Mrs. Rasselyer-Brown lived on Plutoria Avenue in a vast sandstone palace, in which she held those fashionable entertainments which have made the name of Rasselyer-Brown what it is. Mr. Rasselyer-Brown lived there also.  
The of the house was more or less a model of the of an Italian palazzo of the sixteenth century. If one questioned Mrs. Rasselyer-Brown at dinner in regard to this (which was only a fair return for drinking five dollar ), she answered that the facade was cinquecentisti, but that it reproduced also the Saracenic mullioned window of the Siennese School. But if the guest said later in the evening to Mr. Rasselyer-Brown that he understood that his house was cinquecentisti, he answered that he guessed it was. After which remark and an of silence, Mr. Rasselyer-Brown would probably ask the guest if he was dry.
 
So from that one can tell exactly the sort of people the Rasselyer-Browns were.
 
In other words, Mr. Rasselyer-Brown was a severe handicap to Mrs. Rasselyer-Brown. He was more than that; the word isn't strong enough. He was, as Mrs. Rasselyer-Brown herself confessed to her circle of three hundred friends, a drag. He was also a tie, and a weight, and a burden, and in Mrs. Rasselyer-Brown's religious moments a crucifix. Even in the early years of their married life, some twenty or twenty-five years ago, her husband had been a drag on her by being in the coal and wood business. It is hard for a woman to have to realize that her husband is making a fortune out of coal and wood and that people know it. It ties one down. What a woman wants most of all—this, of course, is merely a from Mrs. Rasselyer-Brown's own thoughts as expressed to her three hundred friends—is room to expand, to grow. The hardest thing in the world is to be : and there is nothing more than a husband who doesn't know a Giotto from a Carlo Dolci, but who can distinguish nut coal from egg and is never asked to dinner without talking about the furnace.
 
These, of course, were early trials. They had passed to some extent, or were, at any rate, garlanded with the roses of time.
 
But the drag remained.
 
Even when the coal and wood stage was long since over, it was hard to have to put up with a husband who owned a coal mine and who bought forests instead of missals of the twelfth century. A coal mine is a dreadful thing at a dinner-table. It one so before one's guests.
 
It wouldn't have been so bad—this Mrs. Rasselyer-Brown herself admitted—if Mr. Rasselyer-Brown did anything. This phrase should be clearly understood. It meant if there was any one thing that he did. For instance if he had only collected anything. Thus, there was Mr. Lucullus Fyshe, who made soda-water, but at the same time everybody knew that he had the best collection of broken Italian furniture on the continent; there wasn't a sound piece among the lot.
 
And there was the similar example of old Mr. Feathertop. He didn't exactly collect things; he the name. He was to say, "Don't call me a collector, I'm not. I simply pick things up. Just where I happen to be, Rome, Warsaw, Bucharest, anywhere"—and it is to be what fine places these are to happen to be. And to think that Mr. Rasselyer-Brown would never put his foot outside of the United States! Whereas Mr. Feathertop would come back from what he called a run to Europe, and everybody would learn in a week that he had picked up the back of a violin in Dresden (actually discovered it in a violin shop), and the lid of an Etruscan kettle (he had lighted on it, by pure chance, in a kettle shop in Etruria), and Mrs. Rasselyer-Brown would feel faint with despair at the of her husband.
 
So one can understand how heavy her burden was.
 
"My dear," she often said to her friend, Miss Snagg, "I shouldn't mind things so much" (the things she wouldn't mind were, let us say, the two million dollars of timber which Brown Limited, the business name of Mr. Rasselyer-Brown, were buying that year) "if Mr. Rasselyer-Brown did anything. But he does nothing. Every morning after breakfast off to his wretched office, and never back till dinner, and in the evening nothing but his club, or some business meeting. One would think he would have more ambition. How I wish I had been a man."
 
It was certainly a shame.
 
So it came that, in almost everything she undertook Mrs. Rasselyer-Brown had to act without the least help from her husband. Every Wednesday, for instance, when the Dante Club met at her house (they selected four lines each week to on, and then discussed them at lunch), Mrs. Rasselyer-Brown had to carry the whole burden of it—her very phrase, "the whole burden"—alone. Anyone who has carried four lines of Dante through a Moselle lunch knows what a weight it is.
 
