 
"Don't—call—me,—Paula! Oh, it—hurts—so—to be—called—back!"
 
After that, the dying was a matter of hours and great pain. Had she come to her in silence, the tired spirit would have lifted easily. So Paula learned, by terrible experience, the inexpressible value of silence in a room with death. She had been very close to the mystery. Holding her mother's hand and praying inaudibly at the last, she had felt the final to the very core of her being.... Departure, indeed; Paula was never conscious of her mother's spirit afterward. It is probably to inquire if a child of one's flesh is invariably one's spiritual offspring.... An ineffectual girl, the mother became a hopeless woman. In the , out of the grinding of her forces, was produced a heat.... Did blind negative suffering make her receptive to a gifted child, or did Paula's mother merely give, from her own lovely flesh, a garment for a spirit-alien from a far and shining country?
 
Three or four mornings after the Charter critique, Paula brought further work down-town. Reifferscheid swung about in his chair and stared at her thirty seconds. Then he brusquely, possibly to hide his :
 
"Take these three books home, but don't bother with them to-day. I want you back here at four o'clock. You are to go out to supper with me."
 
The idea was not exactly pleasant. She had seen Reifferscheid only a few times apart from his desk, where she liked him without reservation. She had always pictured him as a club-man—a typically successful New Yorker, with a glitter of and irreverent humor about all his sayings. The thought of a supper with Reifferscheid had a bit of supper heaviness about it. The club type she preferred to know from a sort of middle distance....
 
"Won't you, please?"
 
His change of manner was effective. All brusqueness was gone. Paula saw his real earnestness, and the boyish effort of its expression. There was no reason for her to refuse, and she hesitated no longer. Yet she wondered why he had asked her, and searched her mind to learn why she could not see him at leisure, apart from a club-window's leather chair; at some particular table in a or , or enlivening a game of with his inimitable characterizations. One of the finest and most effective minds she had ever contacted belonged to this editor. His desk was the symbol to her of concentrated and full-pressure ; in his work was all that was sophisticated and world-weathered, but she could neither explain nor overcome the conviction that his was in spite of, rather than the result of his life outside.... She met him on the stroke of four in the entrance to The States building, and he led the way at once to South Ferry, where they took the Staten Island boat. She felt that he was not at ease in the crowds, but it was a fact, also, that he did not appear so huge and froggy in the street, as in the crowded office she knew so well.
 
"Yes, I live over yonder," he said, drawing two stools to the extreme forward of the deck. "I supposed you knew. The nearest way out of New York, this is. Besides, you get full five cents' worth of sea voyage, and it's really another country across the bay. That's the main thing—not a better country, but different."
 
Little was said on the boat. It was enough to breathe the sea and the distances. She scarcely noticed which of the trolley-cars he helped her into at the terminal; but they were out of town presently, where there were curving country roads, second-growth hills, and here and there a dim ravine to cool the eye. Then against the sky she discovered a black ribbon of woods. It was far and big to her eyes, full of mysteries that called to her—her very own temples.... Turning to Reifferscheid, she found that he had been regarding her raptly. He coughed and jerked his head the other way, embarrassed.
 
"Guess you like it here," he said after a moment. "I knew you would. I knew I ought to make you come, somehow. You see, you're a little too fit— just a trifle too fine. It isn't that you're out of condition; just the contrary. When one's drawn so fine as you are, one wears—just from living at joy speed.... We get off here."
 
"It's incredible that you should have a house all to yourself!"
 
They were walking on the grass that edged the road. It had taken an hour and a half to come. Dusk was beginning to crowd into the distances. Ahead on either side of the road were a few houses with land between.
 
"Whatever you call it," said Reifferscheid, "it's all in one piece. There it is yonder—'A wee cot, a cricket's chirr—Sister Annie and the glad face of her——'"
 
"A little white house under big trees!" Paula exclaimed . "And what's that big dug-out thing behind?"
 
Reifferscheid . "Dug-out is excellent. That's the and the lily-lakes. I made those Sierras and clothed their flanks with forests of sod."
 
