OF THE SHADOW THAT CAME BETWEEN THE MAN IN GREY AND THE LADY OF THE LOVE-LIT EYES.  
“There's nothing missing,” said my mother, “so far as I can find out. Depend upon it, that's the explanation: she has got frightened and has run away.
 
“But what was there to frighten her?” said my father, pausing with a decanter in one hand and the bottle in the other.
 
“It was the idea of the thing,” replied my mother. “She has never been used to waiting at table. She was actually crying about it only last night.”
 
“But what's to be done?” said my father. “They will be here in less than an hour.”
 
“There will be no dinner for them,” said my mother, “unless I put on an and bring it up myself.”
 
“Where does she live?” asked my father.
 
“At Ilford,” answered my mother.
 
“We must make a joke of it,” said my father.
 
My mother, sitting down, began to cry. It had been a trying week for my mother. A party to dinner—to a real dinner, beginning with and ending with ices from the confectioner's; if only they would remain ices and not, giving way to unaccustomed influences, present themselves as cold custard—was an extraordinary departure from the even of our narrow domestic way; indeed, I none previous. First there had been the house to clean and rearrange almost from top to bottom; endless small purchases to be made of articles that Need never misses, but which , if ever you let her nose inside the door, at once demands. Then the kitchen range—it goes without saying: one might imagine them all members of a stove union, controlled by some old out of work—had taken the opportunity to strike, refusing to bake another dish except under improved conditions, weary days with . Fat cookery books, long neglected on their shelf, had been consulted, argued with and abused; experiments made, failures sighed over, successes ; cost calculated anxiously; means and ways adjusted, hope finally achieved, shadowed by fear.
 
And now with victory practically won, to have the reward thus dashed from her hand at the last moment! Downstairs in the kitchen would be the dinner, waiting for the guests; upstairs round the glittering table would be the assembled guests, waiting for their dinner. But between the two yawned an impassable . The bridge, without a word of warning, had bolted—was probably by this time well on its way to Ilford. There was excuse for my mother's tears.
 
“Isn't it possible to get somebody else?” asked my father.
 
“Impossible, in the time,” said my mother. “I had been training her for the whole week. We had rehearsed it .”
 
“Have it in the kitchen,” suggested my aunt, who was folding napkins to look like ships, which they didn't in the least, “and call it a picnic.” Really it seemed the only practical solution.
 
There came a light knock at the front door.
 
“It can't be anybody yet, surely,” exclaimed my father in alarm, making for his coat.
 
“It's Barbara, I expect,” explained my mother. “She promised to come round and help me dress. But now, of course, I shan't want her.” My mother's nature was pessimistic.
 
But with the words Barbara ran into the room, for I had taken it upon myself to admit her, knowing that shadows slipped out through the window when Barbara came in at the door—in those days, I mean.
 
She kissed them all three, though it seemed but one movement, she was so quick. And at once they saw the humour of the thing.
 
“There's going to be no dinner,” laughed my father. “We are going to look surprised and pretend that it was yesterday. It will be fun to see their faces.”
 
“There will be a very nice dinner,” smiled my mother, “but it will be in the kitchen, and there's no way of getting it upstairs.” And they explained to her the situation.
 
She stood for an instant, her sweet face the gravest in the group. Then a light broke upon it.
 
“I'll get you someone,” she said.
 
“My dear, you don't even know the neighbourhood,” began my mother. But Barbara had snatched the latchkey from its nail and was gone.
 
With her , shadow fell again upon us. “If there were only an hotel in this beastly neighbourhood,” said my father.
 
“You must entertain them by yourself, Luke,” said my mother; “and I must wait—that's all.”
 
“Don't be absurd, Maggie,” cried my father, getting angry. “Can't cook bring it in?”
 
“No one can cook a dinner and serve it, too,” answered my mother, impatiently. “Besides, she's not presentable.”
 
“What about Fan?” whispered my father.
 
My mother merely looked. It was sufficient.
 
“Paul?” suggested my father.
 
“Thank you,” retorted my mother. “I don't choose to have my son turned into a footman, if you do.”
 
“Well, hadn't you better go and dress?” was my father's next remark.
 
“It won't take me long to put on an apron,” was my mother's reply.
 
“I was looking forward to seeing you in that new frock,” said my father. In the case of another, one might have attributed such a speech to ; in the case of my father, one felt it was a happy accident.
 
My mother confessed—speaking with a certain indulgence, as one does of one's own when past—that she herself also had looked forward to seeing herself therein. Threatening melted into sympathy.
 
“I so wanted everything to be all right, for your sake, Luke,” said my mother; “I know you were hoping it would help on the business.”
 