In all these things her husband was useless, quite useless. It is not right to be ashamed of one's husband. And to do her justice, Mrs. Rasselyer-Brown always explained to her three hundred intimates that she was not ashamed of him; in fact, that she refused to be. But it was hard to see him brought into comparison at their own table with superior men. Put him, for instance, beside Mr. Sikleigh Snoop, the sex-poet, and where was he? Nowhere. He couldn't even understand what Mr. Snoop was saying. And when Mr. Snoop would stand on the hearth-rug with a cup of tea balanced in his hand, and discuss whether sex was or was not the note in Botticelli, Mrs. Rasselyer-Brown would be in a corner in his ill-fitting dress suit. His wife would often catch with an ear such of talk as, "When I was first in the coal and wood business," or, "It's a coal that burns quicker than egg, but it hasn't the heating power of nut," or even in a low undertone the words, "If you're feeling dry while he's reading—" And this at a time when everybody in the room ought to have been listening to Mr. Snoop.
 
Nor was even this the whole burden of Mrs. Rasselyer-Brown. There was another part of it which was perhaps more real, though Mrs. Rasselyer-Brown herself never put it into words. In fact, of this part of her burden she never , even to her bosom friend Miss Snagg; nor did she talk about it to the ladies of the Dante Club, nor did she make speeches on it to the members of the Women's Afternoon Art Society, nor to the Monday Bridge Club.
 
But the members of the Bridge Club and the Art Society and the Dante Club all talked about it among themselves.
 
Stated very simply, it was this: Mr. Rasselyer-Brown drank. It was not meant that he was a drunkard or that he drank too much, or anything of that sort. He drank. That was all.
 
There was no excess about it. Mr. Rasselyer-Brown, of course, began the day with an eye-opener—and after all, what alert man does not wish his eyes well open in the morning? He followed it usually just before breakfast with a bracer—and what wiser precaution can a businessman take than to his breakfast? On his way to business he generally had his motor stopped at the Grand for a moment, if it was a raw day, and dropped in and took something to keep out the damp. If it was a cold day he took something to keep out the cold, and if it was one of those clear, sunny days that are so dangerous to the system he took whatever the bartender (a recognized health expert) suggested to tone the system up. After which he could sit down in his office and more business, and bigger business, in coal, , wood, pulp, pulpwood, and woodpulp, in two hours than any other man in the business could in a week. Naturally so. For he was , and , and toned up, and his eyes had been opened, and his brain cleared, till outside of very big business, indeed, few men were on a footing with him.
 
In fact, it was business itself which had compelled Mr. Rasselyer-Brown to drink. It is all very well for a junior clerk on twenty dollars a week to do his work on sandwiches and malted milk. In big business it is not possible. When a man begins to rise in business, as Mr. Rasselyer-Brown had begun twenty-five years ago, he finds that if he wants to succeed he must cut malted milk clear out. In any position of responsibility a man has got to drink. No really big deal can be put through without it. If two keen men, sharp as flint, get together to make a deal in which each intends to outdo the other, the only way to succeed is for them to to some such place as the luncheon-room of the Mausoleum Club and both get drunk. This is what is called the personal element in business. And, beside it, industry is nowhere.
 
Most of all do these principles hold true in such out-of-door enterprises as the forest and timber business, where one deals constantly with chief , and pathfinders, and wood-stalkers, whose very names seem to suggest a horn of whiskey under a tree.
 
But—let it be repeated and carefully understood—there was no excess about Mr. Rasselyer-Brown's drinking. Indeed, whatever he might be compelled to take during the day, and at the Mausoleum Club in the evening, after his return from his club at night Mr. Rasselyer-Brown made it a rule to take nothing. He might, perhaps, as he passed into the house, step into the dining-room and take a very small drink at the sideboard. But this he counted as part of the return itself, and not after it. And he might, if his brain were over-, drop down later in the night in his and dressing-gown when the house was quiet, and compose his mind with a brandy and water, or something suitable to the stillness of the hour. But this was not really a drink. Mr. Rasselyer-Brown called it a nip; and of course any man may need a nip at a time when he would scorn a drink.
 
But after all, a woman may find herself again in her daughter. There, at least, is . For, as Mrs. Rasselyer-Brown herself admitted, her daughter, Dulphemia, was herself again. There were, of course, differences, certain differences of face and appearance. Mr. Snoop had expressed this fact when he said that it was the difference between a Burne-Jones and a Dante Gabriel Rossetti. But even at that the mother and daughter were so alike that people, certain people, were constantly mistaking them on the street. And as everybody that mistook them was apt to be asked to dine on five-dollar champagne there was plenty of temptation towards error.
 
