Alch: Thou always speakest riddles. Tell me if thou art that fountain of which Bernard Lord Trevizan writ?
Merc: I am not that fountain, but I am the water. The fountain compasseth me about.
Sandivogius, “New Light of Alchymy.”
The Prince di — was not a man whom Naples could suppose to be addicted to superstitious fancies. Still, in the South of Italy, there was then, and there still lingers a certain spirit of credulity, which may, ever and anon, be visible amidst the boldest dogmas of their philosophers and sceptics. In his childhood, the prince had learned strange tales of the ambition, the genius, and the career of his grandsire,— and secretly, perhaps influenced by ancestral example, in earlier youth he himself had followed science, not only through her legitimate course, but her antiquated and erratic windings. I have, indeed, been shown in Naples a little volume, blazoned with the arms of the Visconti, and ascribed to the nobleman I refer to, which treats of alchemy in a spirit half-mocking and half-reverential.
Pleasure soon distracted him from such speculations, and his talents, which were unquestionably great, were wholly perverted to extravagant intrigues, or to the embellishment of a gorgeous ostentation with something of classic grace. His immense wealth, his imperious pride, his unscrupulous and daring character, made him an object of no inconsiderable fear to a feeble and timid court; and the ministers of the indolent government willingly connived at excesses which allured him at least from ambition. The strange visit and yet more strange departure of Mejnour filled the breast of the Neapolitan with awe and wonder, against which all the haughty arrogance and learned scepticism of his maturer manhood combated in vain. The apparition of Mejnour served, indeed, to invest Zanoni with a character in which the prince had not hitherto regarded him. He felt a strange alarm at the rival he had braved,— at the foe he had provoked. When, a little before his banquet, he had resumed his self-possession, it was with a fell and gloomy resolution that he brooded over the perfidious schemes he had previously formed. He felt as if the death of the mysterious Zanoni were necessary for the preservation of his own life; and if at an earlier period of their rivalry he had determined on the fate of Zanoni, the warnings of Mejnour only served to confirm his resolve.
“We will try if his magic can invent an antidote to the bane,” said he, half-aloud, and with a stern smile, as he summoned Mascari to his presence. The poison which the prince, with his own hands, mixed into the wine intended for his guest, was compounded from materials, the secret of which had been one of the proudest heir-looms of that able and evil race which gave to Italy her wisest and guiltiest tyrants. Its operation was quick yet not sudden: it produced no pain,— it left on the form no grim convulsion, on the skin no purpling spot, to arouse suspicion; you might have cut and carved every membrane and fibre of the corpse, but the sharpest eyes of the leech would not have detected the presence of the subtle life-queller. For twelve hours the victim felt nothing save a joyous and elated exhilaration of the blood; a delicious languor followed, the sure forerunner of apoplexy. No lancet then could save! Apoplexy had run much in the families of the enemies of the Visconti!
The hour of the feast arrived,— the guests assembled. There were the flower of the Neapolitan seignorie, the descendants of the Norman, the Teuton, the Goth; for Naples had then a nobility, but derived it from the North, which has indeed been the Nutrix Leonum,— the nurse of the lion-hearted chivalry of the world.
Last of the guests came Zanoni; and the crowd gave way as the dazzling foreigner moved along to the lord of the palace. The prince greeted him with a meaning smile, to which Zanoni answered by a whisper, “He who plays with loaded dice does not always win.”
The prince bit his lip, and Zanoni, passing on, seemed deep in conversation with the fawning Mascari.
“Who is the prince’s heir?” asked the guest.
“A distant relation on the mother’s side; with his Excellency dies the male line.”
“Is the heir present at our host’s banquet?”
“No; they are not friends.”
“No matter; he will be here tomorrow.”
Mascari stared in surprise; but the signal for the banquet was given, and the guests were marshalled to the board. As was the custom then, the feast took place not long after mid-day. It was a long, oval hall, the whole of one side opening by a marble colonnade upon a court or garden, in which the eye rested gratefully upon cool fountains and statues of whitest marble, half-sheltered by orange-trees. Every art that luxury could invent to give freshness and coolness to the languid and breezeless heat of the day without (a day on which the breath of the sirocco was abroad) had been called into existence. Artificial currents of air through invisible tubes, silken blinds waving to and fro, as if to cheat the senses into the belief of an April wind, and miniature jets d’eau in each corner of the apartment, gave to the Italians the same sense of exhilaration and COMFORT (if I may use the word) which the well-drawn curtains and the blazing hearth afford to the children of colder climes.
The conversation was somewhat more lively and intellectual than is common amongst the languid pleasure-hunters of the South; for the prince, himself accomplished, sought his acquaintance not only amongst the beaux esprits of his own country, but amongst the gay foreigners who adorned and relieved the monotony of the Neapolitan circles. There were present two or three of the brilliant Frenchmen of the old regime, who had already emigrated from the advancing Revolution; and their peculiar turn of thought and wit was well calculated for the meridian of a society that made the dolce far niente at once its philosophy and its faith. The prince, however, was more silent than usual; and when he sought to rouse himself, his spirits were forced and exaggerated. To the manners of his host, those of Zanoni afforded a striking contrast. The bearing of this singular person was at all times characterised by a calm and polished ease, which was attributed by the courtiers to the long habit of society. He could scarcely be called gay; yet few persons more tended to animate the general spirits of a convivial circle. He seemed, by a kind of intuition, to elicit from each companion the qualities in which he most excelled; and if occasionally a certain tone of latent mockery characterised his remarks upon the topics on which the conversation fell, it appeared to men who took nothing in earnest to be the language both of wit and wisdom. To the Frenchmen, in particular, there was something startling in his intimate knowledge of the minutest events in their own capital and country, and his profound penetration (evinced but in epigrams and sarcasms) into the eminent characters who were then playing a part upon the great stage of continental intrigue.
