Arthur Lovell went often to Maudesley Abbey. Henry Dunbar welcomed him freely, and the young man had not the power to resist temptation. He went to his doom as the foolish moth flies to the candle. He went, he saw Laura Dunbar, and spent hour after hour in her society: for his presence was always agreeable to the impetuous girl. To her he seemed, indeed, that which he had promised to be, a brother — kind, devoted, affectionate: but no more. He was endeared to Laura by the memory of a happy childhood. She was grateful to him, and she loved him: but only as she would have loved him had he been indeed her brother. Whatever deeper feeling lay beneath the playful gaiety of her manner had yet to be awakened.
So, day after day, the young man bowed down before the goddess of his life, and was happy — ah, fatally happy! — in her society. He forgot everything except the beautiful face that smiled on him. He forgot even those dark doubts which he had felt as to the secret of the Winchester murder.
Perhaps he would scarcely have forgotten the suspicions that had entered his mind after the first interview between the banker and his daughter, had he seen much of Henry Dunbar. But he saw very little of the master of Maudesley Abbey. The rich man took possession of the suite of apartments that had been prepared for him, and rarely left his own rooms: except to wander alone amongst the shady avenues of the park: or to ride out upon the powerful horse he had chosen from the stud purchased by Percival Dunbar.
This horse was a magnificent creature; the colt of a thorough-bred sire, but of a stronger and larger build than a purely thorough-bred animal. He was a chestnut horse, with a coat that shone like satin, and not a white hair about him. His nose was small, his eyes large, his ears and neck long. He had all the points which an Arab prizes in his favourite barb.
To this horse Henry Dunbar became singularly attached. He had a loose box built on purpose for the animal in a private garden adjoining his own dressing-room, which, Like the rest of his apartments, was situated upon the ground-floor of the abbey. Mr. Dunbar’s groom slept in a part of the house near this loose box: and horse and man were at the service of the banker at any hour of the day or night.
Henry Dunbar generally rode either early in the morning, or in the grey twilight after his dinner-hour. He was a proud man, and he was not a sociable man. When the county gentry came to welcome him to England, he received them, and thanked them for their courtesy. But there was something in his manner that repelled rather than invited friendship. He gave one great dinner-party soon after his arrival at Maudesley, a ball, at which Laura floated about in a cloud of white gauze, and with diamonds in her hair; and a breakfast and morning concert on the lawn, in compliance with the urgent entreaties of the same young lady. But when invitations came flooding in upon Mr. Dunbar, he declined them one after another, on the ground of his weak health. Laura might go where she liked, always provided that she went under the care of a suitable chaperone; but the banker declared that the state of his health altogether unfitted him for society. His constitution had been much impaired, he said, by his long residence in Calcutta. And yet he looked a strong man. Tall, broad-chested, and powerful, it was very difficult to perceive in Henry Dunbar’s appearance any one of the usual evidences of ill-health. He was very pale: but that unchanging pallor was the only sign of the malady from which he suffered.
He rose early, rode for a couple of hours upon his chestnut horse Dragon, and then breakfasted. After breakfast he sat in his luxurious sitting-room, sometimes reading, sometimes writing, sometimes sitting for hours together brooding silently over the low embers in the roomy fireplace. At six o’clock he dined, still keeping to his own room — for he was not well enough to dine with his daughter, he said: and he sat alone late into the night, drinking heavily, according to the report current in the servants’ hall.
He was respected and he was feared in his household: but he was not liked. His silent and reserved manner had a gloomy influence upon the servants who came in contact with him: and they compared him very disadvantageously with his predecessor, Percival Dunbar; the genial, kind, old master, who had always had a cheerful, friendly word for every one of his dependants: from the stately housekeeper in rustling silken robes, to the smallest boy employed in the stables.
No, the new master of the abbey was not liked. Day after day he lived secluded and alone. At first, his daughter had broken in upon his solitude, and, with bright, caressing ways, had tried to win him from his loneliness: but she found that all her efforts to do this were worse than useless: they were even disagreeable to her father: and, by degrees, her light footstep was heard less and less often in that lonely wing of the house where Henry Dunbar had taken up his abode.
Maudesley Abbey was a large and rambling old mansion, which had been built in half-a-dozen different reigns. The most ancient part of the building was that very northern wing which Mr. Dunbar had chosen for himself. Here the architecture belonged to the early Plantagenet era; the stone walls were thick and massive, the lancet-headed windows were long and narrow, and the arms of the early benefactors of the monastery were emblazoned here and there upon the richly stained glass. The walls were covered with faded tapestry, from which grim faces scowled upon the lonely inhabitant of the chambers. The groined ceiling was of oak, that had grown black with age. The windows of Mr. Dunbar’s bedroom and dressing-room opened into a cloistered court, beneath whose solemn shadow the hooded monks had slowly paced, in days that were long gone. The centre of this quadrangular court had been made into a garden, where tall hollyhocks and prim dahlias flaunted in the autumn sunshine. And within this cloistered courtway Mr. Dunbar had erected the loose box for his favourite horse.
The southern wing of Maudesley Abbey owed its origin to a much later period. The windows and fireplaces at this end of the house were in the Tudor style; the polished oak wainscoting was very beautiful; the rooms were smaller and snugger than the tapestried chambers occupied by the banker; Venetian glasses and old crystal chandeliers glimmered and glittered against the sombr............