“I was only thinking of you, Maggie, dear,” answered my father. “You are my business.”
 
“I know, dear,” said my mother. “It is hard.”
 
The key turned in the lock, and we all stood quiet to listen.
 
“She's come back alone,” said my mother. “I knew it was hopeless.”
 
The door opened.
 
“Please, ma'am,” said the new parlour-maid, “will I do?”
 
She stood there, framed by the lintel, in the daintiest of , the daintiest of caps upon her golden hair; and every objection she swept aside with the wind of her merry . No one ever had their way with her, nor wanted it.
 
“You shall be footman,” she ordered, turning to me—but this time my mother only laughed. “Wait here till I come down again.” Then to my mother: “Now, ma'am, are you ready?”
 
It was the first time I had seen my mother, or, indeed, any other flesh and blood woman, in evening dress, and to tell the truth I was a little shocked. , more than a little, and showed it, I suppose; for my mother flushed and drew her shawl over the gleaming whiteness of her shoulders, pleading coldness. But Barbara cried out against this, saying it was a sin such beauty should be hid; and my father, a shawl with a quick hand, so dextrously indeed as to suggest some previous practice in the , dropped on one knee—as though the world were some sweet picture book—and raised my mother's hand with grave to his lips; and Barbara, behind my mother's chair, insisted on my following suit, saying the Queen was receiving. So I knelt also, glancing up shyly as towards the gracious face of some fair lady hitherto unknown, thus my first glimpse of the philosophy of clothes.
 
My memory lingers upon this scene by contrast with the sad, changed days that swiftly followed, when my mother's eyes would flash towards my father angry gleams, and her voice ring cruel and hard; though the moment he was gone her lips would tremble and her eyes grow soft again and fill with tears; when my father would sit with face and lips tight pressed, or worse, would open them only to pour a rapid flood of speech; and fling out of the room, slamming the door behind him, and I would find him hours afterwards, sitting alone in the dark, with bowed head between his hands.
 
Wretched, I would lie awake, hearing through the flimsy walls their tones, now rising high, now fiercely forced into cold whispers; and then their words to each other sounded even crueller.
 
In their from each other, so new to them, both clung closer to me, though they would tell me nothing, nor should I have understood if they had. When my mother was softly, her arms clasping me tighter and tighter with each quivering , then I hated my father, who I felt had this sorrow upon her. Yet when my father drew me down upon his knee, and I looked into his kind eyes so full of pain, then I felt angry with my mother, remembering her bitter tongue.
 
It seemed to me as though some cruel, unseen thing had crept into the house to stand ever between them, so that they might never look into each other's loving eyes but only into the eyes of this evil shadow. The idea grew upon me until at times I could almost detect its outline in the air, feel a chillness as it passed me. It trod silently through the pokey rooms, always alert to thrust its grinning face before them. Now beside my mother it would whisper in her ear; and the next moment, stealing across to my father, answer for him with his voice, but strangely different. I used to think I could hear it laughing to itself as it stepped back into enfolding space.
 
To this day I seem to see it, ever following with noiseless footsteps man and woman, waiting patiently its opportunity to thrust its face between them. So that I can read no love tale, but, glancing round, I see its mocking eyes behind my shoulder, reading also, with a silent laugh. So that never can I meet with boy and girl, whispering in the , but I see it amid the half lights, just behind them, creeping after them with stealthy tread, as hand in hand they pass me in quiet ways.
 
Shall any of us escape, or lies the road of all through this dark valley of the shadow of dead love? Is it Love's ? testing the feeble-hearted from the strong in faith, who shall find each other yet again, the darkness passed?
 
Of the dinner itself, until time of dessert, I can give no account, for as footman, under the orders of this enthusiastic parlour-maid, my place was no , and but few opportunities of observation through the crack of the door were afforded me. All that was clear to me was that the chief guest was a Mr. Teidelmann—or Tiedelmann, I cannot now remember which—a snuffy, old frump, with whose name then, however, I was familiar by reason of seeing it so often in huge letters, though with a Co. added, on long blank walls, bordering the Limehouse reach. He sat at my mother's right hand; and I wondered, noticing him so ugly and so foolish seeming, how she could be so interested in him, shouting much and often to him; for added to his other disattractions he was very deaf, which his putting his hand up to his ear at every other observation made to him, crying querulously: “Eh, what? What are you talking about? Say it again,”—smiling upon him and paying close attention to his every want. Even old Hasluck, opposite to him, and who, though pleasant enough in his careless way, was far from being a slave to politeness, roared himself purple, praising some new disinfectant of which this same Teidelmann appeared to be the .
 