"Don't ask me to speak.... All this is too wonderful for words...." To think that she had imagined this man-mammoth sitting in a club-window. In truth, she was somewhat for wronging him, though delighted with the whole expedition. Sister Annie was startling, inasmuch as her face was as fresh and as a snow-apple, and yet she could not leave her invalid's chair unassisted. She was younger than Reifferscheid.
 
"I'm so glad to have you come, Miss Linster," she said. "Tim was really set upon it. He speaks of you so frequently that I wanted to meet you very much. I can't get over to the city often."
 
"Tim." This was the name of names. Paula had known nothing beyond "T. Reifferscheid." One after another, little joys like this unfolded.
 
"It will be too dark after supper," the sister added. "Tim won't be content until you see his system of ponds. You better go with him now."
 
Reifferscheid already filled the side-door. Evidently was the first and only formality demanded of the guest at the cottage. Paula followed him up a tiny path to the of the top pond—a saucer of cement, eighteen inches deep and seven or eight feet across. It was filled with pond-weed and nelumbo . Gold fish and stickle-backs played in the shadowed water.
 
"It isn't the time of year, you know," he said apologetically. "The lilies are through blossoming, and in a week or two, I'll have to take my fishes back to winter-quarters. You see my water supply comes from Silver Lake. The great main empties here." (Paula followed his finger to the nozzle of a hose that hung over the rim of cement on the top pond.) "The stream in Montmorency Falls yonder,"—(this, a down the gravel to the second pond)—"from which, you can hear the roar of the into the lower lake, which waters the lands of plenty all about."
 
His look of surprise and disappointment at her laughter was .
 
"The saurians are all in the depths, but you can see some of my ," he went on. "You'd be surprised how important my of snails is in the economy of this whole lake country."
 
He picked up a from the edge of the water, pointing out the green slime that covered it. "These are of a very vegetable, called algæ, which spreads like and anywhere in water that is not of torrential . Without my snails, the whole system would be a thick green soup in a month. It's getting a little dark to see the stickle-back nests. They very . Next year, I'll have a fountain.... The second-tank contains a , northern variety of water-hyacinths, some rock , and a turtle or two. Below are the cattails and ferns and . In the summer, that lower pond is a jungle, but the lilies and lotuses up here are really choice when in blossom. The of water rejoices the and posies generally. Annie likes the yard-flowers."
 
Paula would not have dared to say how enchantingly these toy-lakes and lily-beds had adjusted, in her mind, to the nature of the big man beside her, whose good word was valued by every sincere and important literary worker in the country. Tim Reifferscheid turning out his tremendous tasks in New York, would never be quite the same to her again, since she had seen him playing with his hose in his own back yard, and heard him talk about his snails and lilies, and the land posies that Sister Annie liked. Down-town, he had always her, but here with his toy-engineering and playful , he was equally and just as admirable.
 
Darkness was covering them. "I must see it all again," she said. "I want to come when the lilies are blossoming. I could watch the fishes and things—for hours. Really, I will never call it a dug-out again."
 
She saw him grinning in the dusk.
 
"Come in to supper," he said. "You see, anything smaller than a Staten Island back-yard would hardly do for me to play in. Then there's a stillness about here that I like. It makes your ears ache a little at first. You wake up in the middle of the night and think you're under the earth somewhere, or disembodied. Finally it comes to you that there's nothing to be afraid of except the silence. A man's head gets to need it after a time. As a matter of fact, there's no place across the bay for a fat man after working hours."
 
"Miss Linster," called Sister Annie as they entered.
 
Paula followed the voice into a spare room.
 
"Supper will be served in a moment," the other said. "I just wanted to tell you—Tim will take you back to the city to-night, grateful for the chance, but do you really have to go? This little room is yours, and you can go over together in the morning. Then a night in this stillness will calm you back into a little girl. Tim doesn't know I'm asking you. Please do just as you want——"
 
Paula didn't have the heart to drag the big brother back to town.
 
"Why," she said laughingly, "I'd much rather stay than not. Think how good this all is to me! I didn't have an idea when he asked me, other than a restaurant somewhere in New York."
 
