"Listen," said that charming girl, speaking with all the candor proper to her age, and all the naivete of her amiable character; "listen to me, Therese, I am going to tell you everything, for I see you are a well brought up girl... incapable of betraying the secret I am going to confide to you.
"Certainly, dear friend, my father could make ends meet without pursuing either of these two occupations; and if he pursues both at once, it is because of the two motives I am going to reveal to you. He practices medicine because he has a liking for it; he takes keen pleasure in using his skill to make new discoveries, he has made so many of them, he has written so many authoritative texts based upon his investigations that he is generally acknowledged the most accomplished man in France at the present time; he worked for twenty years in Paris, and for the sake of his amusements he retired to the country. The real surgeon at Saint-Marcel is someone named Rombeau whom he has taken under his tutelage and with whom he collaborates upon experiments; and now, Therese, would you know why he runs a school?... Libertinage, my child, libertinage alone, a passion he carries to its extremes. My father finds in his pupils of either sex objects whose dependence submits them to his inclinations, and he exploits them.... But wait a moment ... come with me," said Rosalie, "today is Friday, one of the three days during the week when he corrects those who have misbehaved; it is in this kind of punishment my father takes his pleasure; follow me, I tell you, you shall see how he behaves. Everything is visible from a closet in my room which adjoins the one where he concludes his business; let's go there without making any noise, and above all be careful not to say a word both about what I am telling you and about what you are going to witness."
It was a matter of such great importance to familiarize myself with the customs of this person who had offered me asylum, that I felt I could neglect nothing which might discover them to me; I follow hard upon Rosalie's heels, she situates me near a partition, through cracks between its ill-joined boards one can view everything going on in the neighboring room.
Hardly have we taken up our post when Rodin enters, leading a fourteen-year-old girl, blond and as pretty as Love; the poor creature is sobbing away, all too unhappily aware of what awaits her; she comes in with moans and cries; she throws herself down before her implacable instructor, she entreats him to spare her, but his very inexorability fires the first sparks of the unbending Rodin's pleasure, his heart is already aglow, and his savage glances spring alive with an inner light....
"Why, no, no," he cries, "not for one minute, this happens far too frequently, Julie, I repent my forbearance and leniency, their sole result has been repeated misconduct on your part, but could the gravity of this most recent example of it possibly allow me to show clemency, even supposing I wished to? A note passed to a boy upon entering the classroom!"
"Sir, I protest to you, I did not -"
"Ah I but I saw it, my dear, I saw it."
"Don't believe a word of it," Rosalie whispered to me, "these are trifles he invents by way of pretext; that little creature is an angel, it is because she resists him he treats her harshly."
Meanwhile, Rodin, greatly aroused, had seized the little girl's hands, tied them to a ring fitted high upon a pillar standing in the middle of the punishment room. Julie is without any defense... any save the lovely face languishingly turned toward her executioner, her superb hair in disarray, and the tears which inundate the most beautiful face in the world, the sweetest... the most interesting. Rodin dwells upon the picture, is fired by it, he covers those supplicating eyes with a blindfold, approaches his mouth and dares kiss them, Julie sees nothing more, now able to proceed as he wishes, Rodin removes the veils of modesty, her blouse is unbuttoned, her stays untied, she is naked to the waist and yet further below.... What whiteness! What beauty! These are roses strewn upon lilies by the Graces' very hands... what being is so heartless, so cruel as to condemn to torture charms so fresh... so poignant? What is the monster that can seek pleasure in the depths of tears and suffering and woe? Rodin contemplates... his inflamed eye roves, his hands dare profane the flowers his cruelties are about to wither; all takes place directly before us, not a detail can escape us: now the libertine opens and peers into, now he closes up again those dainty features which enchant him; he offers them to us under every form, but he confines himself to these only: although the true temple of Love is within his reach, Rodin, faithful to his creed, casts not so much as a glance in that direction, to judge by his behavior, he fears even the sight of it; if the child's posture exposes those charms, he covers them over again; the slightest disturbance might upset his homage, he would have nothing distract him... finally, his mounting wrat............