“To-morrow.”
What name doth best fit Sorrow
In young despair?
“To-morrow.”
There was a much more lasting1 trouble at the rectory. Rex arrived there only to throw himself on his bed in a state of apparent apathy2, unbroken till the next day, when it began to be interrupted by more positive signs of illness. Nothing could be said about his going to Southampton: instead of that, the chief thought of his mother and Anna was how to tend this patient who did not want to be well, and from being the brightest, most grateful spirit in the household, was metamorphosed into an irresponsive, dull-eyed creature who met all affectionate attempts with a murmur3 of “Let me alone.” His father looked beyond the crisis, and believed it to be the shortest way out of an unlucky affair; but he was sorry for the inevitable4 suffering, and went now and then to sit by him in silence for a few minutes, parting with a gentle pressure of his hand on Rex’s blank brow, and a “God bless you, my boy.” Warham and the younger children used to peep round the edge of the door to see this incredible thing of their lively brother being laid low; but fingers were immediately shaken at them to drive them back. The guardian5 who was always there was Anna, and her little hand was allowed to rest within her brother’s, though he never gave it a welcoming pressure. Her soul was divided between anguish6 for Rex and reproach of Gwendolen.
“Perhaps it is wicked of me, but I think I never can love her again,” came as the recurrent burden of poor little Anna’s inward monody. And even Mrs. Gascoigne had an angry feeling toward her niece which she could not refrain from expressing (apologetically) to her husband.
“I know of course it is better, and we ought to be thankful that she is not in love with the poor boy; but really. Henry, I think she is hard; she has the heart of a coquette. I can not help thinking that she must have made him believe something, or the disappointment would not have taken hold of him in that way. And some blame attaches to poor Fanny; she is quite blind about that girl.”
Mr. Gascoigne answered imperatively7: “The less said on that point the better, Nancy. I ought to have been more awake myself. As to the boy, be thankful if nothing worse ever happens to him. Let the thing die out as quickly as possible; and especially with regard to Gwendolen—let it be as if it had never been.”
The rector’s dominant8 feeling was that there had been a great escape. Gwendolen in love with Rex in return would have made a much harder problem, the solution of which might have been taken out of his hands. But he had to go through some further difficulty.
One fine morning Rex asked for his bath, and made his toilet as usual. Anna, full of excitement at this change, could do nothing but listen for his coming down, and at last hearing his step, ran to the foot of the stairs to meet him. For the first time he gave her a faint smile, but it looked so melancholy9 on his pale face that she could hardly help crying.
“Nannie!” he said gently, taking her hand and leading her slowly along with him to the drawing-room. His mother was there, and when she came to kiss him, he said: “What a plague I am!”
Then he sat still and looked out of the bow-window on the lawn and shrubs10 covered with hoar-frost, across which the sun was sending faint occasional gleams:—something like that sad smile on Rex’s face, Anna thought. He felt as if he had had a resurrection into a new world, and did not know what to do with himself there, the old interests being left behind. Anna sat near him, pretending to work, but really watching him with yearning11 looks. Beyond the garden hedge there was a road where wagons13 and carts sometimes went on field-work: a railed opening was made in the hedge, because the upland with its bordering wood and clump14 of ash-trees against the sky was a pretty sight. Presently there came along a wagon12 laden15 with timber; the horses were straining their grand muscles, and the driver having cracked his whip, ran along anxiously to guide the leader’s head, fearing a swerve16. Rex seemed to be shaken into attention, rose and looked till the last quivering trunk of the timber had disappeared, and then walked once or twice along the room. Mrs. Gascoigne was no longer there, and when he came to sit down again, Anna, seeing a return of speech in her brother’s eyes, could not resist the impulse to bring a little stool and seat herself against his knee, looking up at him with an expression which seemed to say, “Do speak to me.” And he spoke17.
“I’ll tell you what I’m thinking of, Nannie. I will go to Canada, or somewhere of that sort.” (Rex had not studied the character of our colonial possessions.)
“Oh, Rex, not for always!”
“Yes, to get my bread there. I should like to build a hut, and work hard at clearing, and have everything wild about me, and a great wide quiet.”
“And not take me with you?” said Anna, the big tears coming fast.
“How could I?”
“I should like it better than anything; and settlers go with their families. I would sooner go there than stay here in England. I could make the fires, and mend the clothes, and cook the food; and I could learn how to make the bread before we went. It would be nicer than anything—like playing at life over again, as we used to do when we made our tent with the drugget, and had our little plates and dishes.”
“Father and mother would not let you go.”
“Yes, I think they would, when I explained everything. It would save money; and papa would have more to bring up the boys with.”
There was further talk of the same practical kind at intervals18, and it ended in Rex’s being obliged to consent that Anna should go with him when he spoke to his father on the subject.
Of course it was when the rector was alone in his study. Their mother would become reconciled to whatever he decided19 on, but mentioned to her first, the question would have distressed20 her.
“Well, my children!” said Mr. Gascoigne, cheerfully, as they entered. It was a comfort to see Rex about again.
“May we sit down with you a little, papa?” said Anna. “Rex has something to say.”
“With all my heart.”
It was a noticeable group that these three creatures made, each of them with a face of the same structural21 type—the straight brow, the nose suddenly straightened from an intention of being aquiline22, the short upper lip, the short but strong and well-hung chin: there was even the same tone of
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