"I am so glad.... Tim——"
 
He tried not to look relieved at the announcement. "Really, I didn't put Annie up to this, but if you are content to stay, I think it will smooth you out a bit."
 
After supper the three sat out in the yard. There was a heavy richness in the air, a soft sea-wind flavored with wood-fires and finished fields. Reifferscheid smoked his pipe and did most of the talking.
 
"I glanced over Bertram Lintell's new book—out to-day," he said. "It sort of hurts. Two or three months ago, I dropped in on him while he was doing it.... I have always had a certain interest in Lintell because I accepted his first story seven or eight years ago, as a magazine reader.... You may not know that nine-tenths of the unsolicited fiction material in a magazine's mail is a personal to intelligence at large. Nowhere does a man show the youth of his soul so pitifully as when first alone with white paper and an idea. He shakes down a crow's rookery and believes in his heart it's an eagle's nest. That there are men in the world paid to open his package, inspect and return same respectfully—and do it again—is an uncommercial of a most commercial age. Editors rely upon the more or less flawless products of the trained, the "arrived"; writers who have forgotten their dreams—rung the bell once or twice—and show a willingness to take money for the echoes.
 
"An expensive reading staff is not necessary for these contributors; their stuff goes to the heart of things at once. But what sorry halt in the outer courts of a magazine-office; what sick, empty, unwashed confusion is impounded there! Yet a company of men moves ever through and about, peering into the unsightly, unsavory packs—ever ordering away, ever clearing the court, lest the mess rise to heaven.... But perfect pearls have been found in these restless, complaining trash-heaps, and will be found again. Men are there to glance at all, because one of these pearls is worth a whole necklace of seconds. There's no way out of it. To make good in the literary game, one must be steeled to reverses—long, ugly reverses. This is the price which a man pays for the adjustment of his brain and hand to the needs of the time. As flesh needs bone, he needs these reverses. They clear the fat from the brain; increase the mental circuits, and lend to the fibres that firm which alone can carry live hot emotions without blowing out, and big voltage ideas swift and true to their appointed of expression.
 
"I'm a lot, but I was going to tell you about Bertram Lintell. I was first in the office to get his manuscript, and I raised the cry of 'Pearl.' It was faulty, but full of the of unhurt youth. The face of Twenty-one with all its unlined stared out from the pages, and every page was an excursion. Here was a true ebullition—a hang-over from a previous incarnation, like as not. It was hard, glassy, but the physical prowess of it stimulated. Frank, boyishness—that was the attraction. I shouldn't have taken it."
 
"You what?" Paula asked.
 
"It was a shame to take it," Reifferscheid , "but someone else—the next man, would have. You see, he needed buffeting—seven years at least. I knew he didn't have the beam and to stand making good so young. It was doing him an evil turn, but we sent him the tag that shines like gold. Lintell was not adult enough to the , not enough to realize that nothing is so , nothing labeled so securely to Failure, as conscious success. As I say, I saw him at work two or three months ago. He was a patch-haired, baby lion still, stories first draft to a , supplying demand like a huckster—the real treasure-house of his soul locked for life and the key thrown away.... Even money turns the head of the multitude, but money is small beer compared to the potential wine of literary recognition. Long hammering, refining reverses, alone prepare a man for this. Quentin Charter said something of the kind: that a young writer should live his lean years full length, and if he really the mountain, he will praise every god in the Pantheon because his achievements were slow.
 
"Lintell's present stuff is insufferable. The point is he may have had in the beginning no less a gift than Charter's. That's why the new book sickens me so.... By the way, I got a letter from Charter this afternoon. I meant to bring it along, but I'll pass it over to you in the morning. It's yours, Miss Linster, though he did me the honor to think that I had written his critique. He says you crawled right inside his book. We don't usually answer letters of this kind. There are writers, you know, glad to turn a review office into an Exchange. But you'll want to write to Charter, I'm sure. He's different."
 
Paula did not answer, but she was pleased and excited that her review had been a joy to this thunderer of the West, and that he had answered her tidings of high hope for the future.
 

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