It was while this conversation grew animated, and the feast was at its height, that Glyndon arrived at the palace. The porter, perceiving by his dress that he was not one of the invited guests, told him that his Excellency was engaged, and on no account could be disturbed; and Glyndon then, for the first time, became aware how strange and embarrassing was the duty he had taken on himself. To force an entrance into the banquet-hall of a great and powerful noble, surrounded by the rank of Naples, and to arraign him for what to his boon-companions would appear but an act of gallantry, was an exploit that could not fail to be at once ludicrous and impotent. He mused a moment, and, slipping a piece of gold into the porter’s hand, said that he was commissioned to seek the Signor Zanoni upon an errand of life and death, and easily won his way across the court, and into the interior building. He passed up the broad staircase, and the voices and merriment of the revellers smote his ear at a distance. At the entrance of the reception-rooms he found a page, whom he despatched with a message to Zanoni. The page did the errand; and Zanoni, on hearing the whispered name of Glyndon, turned to his host.
“Pardon me, my lord; an English friend of mine, the Signor Glyndon (not unknown by name to your Excellency) waits without,— the business must indeed be urgent on which he has sought me in such an hour. You will forgive my momentary absence.”
“Nay, signor,” answered the prince, courteously, but with a sinister smile on his countenance, “would it not be better for your friend to join us? An Englishman is welcome everywhere; and even were he a Dutchman, your friendship would invest his presence with attraction. Pray his attendance; we would not spare you even for a moment.”
Zanoni bowed; the page was despatched with all flattering messages to Glyndon,— a seat next to Zanoni was placed for him, and the young Englishman entered.
“You are most welcome, sir. I trust your business to our illustrious guest is of good omen and pleasant import. If you bring evil news, defer it, I pray you.”
Glyndon’s brow was sullen; and he was about to startle the guests by his reply, when Zanoni, touching his arm significantly, whispered in English, “I know why you have sought me. Be silent, and witness what ensues.”
“You know then that Viola, whom you boasted you had the power to save from danger —”
“Is in this house!— yes. I know also that Murder sits at the right hand of our host. But his fate is now separated from hers forever; and the mirror which glasses it to my eye is clear through the streams of blood. Be still, and learn the fate that awaits the wicked!
“My lord,” said Zanoni, speaking aloud, “the Signor Glyndon has indeed brought me tidings not wholly unexpected. I am compelled to leave Naples,— an additional motive to make the most of the present hour.”
“And what, if I may venture to ask, may be the cause that brings such affliction on the fair dames of Naples?”
“It is the approaching death of one who honoured me with most loyal friendship,” replied Zanoni, gravely. “Let us not speak of it; grief cannot put back the dial. As we supply by new flowers those that fade in our vases, so it is the secret of worldly wisdom to replace by fresh friendships those that fade from our path.”
“True philosophy!” exclaimed the prince. “‘Not to admire,’ was the Roman’s maxim; ‘Never to mourn,’ is mine. There is nothing in life to grieve for, save, indeed, Signor Zanoni, when some young beauty, on whom we have set our hearts, slips from our grasp. In such a moment we have need of all our wisdom, not to succumb to despair, and shake hands with death. What say you, signor? You smile! Such never could be your lot. Pledge me in a sentiment, ‘Long life to the fortunate lover,— a quick release to the baffled suitor’?”
“I pledge you,” said Zanoni; and, as the fatal wine was poured into his glass, he repeated, fixing his eyes on the prince, “I pledge you even in this wine!”
He lifted the glass to his lips. The prince seemed ghastly pale, while the gaze of his guest bent upon him, with an intent and stern brightness, beneath which the conscience-stricken host cowered and quailed. Not till he had drained his draft, and replaced the glass upon the board, did Zanoni turn his eyes from the prince; and he then said, “Your wine has been kept too long; it has lost its virtues. It might disagree with many, but do not fear: it will not harm me, prince, Signor Mascari, you are a judge of the grape; will you favour us with your opinion?”
“Nay,” answered Mascari, with well-affected composure, “I like not the wines of Cyprus; they are heating. Perhaps Signor Glyndon may not have the same distaste? The English are said to love their potations warm and pungent.”
“Do you wish my friend also to taste the wine, prince?” said Zanoni. “Recollect, all cannot drink it with the same impunity as myself.”
“No,” said the prince, hastily; “if you do not recommend the wine, Heaven forbid that we should constrain our guests! My lord duke,” turning to one of the Frenchmen, “yours is the true soil of Bacchus. What think you of this cask from Burgundy? Has it borne the journey?”
“Ah,” said Zanoni, “let us change both the wine and the theme.”
With that, Zanoni grew yet more animated ............