There is no doubt that Dulphemia Rasselyer-Brown was a girl of character and intellect. So is any girl who has beautiful golden hair parted in thick bands on her forehead, and deep blue eyes soft as an Italian sky.
 
Even the oldest and most serious men in town admitted that in talking to her they were aware of a grasp, a reach, a depth that surprised them. Thus old Judge Longerstill, who talked to her at dinner for an hour on the of the Interstate Commerce Commission, felt sure from the way in which she looked up in his face at and said, "How interesting!" that she had the mind of a lawyer. And Mr. Brace, the consulting engineer, who showed her on the table-cloth at dessert with three forks and a spoon the method in which the of the spillway of the Gatun Dam is regulated, felt assured, from the way she leaned her face on her hand sideways and said, "How extraordinary!" that she had the brain of an engineer. Similarly foreign visitors to the social circles of the city were delighted with her. Viscount FitzThistle, who explained to Dulphemia for half an hour the intricacies of the Irish situation, was captivated at the quick grasp she showed by asking him at the end, without a second's , "And which are the Nationalists?"
 
This kind of thing represents female intellect in its best form. Every man that is really a man is willing to recognize it at once. As to the young men, of course they flocked to the Rasselyer-Brown residence in shoals. There were of them every Sunday afternoon at five o'clock, encased in long black frock-coats, sitting very in upright chairs, trying to drink tea with one hand. One might see young college men of the football team trying hard to talk about Italian music; and Italian from the Grand Opera doing their best to talk about college football. There were young men in business talking about art, and young men in art talking about religion, and young clergymen talking about business. Because, of course, the Rasselyer-Brown residence was the kind of cultivated home where people of education and taste are at liberty to talk about things they don't know, and to utter freely ideas that they haven't got. It was only now and again, when one of the professors from the college across the avenue came booming into the room, that the whole conversation was into dust under the hammer of accurate knowledge.
 
The whole process was what was called, by those who understood such things, a . Many people said that Mrs. Rasselyer-Brown's afternoons at home were exactly like the of the eighteenth century: and whether the were or were not salons of the eighteenth century, there is no doubt that Mr. Rasselyer-Brown, under whose care certain favoured guests dropped quietly into the back of the dining-room, did his best to put the on a with the best saloons of the twentieth.
 
Now it so happened that there had come a singularly slack moment in the social life of the City. The Grand Opera had sung itself into a huge and closed. There remained nothing of it except the efforts of a committee of ladies to raise enough money to enable Signor Puffi to leave town, and the generous attempt of another committee to gather funds in order to keep Signor Pasti in the City. Beyond this, opera was dead, though the fact that the deficit was nearly twice as large as it had been the year before showed that public interest in music was increasing. It was indeed a singularly trying time of the year. It was too early to go to Europe; and too late to go to Bermuda. It was too warm to go south, and yet still too cold to go north. In fact, one was almost compelled to stay at home—which was dreadful.
 
As a result Mrs. Rasselyer-Brown and her three hundred friends moved and forwards on Plutoria Avenue, seeking novelty in vain. They washed in waves of silk from tango teas to bridge afternoons. They poured in liquid of colour into crowded receptions, and they sat in glittering rows and listened to lectures on the of the female sex. But for the moment all was weariness.
 
Now it happened, whether by accident or design, that just at this moment of general Mrs. Rasselyer-Brown and her three hundred friends first heard of the presence in the city of Mr. Yahi-Bahi, the Oriental mystic. He was so celebrated that nobody even thought of asking who he was or where he came from. They merely told one another, and repeated it, that he was the celebrated Yahi-Bahi. They added for those who needed the knowledge that the name was pronounced Yahhy-Bahhy, and that the taught by Mr. Yahi-Bahi was Boohooism. This latter, if anyone inquired further, was explained to be a form of Shoodooism, only rather more intense. In fact, it was esoteric—on receipt of which information everybody remarked at once how superior the Oriental peoples are to ourselves.
 
Now as Mrs. Rasselyer-Brown was always a leader in everything that was done in the best circles on Plutoria Avenue, she was naturally among the first to visit Mr. Yahi-Bahi.
 
"My dear," she said, in describing afterwards her experience to her bosom friend, Miss Snagg, "it was most interesting. We drove away down to the queerest part of the City, and went to the strangest little house imaginable, up the narrowest stairs one ever saw—quite Eastern, in fact, just like a scene out of the Koran."
 