“My wife swears by it,” Hasluck, leaning across the table.
 
“Our drains!” chimed in Mrs. Hasluck, who was a soul; “well, you'd hardly know there was any in the house since I've took to using it.”
 
“What are they talking about?” asked Teidelmann, appealing to my mother. “What's he say his wife does?”
 
“Your disinfectant,” explained my mother; “Mrs. Hasluck swears by it.”
 
“Who?”
 
“Mrs. Hasluck.”
 
“Does she? Delighted to hear it,” the old gentleman, evidently bored.
 
“Nothing like it for a sick-room,” persisted Hasluck; “might almost call it a .”
 
“Makes one quite anxious to be ill,” remarked my aunt, addressing no one in particular.
 
“Reminds me of cocoanuts,” continued Hasluck.
 
Its proprietor appeared not to hear, but Hasluck was his flattery should not be lost.
 
“I say it reminds me of cocoanuts.” He screamed it this time.
 
“Oh, does it?” was the reply.
 
“Doesn't it you?”
 
“Can't say it does,” answered Teidelmann. “As a matter of fact, don't know much about it myself. Never use it.”
 
Old Teidelmann went on with his dinner, but Hasluck was still full of the subject.
 
“Take my advice,” he shouted, “and buy a bottle.”
 
“Buy a what?”
 
“A bottle,” roared the other, with an effort palpably beyond his strength.
 
“What's he say? What's he talking about now?” asked Teidelmann, again appealing to my mother.
 
“He says you ought to buy a bottle,” again explained my mother.
 
“What of?”
 
“Of your own disinfectant.”
 
“Silly fool!”
 
Whether he intended the remark to be heard and thus to close the topic (which it did), or whether, as deaf people are apt to, merely misjudged the audibility of an intended sotto vocalism, I cannot say. I only know that outside in the passage I heard the words distinctly, and therefore assume they reached round the table also.
 
A in the conversation followed, but Hasluck was not thin-skinned, and the next thing I was his cheery laugh.
 
“He's quite right,” was Hasluck's comment; “that's what I am . Because I can't talk about anything but shop myself, I think everybody else is the same sort of fool.”
 
But he was doing himself an , for on my next arrival in the passage he was again shouting across the table, and this time Teidelmann was evidently interested.
 
“Well, if you could spare the time, I'd be more obliged than I can tell you,” Hasluck was saying. “I know absolutely nothing about pictures myself, and Pearsall says you are one of the best judges in Europe.”
 
“He ought to know,” old Teidelmann. “He's tried often enough to palm off rubbish onto me.”
 
“That last purchase of yours must have been a good thing for young—” Hasluck mentioned the name of a painter since world famous; “been the making of him, I should say.”
 
“I gave him two thousand for the six,” replied Teidelmann, “and they'll sell for twenty thousand.”
 
“But you'll never sell them?” exclaimed my father.
 
“No,” grunted old Teidelmann, “but my widow will.” There came a soft, low laugh from a corner of the table I could not see.
 
“It's Anderson's great disappointment,” followed a languid, voice (the musical laugh translated into prose, it seemed), “that he has never been able to educate me to a proper of art. He'll pay thousands of pounds for a child in rags or a badly dressed Madonna. Such a waste of money, it appears to me.”
 
“But you would pay thousands for a diamond to hang upon your neck,” argued my father's voice.
 
“It would enhance the beauty of my neck,” replied the musical voice.
 
“An even more absolute waste of money,” was my father's answer, spoken low. And I heard again the musical, soft laugh.
 
“Who is she?” I asked Barbara.
 
“The second Mrs. Teidelmann,” whispered Barbara. “She is quite a . Married him for his money—I don't like her myself, but she's very beautiful.”
 
“As beautiful as you?” I asked incredulously. We were sitting on the stairs, sharing a jelly.
 
“Oh, me!” answered Barbara. “I'm only a child. Nobody takes any notice of me—except other kids, like you.” For some reason she appeared out of with herself, which was not her usual state of mind.
 
“But everybody thinks you beautiful,” I maintained.
 
“Who?” she asked quickly.
 
“Dr. Hal,” I answered.
 
We were with our backs to the light, so that I could not see her face.
 
“What did he say?” she asked, and her voice had more of contentment in it.
 
I could not remember his exact words, but about the sense of them I was positive.
 
“Ask him what he thinks of me, as if you wanted to know yourself,” Barbara instructed me, “and don't forget what he says this time. I'm curious.” And though it seemed to me a foolish command—for what could he say of her more than I myself could tell her—I never questioned Barbara's wishes.
 
