The charge at Bozo’s lodging-house was ninepence a night. It was a large, crowded place, with accommodation for five hundred men, and a well-known rendezvous of tramps, beggars, and petty criminals. All races, even black and white, mixed in it on terms of equality. There were Indians there, and when I spoke to one of them in bad Urdu he addressed me as ‘turn’ — a thing to make one shudder, if it had been in India. We had got below the range of colour prejudice. One had glimpses of curious lives. Old ‘Grandpa’, a tramp of seventy who made his living, or a great part of it, by collecting cigarette ends and selling the tobacco at threepence an ounce. ‘The Doctor’ — he was a real doctor, who had been struck off the register for some offence, and besides selling newspapers gave medical advice at a few pence a time. A little Chittagonian lascar, barefoot and starving, who had deserted his ship and wandered for days through London, so vague and helpless that he did not even know the name of the city he was in — he thought it was Liverpool, until I told him. A begging-letter writer, a friend of Bozo’s, who wrote pathetic appeals for aid to pay for his wife’s funeral, and, when a letter had taken effect, blew himself out with huge solitary gorges of bread and margarine. He was a nasty, hyena-like creature. I talked to him and found that, like most swindlers, he believed a great part of his own lies. The lodging-house was an Alsatia for types like these.

While I was with Bozo he taught me something about the technique of London begging. There is more in it than one might suppose. Beggars vary greatly, and there is a sharp social line between those who merely cadge and those who attempt to give some value for money. The amounts that one can earn by the different ‘gags’ also vary. The stories in the Sunday papers about beggars who die with two thousand pounds sewn into their trousers are, of course, lies; but the better-class beggars do have runs of luck, when they earn a living wage for weeks at a time. The most prosperous beggars are street acrobats and street photographers. On a good pitch — a theatre queue, for instance — a street acrobat will often earn five pounds a week. Street photographers can earn about the same, but they are dependent on fine weather. They have a cunning dodge to stimulate trade. When they see a likely victim approaching one of them runs behind the camera and pretends to take a photograph. Then as the victim reaches them, they exclaim:

‘There y’are, sir, took yer photo lovely. That’ll be a bob.’

‘But I never asked you to take it,’ protests the victim.

‘What, you didn’t want it took? Why, we thought you signalled with your ‘and. Well, there’s a plate wasted! That’s cost us sixpence, that ‘as.’

At this the victim usually takes pity and says he will have the photo after all. The photographers examine the plate and say that it is spoiled, and that they will take a fresh one free of charge. Of course, they have not really taken the first photo; and so, if the victim refuses, they waste nothing.

Organ-grinders, like acrobats, are considered artists rather than beggars. An organ-grinder named Shorty, a friend of Bozo’s, told me all about his trade. He and his mate ‘worked’ the coffee-shops and public-houses round Whitechapel and the Commercial Road. It is a mistake to think that organ-grinders earn their living in the street; nine-tenths of their money is taken in coffee-shops and pubs — only the cheap pubs, for they are not allowed into the good-class ones. Shorty’s procedure was to stop outside a pub and play one tune, after which his mate, who had a wooden leg and could excite compassion, went in and passed round the hat. It was a point of honour with Shorty always to play another tune after receiving the ‘drop’ — an encore, as it were; the idea being that he was a genuine entertainer and not merely paid to go away. He and his mate took two or three pounds a week between them, but, as they had to pay fifteen shillings a week for the hire of the organ, they only averaged a pound a week each. They were on the streets from eight in the morning till ten at night, and later on Saturdays.

Screevers can sometimes be called artists, sometimes not. Bozo introduced me to one who was a ‘real’ artist — that is, he had studied art in Paris and submitted pictures to the Salon in his day. His line was copies of Old Masters, which he did marvellously, considering that he was drawing on stone. He told me how he began as a screever:

‘My wife and kids Were starving. I was walking home late at night, with a lot of drawings I’d been taking round the dealers, and wondering how the devil to raise a bob or two. Then, in the Strand, I saw a fellow kneeling on the pavement drawing, and people giving him pennies. As I came past he got up and went into a pub. “Damn it,” I thought, “if he can make money at that, so can I.” So on the impulse I knelt down and began drawing with his chalks. Heaven knows how I came to do it; I must have been lightheaded with hunger. The curious thing was that I’d never used pastels before; I had to learn the technique as I went along. Well, people began to stop and say that my drawing wasn’t bad, arid they gave me ninepence between them. At this moment the other fellow came out of the pub. “What in — are you doing on my pitch?” he said. I explaine............