"How fascinating!" said Miss Snagg. But as a matter of fact, if Mr. Yahi-Bahi's house had been inhabited, as it might have been, by a streetcar conductor or a railway brakesman, Mrs. Rasselyer-Brown wouldn't have thought it in any way or fascinating.
 
"It was all hung with curtains inside," she went on, "with figures of snakes and Indian gods, ."
 
"And did you see Mr. Yahi-Bahi?" asked Miss Snagg.
 
"Oh no, my dear. I only saw his assistant Mr. Spudd; such a queer little round man, a Bengalee, I believe. He put his back against a curtain and spread out his arms sideways and wouldn't let me pass. He said that Mr. Yahi-Bahi was in and mustn't be disturbed."
 
"How delightful!" echoed Miss Snagg.
 
But in reality Mr. Yahi-Bahi was sitting behind the curtain eating a ten-cent can of pork and beans.
 
"What I like most about eastern people," went on Mrs. Rasselyer-Brown, "is their wonderful of feeling. After I had explained about my invitation to Mr. Yahi-Bahi to come and speak to us on Boohooism, and was going away, I took a dollar bill out of my purse and laid it on the table. You should have seen the way Mr. Ram Spudd took it. He made the deepest and said, 'Isis guard you, beautiful lady.' Such perfect courtesy, and yet with the air of scorning the money. As I passed out I couldn't help slipping another dollar into his hand, and he took it as if of it, and muttered, 'Osiris keep you, O flower of women!' And as I got into the motor I gave him another dollar and he said, 'Osis and Osiris both prolong your existence, O lily of the ricefield,' and after he had said it he stood beside the door of the motor and waited without moving till I left. He had such a strange, rapt look, as if he were still expecting something!"
 
"How !" murmured Miss Snagg. It was her business in life to such things as this for Mrs. Rasselyer-Brown. On the whole, reckoning Grand Opera tickets and dinners, she did very well out of it.
 
"Is it not?" said Mrs. Rasselyer-Brown. "So different from our men. I felt so ashamed of my , our new man, you know; he seemed such a contrast beside Ram Spudd. The rude way in which the opened the door, and the rude way in which he climbed on to his own seat, and the rudeness with which he turned on the power—I felt ashamed. And he so managed it—I am sure he did it on purpose—that the car splashed a lot of mud over Mr. Spudd as it started."
 
Yet, oddly enough, the opinion of other people on this new chauffeur, that of Miss Dulphemia Rasselyer-Brown herself, for example, to whose service he was attached, was very different.
 
The great recommendation of him in the eyes of Miss Dulphemia and her friends, and the thing that gave him a touch of mystery was—and what higher qualification can a chauffeur want?—that he didn't look like a chauffeur at all.
 
"My dear Dulphie," whispered Miss Philippa Furlong, the rector's sister (who was at that moment Dulphemia's second self), as they sat behind the new chauffeur, "don't tell me that he is a chauffeur, because he isn't. He can chauffe, of course, but that's nothing."
 
For the new chauffeur had a bronzed face, hard as metal, and a stern eye; and when he put on a chauffeur's overcoat some how it seemed to turn into a military greatcoat; and even when he put on the round cloth cap of his profession it was converted straightway into a military shako. And by Miss Dulphemia and her friends it was presently reported—or was invented?—that he had served in the Philippines; which explained at once the scar upon his forehead, which must have been received at Iloilo, or Huila-Huila, or some other suitable place.
 
But what Miss Dulphemia Brown herself was the splendid rudeness of the chauffeur's manner. It was so different from that of the young men of the salon. Thus, when Mr. Sikleigh Snoop handed her into the car at any time he would dance about saying, "Allow me," and "Permit me," and would dive forward to arrange the robes. But the Philippine chauffeur merely swung the door open and said to Dulphemia, "Get in," and then slammed it.
 
This, of course, sent a thrill up the and through the imagination of Miss Dulphemia Rasselyer-Brown, because it showed that the chauffeur was a gentleman in disguise. She thought it very probable that he was a British nobleman, a younger son, very wild, of a ducal family; and she had her own theories as to why he had entered the service of the Rasselyer-Browns. To be quite about it, she expected that the Philippine chauffeur meant to elope with her, and every time he drove her from a dinner or a dance she sat back , wishing and expecting the elopement to begin.
 