Yet if I am right in thinking that of Mrs. Teidelmann may have clouded for a moment Barbara's sunny nature, surely there was no reason for this, seeing that no one attracted greater attention throughout the dinner than the parlour-maid.
 
“Where ever did you get her from?” asked Mrs. Florret, Barbara having just the kitchen stairs.
 
“A neat-handed Phillis,” commented Dr. Florret with approval.
 
“I'll take good care she never waits at my table,” laughed the wife of our minister, the . Cottle, a broad-built, breezy-voiced woman, mother of eleven, eight of them boys.
 
“To tell the truth,” said my mother, “she's only here temporarily.”
 
“As a matter of fact,” said my father, “we have to thank Mrs. Hasluck for her.”
 
“Don't leave me out of it,” laughed Hasluck; “can't let the old girl take all the credit.”
 
Later my father absent-mindedly addressed her as “My dear,” at which Mrs. Cottle shot a swift glance towards my mother; and before that incident could have been forgotten, Hasluck, when no one was looking, pinched her elbow, which would not have mattered had not the unexpectedness of it from her an involuntary “augh,” upon which, for the reputation of the house, and the dinner being then towards its end; my mother deemed it better to take the whole company into her confidence. Naturally the story gained for Barbara still greater , so that when with the dessert, discarding the apron but still wearing the dainty cap, which showed wisdom, she and the footman took their places among the guests, she was even more than before the centre of attention and remark.
 
“It was very nice of you,” said Mrs. Cottle, thus completing the circle of compliments, “and, as I always tell my girls, that is better than being beautiful.”
 
“Kind hearts,” added Dr. Florret, summing up the case, “are more than coronets.” Dr. Florret had ever ready for the occasion the correct , but from him, somehow, it never irritated; rather it fell upon the ear as a necessary rounding and completing of the theme; like the Amen in church.
 
Only to my aunt would further observations have occurred.
 
“When I was a girl,” said my aunt, breaking suddenly upon the passing silence, “I used to look into the glass and say to myself: 'Fanny, you've got to be amiable,' and I was amiable,” added my aunt, challenging contradiction with a look; “nobody can say that I wasn't, for years.”
 
“It didn't pay?” suggested Hasluck.
 
“It attracted,” replied my aunt, “no attention whatever.”
 
Hasluck had changed places with my mother, and having after many experiments learned the correct pitch for conversation with old Teidelmann, talked with him as much aside as the circumstances of the case would permit. Hasluck never wasted time on anything else than business. It was in his opera box on the first night of Verdi's Aida (I am speaking of course of days then to come) that he arranged the details of his deal in guano; and even his very religion, so I have been told and can believe, he to suit the enterprise of the moment, once during the preliminaries of a cocoa scheme becoming converted to Quakerism.
 
But for the most of us interest lay in a discussion between Washburn and Florret concerning the superior advantages attaching to residence in the East End.
 
As a rule, incorrect opinion found itself unable to exist in Dr. Florret's presence. As no bird, it is said, can continue its song once looked at by an , so all grew silent under the cold stare of his eye. But Dr. “Fighting Hal” was no gentle warbler of thought. , direct, indifferent, he swept through all polite argument as a strong wind through a murmuring wood, carrying his with him further than they meant to go, and quite unable to turn back; leaving his opponents clinging desperately—upside down, anyhow—to their , angry, their feathers much .
 
“Life!” flung out Washburn—Dr. Florret had just laid down rules for the conduct of all mankind on all occasions—“what do you respectable folk know of life? You are not men and women, you are marionettes. You don't move to your natural emotions implanted by God; you dance according to the latest book of . You live and love, laugh and weep and sin by rule. Only one moment do you come face to face with life; that is in the moment when you die, leaving the other puppets to be dressed in black and make believe to cry.”
 
It was a favourite subject of denunciation with him, the artificiality of us all.
 
“Little doll,” he had once called me, and I had resented the term.
 
“That's all you are, little Paul,” he had persisted, “a good little hard-working doll, that does what it's made to do, and thinks what it's made to think. We are all dolls. Your father is a gallant-hearted, soft-headed little doll; your mother the sweetest and of dolls. And I'm a silly, dissatisfied doll that longs to be a man, but hasn't the pluck. We are only dolls, little Paul.”
 
“He's a trifle—a trifle whimsical on some subjects,” explained my father, on my repeating this conversation.
 
“There are a certain class of men,” explained my mother—“you will meet with them more as you grow up—who talk for talking's sake. They don't know what they mean. And nobody else does either.”
 
“But what would you have?” argued Dr. Florret, “that every man should do that which is right in his own eyes?”
 