But for the time being the interest of Dulphemia, as of everybody else that was anybody at all, centred round Mr. Yahi-Bahi and the new of Boohooism.
 
After the visit of Mrs. Rasselyer-Brown a great number of ladies, also in motors, drove down to the house of Mr. Yahi-Bahi. And all of them, whether they saw Mr. Yahi-Bahi himself or his Bengalee assistant, Mr. Ram Spudd, came back delighted.
 
"Such exquisite !" said one. "Such delicacy! As I was about to go I laid a five dollar gold piece on the edge of the little table. Mr. Spudd scarcely seemed to see it. He murmured, 'Osiris help you!' and to the ceiling. I raised my eyes , and when I lowered them the money had disappeared. I think he must have caused it to vanish."
 
"Oh, I'm sure he did," said the listener.
 
Others came back with wonderful stories of Mr. Yahi-Bahi's occult powers, especially his marvellous gift of reading the future.
 
Mrs. Buncomhearst, who had just lost her third husband—by divorce—had received from Mr. Yahi-Bahi a glimpse into the future that was almost uncanny in its exactness. She had asked for a , and Mr. Yahi-Bahi had effected one by causing her to lay six ten-dollar pieces on the table arranged in the form of a mystic serpent. Over these he had and peered deeply, as if seeking to their meaning, and finally he had given her the prophecy, "Many things are yet to happen before others begin."
 
"How does he do it?" asked everybody.
 
As a result of all this it naturally came about that Mr. Yahi-Bahi and Mr. Ram Spudd were invited to appear at the residence of Mrs. Rasselyer-Brown; and it was understood that steps would be taken to form a special society, to be known as the Yahi-Bahi Oriental Society.
 
Mr. Sikleigh Snoop, the sex-poet, was the leading spirit in the organization. He had a special fitness for the task: he had actually resided in India. In fact, he had spent six weeks there on a stop-over ticket of a round-the-world 635 dollar pilgrimage; and he knew the whole country from Jehumbapore in Bhootal to Jehumbalabad in the Carnatic. So he was looked upon as a great authority on India, China, Mongolia, and all such places, by the ladies of Plutoria Avenue.
 
Next in importance was Mrs. Buncomhearst, who became later, by a perfectly natural process, the president of the society. She was already president of the Daughters of the Revolution, a society confined exclusively to the descendants of Washington's officers and others; she was also president of the Sisters of England, an organization limited exclusively to women born in England and elsewhere; of the Daughters of Kossuth, made up of Hungarians and friends of Hungary and other nations; and of the Circle of Franz Joseph, which was composed exclusively of the , and others, of Austria. In fact, ever since she had lost her third husband, Mrs. Buncomhearst had thrown herself—that was her phrase—into outside activities. Her one wish was, on her own statement, to lose herself. So very naturally Mrs. Rasselyer-Brown looked at once to Mrs. Buncomhearst to preside over the meetings of the new society.
 
The large dining-room at the Rasselyer-Browns' had been cleared out as a sort of , and in it some fifty or sixty of Mrs. Rasselyer-Brown's more intimate friends had gathered. The whole meeting was composed of ladies, except for the presence of one or two men who represented special cases. There was, of course, little Mr. Spillikins, with his face and football hair, who was there, as everybody knew, on account of Dulphemia; and there was old Judge Longerstill, who sat leaning on a gold-headed stick with his head sideways, trying to hear some fraction of what was being said. He came to the gathering in the hope that it would prove a likely place for seconding a vote of thanks and saying a few words—half an hour's talk, perhaps—on the constitution of the United States. Failing that, he felt sure that at least someone would call him "this old gentleman," and even that was better than staying at home.
 
But for the most part the audience was composed of women, and they sat in a little buzz of conversation waiting for Mr. Yahi-Bahi.
 
"I wonder," called Mrs. Buncomhearst from the chair, "if some lady would be good enough to write minutes? Miss Snagg, I wonder if you would be kind enough to write minutes? Could you?"
 
"I shall be delighted," said Miss Snagg, "but I'm afraid there's hardly time to write them before we begin, is there?"
 
"Oh, but it would be all right to write them afterwards," chorussed several ladies who understood such things; "it's quite often done that way."
 
"And I should like to move that we vote a constitution," said a lady with a double eye-glass.
 
"Is that carried?" said Mrs. Buncomhearst. "All those in favour please signify."
 
Nobody stirred.<............