“Far better than, like the old man in the , he should do what every other fool thinks right,” retorted Washburn. “The other day I called to see whether a patient of mine was still alive or not. His wife was washing clothes in the front room. 'How's your husband?' I asked. 'I think he's dead,' replied the woman. Then, without leaving off her work, 'Jim,' she shouted, 'are you there?' No answer came from the inner room. 'He's a goner,' she said, out a stocking.”
 
“But surely,” said Dr. Florret, “you don't admire a woman for being indifferent to the death of her husband?”
 
“I don't admire her for that,” replied Washburn, “and I don't blame her. I didn't make the world and I'm not responsible for it. What I do admire her for is not pretending a grief she didn't feel. In Berkeley Square she'd have met me at the door with an agonised face and a handkerchief to her eyes.
 
“Assume a , if you have it not,” murmured Dr. Florret.
 
“Go on,” said Washburn. “How does it run? 'That monster, custom, who all sense doth eat, of devil's habit, is angel yet in this, that to the use of actions fair and good he gives a frock that aptly is put on.' So was the lion's skin by the , but it showed him only the more an ass. Here go about as asses, but there are lions also. I had a woman under my hands only a little while ago. I could have cured her easily. Why she got worse every day instead of better I could not understand. Then by accident learned the truth: instead of me she was doing all she could to kill herself. 'I must, Doctor,' she cried. 'I must. I have promised. If I get well he will only leave me, and if I die now he has sworn to be good to the children.' Here, I tell you, they live—think their thoughts, work their will, kill those they hate, die for those they love; if you like, but savage men and women, not bloodless dolls.”
 
“I prefer the dolls,” concluded Dr. Florret.
 
“I admit they are pretty,” answered Washburn.
 
“I remember,” said my father, “the first masked ball I ever went to when I was a student in Paris. It struck me just as you say, Hal; everybody was so exactly alike. I was glad to get out into the street and see faces.”
 
“But I thought they always unmasked at midnight,” said the second Mrs. Teidelmann in her soft, languid tones.
 
“I did not wait,” explained my father.
 
“That was a pity,” she replied. “I should have been interested to see what they were like, .”
 
“I might have been disappointed,” answered my father. “I agree with Dr. Florret that sometimes the mask is an improvement.”
 
Barbara was right. She was a beautiful woman, with a face that would have been singularly winning if one could have avoided the hard cold eyes ever restless behind the half-closed lids.
 
Always she was very kind to me. Moreover, since the disappearance of Cissy she was the first to again upon me a good opinion of my small self. My mother praised me when I was good, which to her was the one thing needful; but few of us, I fear, child or grown-up, take much pride in our solid , finding them generally to our desires: like the oyster's pearl, of more comfort to the world than to ourselves. If others there were who admired me, very guardedly must they have kept the secret I would so gladly have shared with them. But this new friend of ours—or had I not better at once say enemy—made me feel when in her presence a person of importance. How it was I cannot explain. No word of flattery nor even of approval ever passed her lips. Her charm to me was not that she admired me, but that she led me by some mysterious process to admire myself.
 
And yet in spite of this and many kindnesses she showed to me, I never really liked her; but rather feared her, always the sudden raising of those ever half-closed .
 
She sat next to my father at the corner of the table, her chin resting on her long white hands, her sweet lips parted, and as often as his eyes were turned away from her, her soft low voice would draw them back again. Once she laid her hand on his, laughing the while at some light jest of his, and I saw that he flushed; and following his quick glance, saw that my mother's eyes were watching also.
 
I have spoken of my father only as he then appeared to me, a child—an older chum with many lines about his mobile mouth, the tumbled hair edged round with grey; but looking back with older eyes, I see him a slightly stooping, yet still tall and man, with the face of a poet—the face I mean a poet ought to possess but rarely does, nature the obvious—with the shy eyes of a boy, and a voice tender as a woman's. Never the little drab that entered the kitchen but adored him, speaking always of “the master” in tones of fond , for to the most slatternly his “orders” had ever the air of requests for favours. Women, I so often read, can care for only masterful men. But may there not be variety in women as in other species? Or perhaps—if the suggestion be not over-daring—the many writers, deeming themselves authorities upon this subject of woman, may in this one particular have ? I only know my father to few women whose eyes did not brighten. Yet hardly should I call him a masterful man.
 
“I think it's all right,” whispered Hasluck to my father in the passage—they were the last to go. “What does she think of it, eh?”
 
“I think she'll be with us,” answered my father.
 
“Nothing like food for bringing people together,” said Hasluck. “Good-night.”
 
The door closed, but Something had crept into the house. It stood between my father and mother. It followed them silently up the narrow creaking stairs.